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“Wonder,” which is based on the novel of the same name by R.J. Palacio, depicts a year in the life of August Pullman (Jacob Tremblay), also known as Auggie for short. From the time he was born, he had to undergo numerous surgeries and medical treatments due to a genetic abnormality that had developed during his development.
Director Stephen Chbosky has managed to take a story that could have been painfully melodramatic and turn it into something that is genuinely moving in (mostly) understated ways. In this scene, the makeup work is solid and believable, revealing Auggie’s sad eyes behind downturned facial lines and nubs of skin used to represent his ears. Rocky Dennis is still in his adolescent years. The script, co-written by Chbosky, Steve Conrad, and Jack Thorne, does a good job of establishing right away that Auggie is just like any other kid in every other way. He is a huge fan of “Star Wars” and Minecraft. A natural aptitude for science, a sly sense of humor, and an active imagination enable him to navigate uncomfortable situations with grace and confidence. Occasionally, “Wonder” dabbles in magical realism, but it does so in a way that is more amusing than distracting.
The story is grounded by consistently excellent performances. Tremblay, who wowed audiences with instincts far beyond his years in the devastating 2015 drama “Room,” brings a sweetness and intelligence to his 10-year-old character that makes him approachable even when he’s hiding his face behind an astronaut helmet. As his loving parents, Julia Roberts and Owen Wilson hit all the right notes with their performances. It is Izabela Vidovic, who plays Tremblay’s older sister, who is the real surprise here. She has been generous enough to allow her brother to be the center of her family’s attention at the expense of her own emotional needs.
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His mother, Isabel (Roberts), put her professional ambitions on hold in order to homeschool him from the start in the family’s brownstone in Brooklyn. Isabel and her husband, Nate (Wilson), decide to send Auggie to Beecher Prep now that he is of middle school age so that he can learn how to socialize with other children and become more comfortable in the outside world. The prospect of such a significant shift, fraught with the possibility of bullying and social isolation, is understandably frightening for everyone involved. When his parents accompany him to the front gates and send him off on his own for the first time, students on campus pause their conversations to gawk and make way for him, which is entirely appropriate. Chbosky, on the other hand, depicts this event in a matter-of-fact manner, allowing the tension of the moment to emerge organically.
Wonder Quiz
There are some familiar faces in this film: the hip teacher (Daveed Diggs) who assigns innovative assignments that just happen to coincide with the film’s themes; the mean rich kid (Bryce Gheisar) who torments him alongside a posse of brutes; and the shy girl who may turn out to be an unexpected friend (Millie Davis). While not particularly dramatic, the effortless connection Auggie forms with a kid named Jack Will (Noah Jupe), who, like Auggie, feels like an outsider due to his status as a working-class scholarship student, is one of the film’s most heartwarming moments, as well as a source of genuine drama.
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Just as “Wonder” appears to be settling into a routine at school, the film shifts and revisits that first day from the perspectives of a variety of other characters, including the main character. And it is through Via’s eyes that we learn what happened to Auggie’s lonely sister when she met a cute new boy (Nadji Jeter) and dared to sign up for a high school play. In this episode, we get a glimpse into Jack Will’s personal life, which adds to the significance of his relationship with Auggie. When Via’s long-time best friend, Miranda (Danielle Rose Russell), suddenly snubbed her at the start of the school year, we find out what’s really going on with her.
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Chbosky handles major adolescent events with decency and grace, just as he did in his insightful young adult drama “The Perks of Being a Wallflower.” Although it may seem overly simplistic, the cumulative effect is a powerful understanding of what it is like to walk in someone else’s shoes. This understanding can be life-changing. The emotion of this enlightenment creeps up on you in the most unexpected of places. So too does Wilson, whose role in the film appears to be limited to providing comic relief during moments of family tension. However, Wilson’s character receives perhaps the most heartbreaking and inspiring line in the entire film. Your tears will be well-earned (especially if your are a parent), and you will shed them in the most appropriate places.
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The result is that “Wonder” ends up being so frustrating in its conclusion that it throws all of its restraint and goodwill out the window and becomes wildly sentimental. Chbosky amps up the feel-good factor with a climax that draws wild applause in the most clichéd setting imaginable: a school assembly, of course. How is it possible that so many cinematic moments of truth take place in front of a crowded auditorium audience?
However, the film does so much so well for such a long period of time that its cliched conclusion is forgivable. My eight-year-old son turned to me during a screening of “Wonder” early in the film, when the scars and deformities that mark the hero’s face are first revealed, and whispered, “He looks weird.” I asked him what he thought of the movie after it was over and he exclaimed, “I loved it!” As we walked out of the theater, he said, “I loved it!” This is the extent of the film’s transformative power. It is a machine that is designed to elicit empathy.
For more personality quizzes check this: Hell Fest Quiz.
