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Maybe it’s because of my theatre background, but I’ve always been a sucker for thrillers that take place in a single location. A certain amount of claustrophobic tension is created by a piece that never leaves one location, forcing the characters and their increasingly stupid decisions to tell the story in such a small space, and it is particularly effective. From “Rope” to “Bug,” single-setting dramas have a long and illustrious history in cinema, and Mike Gan’s latest film, “Burn,” is a better-than-expected entry in the genre. Some of the choices are difficult to swallow, and the film’s biggest star, Josh Hutcherson, appears to have been miscast, but this is a film that kept me guessing as to what was going to happen next, and it confirms Gan as an intriguing young filmmaker to keep an eye on.
For the sake of being polite, Melinda (Tilda Cobham-Hervey) can be described as eccentric. Sheila (Suki Waterhouse) is a mean girl who works at a gas station with her, and she basically mocks her eccentric co-worker with cruel abandon. Melinda appears to be an innocent wallflower, but is there something more sinister lurking beneath the surface of her overly pleasant demeanor? She starts doing things like dipping her finger in freshly brewed coffee to feel the burn, which raises the possibility that she is more than just an oddball, and the suspicion grows. Melinda has the impression that she is waiting for a spark to ignite something extremely dangerous, and that she is on the verge of breaking if Sheila bullies her any further.
‘Hunger Games’ co-star Josh Hutcherson portrays Billy, a young man who doesn’t quite fit the part in this explosive drama. Billy is a match dropped into this explosive situation. We’re supposed to see Billy as a desperation-suffocating, sweaty, reckless criminal, and he holds Sheila and Melinda at gunpoint, telling them that he needs all of their money to pay some mysterious biker criminals. However, Gan takes advantage of the unexpected casting by having Sheila express some skepticism about Billy’s criminal behavior. He has no intention of shooting her. He doesn’t appear to be the typical guy. In fact, Melinda has such a strong trust in Billy and such a strong dislike for her life that she is immediately drawn to him. And then everything goes horribly wrong.
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Cobham-Hervey achieves the unsettling balance for Melinda that serves as the film’s true emotional center. Is Melinda simply misunderstood and unlucky in her life? Is there something sinister and dangerous lurking beneath that warm and welcoming demeanor? She locates the edge of that zone where insecurity and depression can lead to the making of dangerous decisions and then she decides to remain in that zone. Even as Melinda makes more and more mistakes, including some decisions that result in tragedy and criminal behavior on her part, the tonal balancing act that this character performs becomes even more remarkable. Even though I wasn’t convinced that I understood what Melinda was doing, particularly in later scenes, I was still captivated by her, which is a testament to Cobham-performance. Hervey’s
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While Gan is directing “Into the Dark: School Spirit,” he demonstrates that he has greater visual ability here than he did in the previous Hulu Original. When filmmakers are confined to a single location, they have a tendency to become overly creative, as if finding new angles from which to shoot the same room automatically makes it more cinematically engaging. We get the impression that we’re in the same building as Melinda, Sheila, and Billy thanks to Gan’s deft use of space and his refusal to overcompensate with filmmaking or editing tricks, as so many other filmmakers would do. “Burn” is a visually restrained film, and the film is all the better because of it.
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As the film progresses past the hour mark, it becomes increasingly apparent that it would have been better served as a short film. It also contains one particularly violent act near the end that I didn’t quite believe and that isn’t well-executed in the film’s visual presentation. However, that is not what I will recall about the film “Burn.” This is a film that will stick in my mind because of its confident young director and memorable young star, both of whom I hope to see working together again soon. Moreover, if it involves another single-setting thriller, I will admit to being a little biased in favor of it.
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