Respond to these rapid questions in our Love Story quiz and we will tell you which Love Story character you are. Play it now.
Curiosity got the better of me one morning, and I read Love Story in under fourteen minutes. I was interested in learning why it had been purchased by over five and a half million people. I was unable to complete the task. I was so turned off by Erich Segal’s writing style, in fact, that I had no desire to watch the film at all. In fact, Segal’s prose style is so repulsively coy — kind of like a cross between a parody of Hemingway and the instructions on a soup can — that his story becomes fatally infected.
The fact remains, however, that the film adaptation of Love Story is incomparably superior to the book. I believe it has something to do with the understated taste of Arthur Hiller, the film’s director, who has included all of the elements that Segal believed he was being clever by leaving out of the film. Color, character, personality, detail, and background are all examples of such elements. The interesting thing is that Hiller has managed to save the film while making no significant changes to the book. I understand that both the screenplay and the novel were written at the same time, and if you’ve read the book, you’ve essentially read the screenplay. Except for the final meeting between Oliver and his father, nothing has changed; Hiller believed that the film should end with the boy alone, and he was correct. Aside from that, he has used Segal’s situations and dialogue throughout the film.
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Love Story Quiz
On paper, the Segal characters, on the other hand, were so devoid of personality that they could have been mistaken for being transparent. When Ali MacGraw and Ryan O’Neal portray the lovers on screen, they bring them to life in a way that the novel never attempted. They accomplish this simply by being present and displaying personalities.
Also, you will find out which character are you in this Love Story quiz.
About the quiz
The story is now so well-known that there isn’t much point in summarizing it here for you anymore. “Love Story” is a three-, four-, or five-handkerchief movie, and I’d like to think about the implications of that as a movie that wants viewers to cry at the end of it. Is this an unworthy goal to pursue? Is it possible that a film becomes unworthy, as Newsweek suggested, simply because it has been mechanically contrived to tell us a beautiful, tragic story has become unworthy? No, I don’t believe so. A musical can move you to tears of joy, a thriller can make you jump with fright, and a Western can fill you with excitement. How could we not be moved by a story about two young lovers who are separated by death?…
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Hiller has elicited an emotional response from us as a result of the way he has directed the film. Many readers must have been disgusted by the Segal book because it was so obviously written to elicit those tears and moved toward the object with such unflinching determination that it must have actually disgusted them. The film, on the other hand, is primarily about life rather than death. And, as a result of Hiller’s transformation of the lovers into individuals, we are naturally moved by the film’s conclusion. What’s the harm in trying?
For more personality quizzes check this: Follow Me Quiz.
