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The suspenseful film “See for Me” appears to have been made in an effort to find out what would result if the video game “Call of Duty” and the Audrey Hepburn classic “Wait Until Dark” were combined. That is certainly a catchy idea, and it probably will draw viewers to Randall Okita’s movie who are interested in seeing how it all turns out. What they’ll get instead is a film that, for the most part, fails to live up to its intriguing premise. A few crucial creative choices undermine any opportunity for genuine emotional investment and reduce the film to little more than a stylistic exercise that is only marginally original.
Sophie (Skyler Davenport), a downhill skier whose once-promising career crashed and burned after she became legally blind, is our protagonist. Sophie, who is now resentful and reclusive, chooses not to follow her mother’s well-intended advice to head back to the slopes and instead takes a series of jobs housesitting mansions in order to snatch a few pricey but easily overlooked items that she can sell for some fast cash. She’s going to Debra’s (Laura Vandervoort’s) undoubtedly isolated mansion for a few days to cat-sit while she hopes to get away with a bottle of wine that’s worth a few thousand dollars. She has just arrived when she unintentionally locks herself outdoors and uses the See for Me app to connect with volunteers who will use her phone’s camera to help guide her around. Kelly (Jessica Parker Kennedy), her assistant, is a former soldier who now plays video games 24 hours a day. Kelly uses her expertise in both fields to rapidly bring Sophie back inside.
That evening, Otis (George Tchortov), Dave (Joe Pingue), and Ernie (Pascal Langdale) sneak into what they believe to be an empty home on the orders of a fourth guy (Kim Coates) over the phone in order to pry open a hidden safe and release its contents. As soon as Kelly and Sophie become aware of one another, a cat-and-mouse game takes place in the largely darkened mansion as Kelly tries to bring Sophie to safety and Sophie considers joining the thieves in exchange for a portion.
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The premise of “See for Me” is unquestionably intriguing; it’s the kind of bold notion that someone like the late, great Larry Cohen might have developed into a clever B-movie inventiveness exercise. But the screenplay by Adam Yorke and Tommy Gushue suffers from two significant conceptual errors, one of which may be unavoidable. The obvious issue is that, despite the fact that the concept of a house invasion thriller in which a blind person is guided by an app seems ingenious, it falls flat because it unfairly places Sophie on an equal footing with the robbers very early on, thus reducing the threat potential. Although Okita never quite reaches that next level of inspiration, perhaps this could have worked in the hands of a more aesthetically innovative director like Brian De Palma, who could have still milked the subject for maximum suspense. Instead, we are left breathlessly awaiting what seems to be Sophie’s impending phone death, at which point she will be left without her high-tech advantage and forced to fend for herself.
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The character of Sophie herself, who is portrayed in such a repulsive way that most viewers will find it impossible to root for her or her survival, is the other issue with the movie, in all honesty. I understand that the movie wants to challenge the cliché of the sweet, defenseless, and brave blind young woman, who the audience is clearly supposed to feel protective of throughout. That is intriguing to a point, similar to the premise. A lot too often, Sophie’s moral uncertainty makes it difficult to empathize with her, especially when her self-serving actions eventually have disastrous repercussions for another character. This is when the screenplay goes way too far in the opposite direction.
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I should emphasize that Davenport, who is legally blind in real life and is also without a doubt the best and most engaging part of “See for Me,” is not at fault for this. Davenport frequently gives a performance that is more powerful, perceptive, and fascinating than the material inherently warrants. Davenport almost makes “See for Me” worth watching and will have you wondering what they could achieve with stronger material, even though their work ultimately isn’t enough to make it anything more than a gimmick movie that never quite pays off.
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