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When Michael Caine’s dog looks wistfully up into the sky and whines for his master to return, it’s one of the most insulting moments in “The Battle of Britain.” We are asked to applaud heroism despite the fact that it causes discomfort to the dogs. It seemed like no one had a dry eye in the house.
In fact, the film “Battle of Britain” is a throwback to the phony war movies of the 1940s that were so popular at the time. I’m sure you remember the obligatory scene where the dashing young pilots are lounging around the officers’ club. After a moment’s hesitation, the attack alarm goes off, and they all dash out into the night, leaving the fire burning and a few chairs overturned. We hear the roar of airplanes overhead as our boys take off to fight against the Huns as the faithful old servant moves slowly through the room adjusting chairs. In a soft voice, the servant takes a half-empty pint of beer from a nearby table, raises it to toast the heroes, and says: “Here’s to You, sir!”
To its credit, “The Battle of Britain” does away with this particular scene. In addition to these characters, it also includes the following: the pilot, who is looking out the hotel window, his girlfriend, who is looking on the bed, Churchill (represented by a cigar), the Kid, who is killed on his first mission, the brave little Red Cross nurse, the outcast officer whose early warnings are vindicated, the officious German general, and the Nazi pilots, who are drinking champagne while the harried British are drinking tea and making repairs. In addition, there are endless shots of planes being shot down.
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Another source of contention is the airplanes. Yes, Harry Saltzman spent millions of dollars assembling and repairing Spitfires and Hurricanes for the film, and there was even a television special about the film’s authenticity. However, it is not enough to simply own airplanes; it is also necessary to use them. Some of the aerial photography is particularly impressive. Dogfights are filmed in the air and fought by real planes, which is something we don’t see very often (instead of by models and visual effects).
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The aerial scenes, on the other hand, are allowed to run on indefinitely and shamelessly, until we’re certain we’ve seen the same Heinkel dive into the sea (sorry — the “drink”) three times already. Furthermore, the special effects aren’t particularly impressive for a movie that cost $12,000,000 to make.
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For example, we see hundreds of German bombers thundering across the sky in a line after another, en route to bomb London. However, every one of the bombers moves at exactly the same speed; there is no relative change in position, nor is there any correction for altitude involved. Nobody even bothers to dip a wing. The Germans were competent, but not particularly outstanding.
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As a result, the scene appears to be a little off, and we realize we’re looking at models. Since the famous scene in “Mrs. Miniver” (1942), in which the Dunkirk fleet churned across the English Channel at exactly the same speed (rowboats, gunboats, it didn’t matter), and you realized they were being towed through a tank on the same string, there has been no advancement in the field of naval warfare.
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Despite the fact that many of the effects are inept, they look good when compared to the plot, story, or whatever the case may be. No attempt is made to explain and clarify the Battle of Britain, despite a slew of impressive speechmaking. The concept of strategy is limited to moving symbols around on maps. There are so many characters that we never get involved with any of them. We can’t even keep track of who is who. The writers never came up with a satisfactory solution to the problem of incorporating the over-the-top special effects into their flimsy little plot.
There is also evidence that the film was mutilated during the editing process. Several scenes appear to lead into or out of other scenes that aren’t actually present in the film. In one scene, for example, after Susannah York learns that Christopher Plummer has been shot down in flames, there is one of those obligatory scenes intended only to give away what is going to happen. She comes across a badly burned man and is subjected to a lecture on plastic surgery and other such topics. As a result, we’re set up for a dramatic confrontation between her and Plummer, which never happens. In fact, we never see either of them again after the first time.
Only the obnoxious publicity campaign remains as a reminder of what happened. Occasionally, it is necessary to remind ourselves that the film is not the actual battle itself. According to the producers of the television documentary, Harry Saltzman, the producer, was only marginally less heroic than the men who flew missions during the battle. They only died as a result of their actions. He was required to purchase the planes.
For more personality quizzes check this: The Novice Quiz.
