Respond to these rapid questions in our Top Gun Maverick2022 quiz and we will tell you which Top Gun Maverick2022 character you are. Play it now.
An admiral refers to Tom Cruise’s navy aviator Pete Mitchell—call sign “Maverick”—as “the fastest man alive” in “Top Gun: Maverick,” the breathless, gravity- and logic-defying “Top Gun” sequel that, despite arriving more than three decades after the late Tony Scott’s original, somehow makes all the sense in the world. A similar sequence from “Mission: Impossible – Rogue Nation,” in which Alec Baldwin’s high-ranking Alan Hunley calls Tom Cruise’s Ethan Hunt “the living personification of destiny,” also makes you laugh. Neither of these quotes from Cruise’s co-stars specifically mention his fictional on-screen personas. Additionally (or rather, mostly), they are discussing Cruise the actor’s enduring legacy.
Since he is one of the last remaining examples of genuine cinema superstardom from bygone eras, our fearless and consistently gorgeous action hero deserves a warm round of applause for both assessments. These days, they just don’t create them like they used to. In fact, I would contend that Cruise merits the same level of high-brow respect typically reserved for the fully-method types like Daniel Day-Lewis due to his consistent dedication to Hollywood showmanship and the insane levels of physical skill he insistence on putting on the table by insisting to do his own stunts. You will never forget why you go to a Tom Cruise movie, thanks in large part to his aforementioned enduring dedication, even if you manage to overlook the fact that Cruise is one of our most talented and versatile dramatic and comedic actors with credits like “Born on the Fourth of July,” “Magnolia,” “Tropic Thunder,” and “Collateral” under his belt. How many other well-known figures today can make the assertion that they will always deliver on “a distinct movie event”?
In that sense, “Top Gun: Maverick,” directed by Joseph Kosinski, will feel right at home. It’s a funny adrenaline rush that lets its star producer be exactly who he is while raising the emotional and dramatic stakes of its predecessor with a fair (but not excessive) dose of nostalgia. After the same title card that introduced us to the world of top-tier Navy pilots in 1986, we find Maverick in a role on the periphery of the US Navy, operating as an unflappable test pilot against the recognizable background of Kenny Loggins’ “Danger Zone.” You won’t be shocked to learn that he soon accepts a position as a trainer for a bunch of recent Top Gun graduates on a one-last-job sort of mission. Their task is equally enigmatic and politically absurd as it was in the first film. A flight plan that sounds crazy, a target that needs to be destroyed, an unknown enemy—call let’s it Russia because it’s undoubtedly Russia—some targets, and a strategy that will force all successful Top Gun recruits to fly at extremely low altitudes are all present. Can it be done, though?
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It’s a long shot, if the operation’s specifics—which were described to the hopeful aviators in a “It can’t be done” manner akin to “Mission: Impossible”—are any hint. You’ll be startled to learn that the human drama that Ehren Kruger, Eric Warren Singer, and Christopher McQuarrie co-write from a scenario by Peter Craig and Justin Marks is more compelling than the idea of the absurd mission in this instance. Lt. Bradley “Rooster” Bradshaw (Miles Teller, fantastic), the son of the sadly deceased “Goose,” whose accident death still haunts Maverick as much as it bothers the rest of us, is among the group of prospective recruits. Despite Maverick’s protective instincts towards Rooster, there are many who doubt Maverick’s abilities. Jon Hamm’s Cyclone, for example, finds it puzzling that Maverick’s enemy-turned-friend Iceman (Val Kilmer, who is back with a heartbreaking role), insists on him as the mission’s trainer. Maverick’s erratic relationship with Penny Benjamin (a bewitching Jennifer Connelly), a new character who was heavily mentioned in the first film, as some may recall, adds to the complications. What a conundrum it is to have to protect one’s country while also celebrating a particular type of American patriotism…
Top Gun Maverick2022 Quiz
All the hullabaloo patriotism and haughty fist-raising in “Top Gun: Maverick” may have been borderline intolerable in an other context. But happily, Kosinski seems to understand exactly what kind of movie he is required to make. His neglected and unappreciated film “Only The Brave” will hopefully find a second life now. With plenty of quotable zingers and unexpectedly heartbreaking moments, “Maverick’s” tone finds a delicate balance between lighthearted vanity and half-serious self-deprecation in his capable hands.
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In some ways, the themes of friendship, loyalty, romance, and, well, bromance, are what this film takes most seriously. Everything else that surrounds those ideas, such as patriotic egotism, feels like humorous winks and embellishments aimed at creating a classic action film. And because everyone in the cast is clearly in this mode—including a memorable Ed Harris who begs for more screen time—as well as the consistently excellent Glen Powell as the seductively arrogant “Hangman,” Greg Tarzan Davis as “Coyote,” Jay Ellis as “Payback,” Danny Ramirez as “Fanboy,” Monica Barbaro as “Phoenix,” and Lewis Pullman as “Bob”—”Top Gun: Maverick” occasionally runs on its As addition, in a throwback to the original, a pretty erotic beach football sequence, filmed with crimson hues and seductive shadows by Claudio Miranda, serves as further proof of the intense, scorching connection between Connelly and Cruise throughout.
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However, “Maverick’s” action scenes, which frequently feature all the low-altitude flights, airborne dogfights, and Cruise riding a motorcycle while wearing his original Top Gun leather jacket, are also its breathtaking stars (aided by cues from Hans Zimmer and Lorne Balfe). According to reports, all the flying scenes—including two that are pure hell-yes moments for Cruise—were shot in real U.S. Navy F/A-18s, for which the cast had to through an incredible process of training. Every frame reveals the genuine effort that put into it. The sensation the jets produce feels magical and deserving of the largest screen one can find as they slice through the atmosphere and brush their target soils in close-shave movements—all coherently edited by Eddie Hamilton. The “Maverick’s” unexpectedly powerful emotional strokes are as deserving of that enormous screen. With “Maverick,” you might be ready for a second skydance, but perhaps not one that would call for a few tissues in the closing moments.
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available on May 27 in theaters.
For more personality quizzes check this: The Fabelmans Quiz.
