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There’s never any doubt that everything will turn out perfectly in “Breakthrough,” and this isn’t just because the film is based on a true story, as Roxann Dawson demonstrates in her performance. The film’s overtly Christian approach, which leans heavily toward the evangelical side of the discussion of faith and religion, is also a contributing factor to its popularity.
The story revolves around Joyce Smith (Chrissy Metz), who is a devout Christian. In this case, the title is a bit of a spoiler because it is based on the real Smith’s 2017 book (written with Ginger Kolbaba) The Impossible: The Miraculous Story of a Mother’s Faith and Her Child’s Resurrection (which is also a spoiler). However, the very fact that the story was written in the first place is a spoiler in and of itself.
If there is little room for skepticism in such stories of alleged healing through faith, there is even less room for the painful reality that the vast majority of similar stories do not end in a “miraculous” way. At least one character in this film questions why some people live, having been saved by some miracle, while others die, despite being just as loved and prayed for as they are. The possibility of a response, of course, is irrelevant because it might get in the way of its mission to preach to the choirs.
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Joyce has been raising John (Marcel Ruiz) with her husband Brian (Josh Lucas), who they met while on a mission trip to Guatemala and adopted when they returned home. While his mother expects him to act and speak as if he is not an adolescent, John is far more interested in music and friends at the age of fourteen than his mother. Joyce is given a minor character arc in the film, but it is unsuccessful. To begin with, she is critical of people and situations that offend her. For example, she is critical of John Noble (Topher Grace), the new pastor at her church, as well as of his hair and his music choices for the service (someone is rapping during a song of praise!). The end result is that she no longer needs to be judgmental and overbearing because the world has proven her to be correct.
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After all of that, John and a couple of his friends end up falling through the ice on a nearby lake. Firefighter Tommy Shine (Mike Colter), who believes he has heard a voice instructing him on where to look, pulls the boy from the water after about 15 minutes of being underwater. Tommy, a self-proclaimed atheist, is last seen in the movie somewhere, and you get one guess where he is. His inevitable conversion is treated as if it were an inevitability in the first place.
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Despite the fact that John’s heart has stopped beating, when Joyce yells out a prayer next to his body, the boy’s heart begins to beat again. Even though John is still unconscious, he is rushed to the hospital, where he meets a drowning specialist (played by Dennis Haysbert), who is not optimistic about John’s chances of surviving. Joyce instructs the doctor to “do the best he can” and to “let God take care of everything else.”
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Other characters, particularly Joyce, provide lectures on faith and the futility of doubt throughout the rest of the film. John is a survivor for most of it. Anyone who finds it difficult to accept the breadth and depth of her mother’s faith will also hear some harsh words from the mother herself. Doctors who talk about John’s condition while they’re standing next to him, friends and parents in the waiting room who suggest that the boy might not make it, and Brian, who understandably has difficulty accepting the idea of seeing his son in this condition are among those who receive a reprimand. Such thoughts and feelings, on the other hand, are merely obstacles in the way of faith in the movie’s worldview.
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This film does not want us to consider faith as a concept that can provide people with strength and hope when they are in difficult circumstances. As an alternative, it wishes to inform us that a specific kind of faith is so strong that it can generate miracles—and, as a result, is so correct that it could as well be a tangible, unquestionable entity. And, in the opinion of the filmmakers, doubt is simply something that needs to be dispelled and will be proven wrong in the end by the evidence. In this story, any character who experiences that emotion is viewed as a coward, a weakling, or someone who is misguided.
It’s an odd, almost exclusionary way of looking at how people respond to adversity in their lives. This point of view expresses sympathy only for those who hold the “correct” kind of religious beliefs. For the rest of us, it offers pity, disdain, or impatience—pity that someone doesn’t believe as strongly as the central character, disdain that anyone would question that belief, and impatience for those who simply want to know the truth about everything.
It’s easy to see why such stories are so popular. Though it is presented as a story, “Breakthrough” is actually a sermon, delivered directly to the congregation and no one else.
For more personality quizzes check this: A Dogs Way Home Quiz.
