Respond to these rapid questions in our The Girl Who Believes In Miracles quiz and we will tell you which The Girl Who Believes In Miracles character you are. Play it now.
Bring tissues with you. This is because, regardless of whether you’re a member of the faithful target audience for “Miracles From Heaven,” a non-believer, or someone who falls somewhere in between, you may find it difficult to keep the tears from flowing at various points in this true-life story. And they’ll be well-deserved.
There’s a chance that this will be the first faith-based film to truly cross over and garner both critical acclaim and a mainstream audience outside of the religious community. “Kirk Cameron’s Saving Christmas” and the Nicolas Cage adaptation of “Left Behind” are examples of recent films that have opened to varying degrees of success, ranging from cheesy bombs like “Kirk Cameron’s Saving Christmas” and the Nicolas Cage adaptation of “Left Behind” to films that have been box-office successes (if not critical successes) like “God’s Not Dead” and “Heaven Is for Real.”
“Miracles From Heaven” has the same producers as the previous film, as well as some of the same redemptive and inspirational ideas, as well as the same real-life hook that was used in the previous film. It’s based on Christy Beam’s 2015 memoir of the same name, in which her daughter, Anna, was diagnosed with a rare intestinal disorder—and then, just as suddenly, was cured in the most bizarre of ways—and how she overcame the ordeal.
A large part of what makes the film work is Jennifer Garner’s emotionally demanding performance, which is always easy to connect with. She is given a large arc to work within, revealing warmth and vulnerability, grit and determination in her role as Christy, among other things. As one would expect from someone who has experienced such a traumatic event, she asks all the existential questions that any of us would have.
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Faith is, of course, the most important factor in this equation: the mystery of it, the necessity of it, and, ultimately, the validation of it. Just by reading the title, it’s clear that faith will ultimately triumph in the end. While traveling to that destination, the Beam family encounters some obstacles that feel (for the most part) genuine and true, which should make the film universally relatable despite the unique and specific difficulties the family faced.
There will be no spoilers in this section because the trailer pretty much tells the entire story. However, because we already know what will happen, the challenge for director Patricia Riggen is to create a source of tension that will keep us emotionally engaged throughout the film. A similar prospect was tackled by Riggen in last year’s “The 33,” which was based on the true story of the Chilean miners who survived 69 days underground after being trapped for 69 days. Because of the power of the human drama and the high stakes involved, she takes a straightforward and intimate approach to her work.
The Girl Who Believes In Miracles Quiz
A loving and devoutly Christian home in Burleson, Texas, just south of Fort Worth, is the setting for the film’s opening scene, in which 10-year-old Anna (Kylie Rogers, who shows no sign of child actor precociousness) is the middle child of three daughters. She’s a smart, confident kid with a passion for books and a yearning to visit Paris. She begins vomiting violently one night and suffers from severe stomach pain, which leads to Christy and her veterinarian husband, Kevin (Martin Henderson), being told by various doctors that she has lactose intolerance or acid reflux or something else that is minor and treatable, which they believe to be the case.
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The discomfort, on the other hand, persists. In fact, things are getting worse. In order to see top pediatric gastroenterologist Dr. Samuel Nurko (Eugenio Derbez), Christy’s fierce maternal instinct propels her to fly with Anna to Boston, where she has been trying to schedule an appointment with Dr. Nurko (Eugenio Derbez) for several months. Finally agreeing to see them, he confirms what the local doctor (Bruce Altman, who plays a small but important role) had suspected: Anna is suffering from a severe and incurable intestinal motility disorder that makes eating nearly impossible for her.
As a result, it’s been a nonstop journey back and forth from Texas to Boston, complete with a few painful feeding tube moments interspersed with beautiful images of sunlight piercing fluffy white clouds or the water where majestic creatures swim at the New England Aquarium. In addition, Checco Varese, who shot the film, is Riggen’s husband. A wise and effective portrayal of the toll Anna’s illness is taking on this once-idyllic home, with Kevin struggling to make ends meet and generally holding down the fort while Christy and Anna are away every six weeks, is provided by “Miracles From Heaven.”
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When the family returns to Boston, an unlikely friendship between the mother and daughter and a kind-hearted waitress (Queen Latifah) would appear to be a simple way to inject comic relief—except that it actually happened. Although they have a strong bond, this bond, as well as several other acts of kindness that are revealed throughout, contribute to the film’s central notion that miracles can be found everywhere and in the smallest, kindest gestures, which isn’t exactly the worst message a movie can convey in this day and age.
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A particularly moving scene occurs when Anna and the young girl in the hospital bed next to her (Hannah Alligood), who is battling cancer, discuss whether they are afraid of dying. It is also one of the most understated scenes in the film. When Anna is suffering from depression and Christy acknowledges that her faith has been so shattered that she can’t even pray anymore, the directness of Randy Brown’s script, as well as later scenes in which Anna is depressed and Christy acknowledges that her faith has been so shattered that she can’t even pray, represents a welcome balance of emotion and tone.
However, the film is ultimately concerned with the possibility of miraculous events. The biggest and most bizarre of them all occurs back home when Anna has given up hope and reluctantly agrees to climb that big ol’ cottonwood tree in the family’s front yard with her older sister, Abbie (Brighton Sharbino), one last time. When the branch they’re sitting on gives way, she dives into the hollow trunk of the tree for protection, only to plummet 30 feet to the ground and land on her head. She’s not the only one. Although this is all depicted in the trailer and the book, in a seemingly unbelievable twist, Anna not only survives the drop without a scratch, but she also recovers from the intestinal disease that she was suffering from.
Along with that, she emerges from the ordeal with an engaging narrative about departing her body and entering heaven, a place that is both eerily familiar and eerily beautiful, like the idyllic landscapes depicted in numerous commercials for allergy medications. (The film’s visual effects are not particularly impressive.) God has assured her that she will be fine, and she should return home to her family to be with them. Impossible? Maybe. Nevertheless, according to the film, you can interpret this magical moment in any way you want, depending on your beliefs and needs—which is a miracle in and of itself.
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