Respond to these rapid questions in our Relic quiz and we will tell you which Relic character you are. Play it now.
“Where has everyone gone? What happened to everyone?” She is desperate for an answer, which is why the old, befuddled woman (Robyn Nevin) asks the same question over and over again. Her daughter and granddaughter are present, but she is experiencing a sense of complete isolation and is wondering where “everyone” has vanished into thin air. When it comes to the creepy haunted-house film “Relic,” which marks the directorial debut of Australian filmmaker Natalie Erika James, this heart-wrenching scene is the heart and soul of the film. Yes, the house is haunted, but it is the characters themselves who are haunted, haunted by the past, by regrets and shame, by things left unsaid or undone, by unmanaged grief and loss, and by things left undone or unsaid. These experiences are so overwhelming that the entire world seems to have become a haunted house. “Relic,” which has a script co-written by James and Christian White, is filled with subtle detail, character depth, and a creeping sense of foreboding, all of which are accentuated by the three central performances given by Nevin, Emily Mortimer, and Bella Heathcote, who all give outstanding performances.
As soon as Kay (Mortimer) receives word from the police that her elderly mother has gone missing for a couple of days, she and her daughter Sam (Heathcote) embark on a road trip in search of the missing woman. Edna (Nevin) is a large woman who lives in a large house in a wooded rural area. Kay and Sam arrive at the house to find it empty, with no obvious signs of anything being wrong (at least not at first glance). However, there are some unexplained details that raise the possibility that Edna was on the verge of losing her mind. It has been decided to turn the armchair in the living room so that it faces the bay window. The back door has a strange lock attached to it, which makes no sense. Edna has vanished without a trace. When Edna reappears a couple of days later, she is unable to provide an explanation for her disappearance. She appears to be completely disoriented and irritated by all of the attention being focused on her. Kay, as well as the doctor who examines her, attribute her symptoms to old age and possibly dementia. Kay agrees to spend a couple of days with her mother, despite the fact that it is becoming increasingly obvious that Edna is not well and will require full-time care in the future.
Throughout the film, things are said and unsaid are simmering in the interactions between these three generations of women, which makes for a very slow-burning experience. In “Relic,” the filmmakers are not in a hurry to overwhelm us with information, psychology, or the film’s backstory. Kay has been a somewhat absentee mother and a somewhat absentee daughter. She hasn’t spoken to her mother in weeks, and she is worried. It isn’t a particularly close relationship. Kay is filled with a great deal of guilt. Sam offers to leave her job and live with her grandmother in order to care for her in her old age. Kay is adamantly opposed to this notion.
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A mesmerizing blend of frenetic action (particularly as it nears its climax) and almost unbearable stillness, “Relic” was directed by Charlie Sarroff. If you look closely at the way the house is shot, it looks like a dusty, long-abandoned museum, with the camera lingering on specific objects such as the stained-glass window in the front door, the thick curls of wax from the candles Edna makes, the spots of black mould on the walls, and the rotting fruit in the bowl. A long static shot of the empty hallways, the shadowy stairs, and the partially opened door is interspersed with the women’s conversations. The effect is unsettlingly surreal. Suddenly, something appears to be approaching. Alternatively, you can park right outside the door. Something is lurking behind the closed doors. The shadows are moving. Kay and Sam both have a strong sense that something is seriously wrong in this house. However, Edna’s fear of the house, as well as the small note she keeps crumpled up in her pocket (“DON’T FOLLOW IT”), are attributed to Alzheimer’s disease.
Relic Quiz
This aspect of the film is the most thought-provoking and poignant of the entire production. Edna’s concerns are well-founded: there is something in the house that does not appear to be quite right. But her voice goes unheard because the elderly in general are not taken into consideration. They are treated as if they are beneath us, dismissed, or ignored. It is assumed that Edna is suffering from dementia because of her loneliness and her terrors. But it’s possible that Edna is the only one who truly understands what’s going on. While the other women in the house are trembling with fear, she has the firmest grasp on her own reality of anyone else in the house, as evidenced by her question, “Where’s everyone?” It is a terrifying experience to witness a loved one succumb to the grip of Alzheimer’s disease. It’s as if you’re losing small pieces of them one at a time. Ideally, you’d like to hold onto the person they used to be. Alzheimer’s disease is a cruel disease. The song “Relic” is filled with the agony of that experience, as well as the guilt Kay feels for even considering looking into “homes” where Edna could be placed.
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Meanwhile, however, the house continues to transform, and this transformation is an organic process that occurs spontaneously, much like a natural phenomenon. The final 20 minutes of “Relic” are extremely nerve-wracking, with a strong sense of claustrophobia and terror pervading the atmosphere. A number of other insane houses in film and/or literature are referenced in the film, such as the arms bursting out of the hallway walls in Roman Polanski’s “Repulsion,” the house in Darren Aronofsky’s “mother!” that slowly transforms into a dystopian nightmare, and Mark Danielewski’s classic novel House of Leaves, which is about a house whose interior measurements are larger than its exterior measurements. It is implied that the house in “Relic” is a disguise for the house behind it, which is the real house. This is an evocative metaphor for the human condition in general. “Relic” is an extremely strong debut feature film from this extremely talented director.
About the quiz
Starting this weekend at select drive-in theaters, and then expanding to digital, VOD, and additional theaters the following week, on July 10th.Also, you must try to play this Relic quiz.
For more personality quizzes check this: Promising Young Woman Quiz.
