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Even though “Creed II” falls victim to the sins of sequelitis (it’s bigger, louder, and more grandiose than its predecessor), the film manages to right itself by keeping the focus on the humanity of its central characters throughout the entire film. Similarly to the original film, the lives of Adonis “Donnie” Creed (Michael B. Jordan), his girlfriend Bianca (Tessa Thompson), and his mentor Rocky Balboa (Sylvester Stallone) are lovingly explored in this sequel. Whether Rocky will be reunited with his son, as well as the struggles of the newlywed Creed couple, provide more suspense than any punch thrown inside the boxing ring does. It’s commendable that the film is committed to the character-based world building that was evident in the first “Creed,” as well as in the sequel. Creed’s sequel, on the other hand, appears to be destined to follow the same path as the Rocky franchise, in which the intensely personal and original vision of its creator is gradually corrupted by the seductive demons of fan service and commercialism.
As it happens, the choice of this location seems entirely appropriate given that the original Creed served as a lovely meditation on how the sins of the father will be visited upon the sons. In that film, Donnie Creed grapples with his father’s legacy before stepping out from under the shadow of his father’s fame to forge his own way in the world. “Creed” followed suit, breaking away from the confines of its parent franchise while simultaneously paying homage to Stallone’s Rocky with a beautifully written role in the film. Rocky is once again brought to life by Stallone’s finely tuned acting abilities, which we often forget he possesses. There’s something about playing Rocky as an elderly man that brings out such deftly nuanced choices in Sylvester Stallone’s performance. When it comes to his new role as a mentor and a corner man, Rocky has evolved into a less gruff, but no less devoted, incarnation of Burgess Meredith’s Mickey. Rocky’s desire to honor Mickey and his job is palpable when you realize how much Mickey meant to him.
However, whereas Stallone the actor is on loan from “Rocky,” Stallone the writer is a direct transfer from “Rocky IV.” By 1985, the cynical by-the-numbers laziness that had driven him to create the character of Rocky Balboa had replaced it with a ferocious hunger for fame. Some of that laziness permeates the screenplay Stallone co-wrote with Juel Taylor, and I have to wonder if Rocky fans like myself are at least partially to blame for it. Whereas director Ryan Coogler’s first film took inspiration from “Rocky IV,” Steven Caple Jr.’s sequel is essentially a remake that feels preordained by fans who, after seeing “Creed,” immediately lusted after a fight between the sons of Apollo Creed and Ivan Drago (played once again by Dolph Lundgren). When it comes to homages to “Rocky IV,” there’s a crazy (but admittedly awesome) training sequence set in the middle of nowhere, and a final fight that takes place in the Russian capital.
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“Creed II” even borrows the vision of Russia from “Rocky IV,” which is a squandered opportunity. A Black man named Apollo Creed was presented as the national symbol of America in 1985, which was perhaps Stallone’s most subversive move at the time. In fact, Apollo is introduced by a song by the Godfather of Soul, “Living in America,” which serves as his introduction. As evidenced by the large number of “Team America: World Police”-style films produced in the 1980s, Americans were not going to root for the Russians, which created a begrudging conundrum among racists, similar to the one that existed when Joe Louis fought Max Schmeling. Despite how cheesy “Rocky IV” is, it still has a strong political message.
Creed Ii Quiz
In this film, Creed’s son is offered up as our American representative, and the film makes no consideration for the fact that many people nowadays would be rooting for the Russian. It gives the impression that we are still in the Cold War. This is a form of cheating that removes an intriguing political undercurrent from the film’s central conflict, reducing it to a conflict based solely on vengeance. Despite the fact that Jordan’s performance effectively conveys the personal motivations behind Creed vs. Drago, I would have appreciated at the very least a sly dig (pun intended) at our current political situation.
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“Creed II” opens with Drago, not Donnie, as he is mercilessly training his son Viktor in the first act (boxer Florian Munteanu). The presence of Dolph Lundgren alone commands the screen, much like the presence of Sylvester Stallone does in the film. Drago, in keeping with the theme of the sins of the father, wishes to use his son to regain the Russian good graces that he lost when Rocky defeated him in the fight. Simply waiting for Donnie to win the heavyweight title and then capitalizing on the name recognition of yet another “Creed vs. Drago” fight is all that is required of him at this point. When compared to Stallone’s older Rocky, Lundgren’s Drago is a Russian Mama Rose whose desire to relive the glory of the past through his progeny reaches levels that would put Ethel Merman to shame. Because it’s so ridiculously delicious, you almost want an old man rematch between him and Rocky to take place.
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While all of this spectacle is taking place, Jordan and Thompson remind us that beneath the surface of “Creed II” there is a normal, beating heart. These two have such a wonderful chemistry together—he allows her to be tough while she allows him to be vulnerable without holding back. In a minor recreation of “Rocky IVmusical “‘s boxing ring introduction, Bianca is the one who sings the song for Donnie, as seen in the film “Creed II.” During this scene, Thompson channels her inner Rihanna tough-girl swagger, which later on in the film serves as an inspiration for Jordan’s powerfully emotional “Denzel Washington single teardrop scene in Glory” moment.
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These two are awe-inspiring, and they are helping to keep the concept of Black love alive on the big screen. The plotline of their relationship is complex and relatable, just like Donnie’s mentorship scenes with Rocky were. Take note of the funny-sexy-romantic-near-slapstick scene in which Donnie finally proposes to Bianca at the end of the film. Donnie’s fumbling attempt at a romantic outpouring of words goes completely unnoticed because Bianca isn’t wearing her hearing aids, which is completely predictable, but the duo surprises us with the beauty of what happens after that. Throughout the film, their relationship remains at the heart of the story, forming a synthesis in which we can’t imagine one without the other.
The boxing scenes are serviceable and entertaining, though they lack the visual impact of the one-shot boxing match Maryse Alberti filmed in the original, and the sudden blasting of “Gonna Fly Now” isn’t as emotionally stirring as it was when Coogler did it in the first film. While there is much to enjoy in this film, including unexpected cameos by actors from previous Rocky films and the reveal of Michael B Jordan’s ridiculously toned body following his post-crazy workout regimen, it is not without its flaws. Russell Hornsby steals the show as a boxing promoter in the vein of Don King, and Phylicia Rashad is back in the role of Donnie’s stepmother, continuing her fierce maternal streak. This sequel has a number of heartwarming moments, both big and small, which is more than you can ask for in a sequel.
Jordan brings such passion to the role of Donnie that, despite my fears that this franchise will eventually produce something as bad as “Rocky V,” I am looking forward to its continuation in the future. If “Creed II” is a financial success, I have no doubt that there will be yet another sequel influenced by the fans. Consequently, I predict that Donnie will face Clubber Lang’s son, Clobber Lang, who will be played by Ice Cube’s son, O’Shea Jackson, Jr. in “Creed III.” Mr. T will make a cameo appearance to promote the Clubber Lang Grill while continuing to express his dissatisfaction with the Rocky statue in Philadelphia. You heard it here first, and no one else.
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