Respond to these rapid questions in our A Wrinkle In Time quiz and we will tell you which A Wrinkle In Time character you are. Play it now.
In “A Wrinkle In Time,” a story about three children and three magical beings who are tasked with trying to locate a missing physicist and prevent evil from taking over the entire universe, the film is just as disconnected from the current moviegoing moment as its human heroes are from their lives back on earth. It’s a gentle fantasy, seemingly aimed at younger children, that would rather take people by the hand than punch them in the shoulder, which is a good thing; in fact, it’s the source of the film’s most endearing characteristics. There’s a lot about this film that feels inadequately shaped or inadequately realized, but there’s also a lot to like about it. In terms of mixed bags, it’s the pinnacle of perfection. The novelty of the new parts helps to counterbalance the ineffectiveness of the stuff that seems to be in every fantasy blockbuster, but that this one doesn’t do particularly well in comparison. When it comes to appearing cool, “A Wrinkle in Time” is uninterested in doing so. In fact, the film’s final third amps up the sentiment to a level that most big-budget films don’t dare to enter in this era of irony and “grittiness.”
It begins with Meg Murry (Storm Reid), her adopted brother Charles Wallace (Deric McCabe), their scientist mother Kate (Gugu Mbatha-Raw), and their adopted brother Charles Wallace in a state of mourning following the disappearance of the family patriarch, Alex Murry (Deric McCabe) (Chris Pine). The family was perplexed by his sudden disappearance, but it turns out that it was connected to his research into tesseracts (which he conducted with Kate), a phenomenon that allows for the folding of space and time to occur. The kids leave their world to find Alex with the assistance of three magical beings: the goofball Mrs. Whatsit (Reese Witherspoon), the regal Mrs. Which (Oprah Winfrey), and the wise Mrs. Who (Mindy Kaling). They bring Meg’s crush object, Levi Miller’s Calvin O’Keefe, along with them. A terrifying transformation occurs as the group travels to a series of galactic locations in order to free Alex from the grip of dark forces. Young Charles Wallace, a prodigy who at times resembles that little kid from “Looper” with the thundercloud eyes, goes through this transformation.
A large ear of corn could serve as the film’s logo at times, given the film’s overtly earnest tone at certain points (particularly when dealing with loss and disappointment), but this is not the case. It is so different from every other recent big-budget live-action fantasy (superhero films included) in terms of multicultural casting, child-centric story, and emphasis on the validity of feelings that its very existence amounts to a counter-argument to the status quo. Reid and Pine, a daughter-father team, are responsible for a great deal of the emotional heavy lifting. As a result, Pine has quietly established himself as one of the most versatile leading men in American cinema, as well as one of the few actors who can channel the kind of emotionally vulnerable masculinity associated with George Bailey having a breakdown at the bar without appearing to be doing it for the sake of it. His acting, like the rest of the core cast, is done in an old-school movie style, with just your feet planted and your lines said, as if the Method never happened. He looks like he’s pretending that the Method never happened. Reid, in particular, is excellent at this; some of the notes she strikes early on reminded me of Elizabeth Taylor’s performance in “National Velvet” in terms of their near-theatricality, but in a scene with Pine near the end, the facade comes crashing down, and it’s heartbreaking. It occurs to you how strong this young lady was required to appear, how impervious to pain she must have appeared to be, and how it was all for show: a survival mechanism.
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Problem is, once the film has earned our trust and guided us into the story, what it has to show us isn’t all that impressive: mostly nondescript glittering/pulsing/stretching and bursting CGI, similar to what you’d see in a substandard Marvel film (there’s even a creature that looks like a flying cabbage leaf). This is made more impressive by the reactions of the characters rather than by anything that happens onscreen. This is compounded by the fact that it attempts to accomplish too much in its relatively brief 109-minute running time (the source novel by Madeline L’Engle has been considered un-adaptable since its first publication in 1962, so it is possible that even a miniseries would’ve encountered difficulties; the 2003 television movie was a train wreck). It’s also true that director Ava DuVernay (“Selma”) and screenwriters Jennifer Lee and Jeff Stockwell have a difficult time seamlessly transitioning between the film’s various modes, which range from doomed love story to coming-of-age romantic comedy to knockabout comedy to high-minded philosophical odyssey. I wish DuVernay had given Pine and Mbatha-Raw more opportunities to shine. And I wish she’d gotten more out of Winfrey, who is effortlessly regal but doesn’t do much in this film other than make pronouncements; Kaling, who is a charming presence but is stuck in a scene where the dialogue is entirely made up of quotes from great poets and thinkers; and Witherspoon, who is agreeably dotty but never ascends to the Glinda, Good Witch of the North plane, which she could easily reach if she wanted to. However, this is more of a case of wishing that the film had done more of what it was already doing rather than wishing that it had done something else altogether.
A Wrinkle In Time Quiz
“A Wrinkle in Time” opens in theaters the same week that viewers in the United States commemorated the 50th anniversary of the premiere of “Mister Rogers’ Neighborhood,” a beloved television series that was all about respecting the space, wishes, and feelings of others. In “A Wrinkle in Time,” there are several instances in which the characters’ journeys suggest a high-definition CGI version of the show’s regular excursions into “The Neighborhood of Make-Believe,” a world in which kindhearted children and adults have open conversations about insecurity, loneliness, anger, and other mental states with sock puppets before returning to the “real” world and attending a concert or visiting a harmonica factory.
Also, you will find out which character are you in this A Wrinkle In Time quiz.
Mrs. Whatsit simply appears in the family’s home, acting less like a real-life neighbor and more like a scatterbrained wood sprite from a Disney Channel cartoon, and the mother is the only one who appears surprised. In her first appearance, Mrs. Which is a 40-foot-tall, shimmering apparition that looms over a backyard, and the onlookers appear more intrigued than terrified by her, as if this sort of thing happens on a regular basis. Inviting her new maybe-beau Calvin to accompany her on her time-space journey is as easy as asking him to accompany her on a walk to the local 7-Eleven. Meg is thrilled with Calvin’s willingness to accompany her on her time-space journey. A movie where you decide to do something and then follow through on your decision, and where there are no questions that cannot be answered because everyone is so thoughtful. I’m sure it would have been a hit with Mister Rogers.
About the quiz
The movie “A Wrinkle in Time” should not be seen if you laughed derisively at the line above. If it made you smile, then go for it.Also, you must try to play this A Wrinkle In Time quiz.
For more personality quizzes check this: Peter Rabbit Quiz.
