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Athens was the staging ground for a hijacking of an Air France flight from Tel Aviv to Paris in June 1976. The hijackers boarded the plane during a stopover at the Greek capital. They forced the crew to fly the nearly 250 passengers to Libya for refueling before continuing on to their final destination of Entebbe, Uganda, where they imprisoned them in an abandoned airport terminal for a week before being rescued by an elite team of Israeli commandos during a nighttime raid on the terminal.
It was a daring operation that captured the attention of the entire world and served as inspiration for several films, including 1977’s “Operation Thunderbolt.” However, if you watched its most recent big-screen adaptation, the strangely sluggish and dull “7 Days in Entebbe,” you’d have no idea how thrilling this mission truly was.
Brazilian director Jose Padilha has made a name for himself with action films, including the “Elite Squad” series, and the film’s later bursts of intensity are unquestionably its most memorable moments. Padilha, working from a script by Gregory Burke, employs a back-and-forth narrative structure, which, while effective, prevents the film from achieving its full potential momentum.
“7 Days in Entebbe” actually begins on a spare stage with a semi-circle of chairs as members of the Batsheva Dance Company work through their performance of Ohad Naharin’s “Echad Mi Yodea,” which features rousing percussion and a rousing melody that provides a driving rhythm to the piece. “7 Days in Entebbe” is a production of the Batsheva Dance Company. After returning to it numerous times, including some insistent parallel editing during the climactic rescue, Padilha concludes that the scene will never work. The meaning of whatever he is trying to convey about people rising up and asserting themselves in the face of oppression is never made explicit.
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“7 Days in Entebbe” is a film that, unlike previous versions of this story, focuses on the hijackers: specifically, German nationals Wilfried Bose (a quietly intense Daniel Bruhl) and Brigitte Kuhlmann (a jittery, de-glammed Rosamund Pike), who have teamed up with members of a pro-Palestinian group to plan and carry out this mid-air attack on Israel. While they’re trying to keep their cool, they’re finding that they’re getting further and further out of control.
However, they are also cognizant of the negative optics of Germans singling out and separating the Jewish passengers from the rest of the group after confiscating everyone’s passports, which they have done. There is a passing mention of the residual guilt that still afflicts so many Germans today, only a few decades after the Holocaust, but it is just one of many fantastical ideas that are briefly mentioned and then dismissed.
7 Days In Entebbe Quiz
Instead, normally resourceful actors like Pike are limited in their ability to accomplish much when they are tasked with explaining who they are and what they believe in a simplistic manner. “I consider myself a revolutionary,” she declares. Later on, he said, “I only fear living a life that has no meaning.”
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But hold on a sec. Padilha has a slew of new characters to introduce, as well as a variety of new perspectives to throw into the mix.
Back in Jerusalem, Prime Minister Yitzhak Rabin (Lior Ashkenazi, who has always been dependable and solid) wants to do something that Israel has repeatedly stated it will never do: negotiate with terrorists. The Israeli defense minister, Shimon Peres (an unblinking Eddie Marsan, despite some unfortunate fake eyebrows), wants to make a stronger statement and take swift action while the rest of the world is watching. As a result of the development of Operation Thunderbolt, as the rescue plan came to be known, the situation was stabilized.
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The threat of what wild-card Ugandan President Idi Amin (Nonso Anozie) might do looms in the background, despite the fact that he has given his blessing to the terrorists’ attempt to hold their hostages in his country. Amin is portrayed as imposing but gregarious, rather than volatile and frightening, in the movie. Aside from an elderly German Holocaust survivor who forms a brief emotional bond with Bruhl’s character and the flight’s engineer (a very good Denis Menochet), who serves as a much-needed, level-headed voice of reason, the vast majority of the passengers are an anonymous, voiceless mass of humanity.
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Regardless of the character or setting, everything is bathed in a warm, smoky light that is evocative of the time period. At the time, oversized sunglasses, wood paneling, and the ever-present cigarettes were all given considerable attention. “7 Years in Entebbe” makes every effort to give you the impression that you’re watching a film that was actually made in the 1970s, using news reports and archival footage from the time period to accomplish this. However, it falls short of its intended effect in terms of evoking emotional responses or providing political relevance in today’s world.
For more personality quizzes check this: Juliet Naked Quiz.
