Respond to these rapid questions in our Logan Lucky quiz and we will tell you which Logan Lucky character you are. Play it now.
When you see the words “Directed by Steven Soderbergh” in the opening credits of “Logan Lucky,” it appears as if the deck is stacked in his favor. It is, without a doubt, a winner. Soderbergh is regarded as one of the most accomplished directors working in the heist film genre, having directed the “Ocean’s Eleven” remake and its two sequels, as well as “Out of Sight” and “The Underneath.” This film is about a group of good ol’ boys who attempt to rob the Charlotte Motor Speedway in North Carolina, but the tone is so eerily similar to Soderbergh’s hit heist trilogy that a TV newscaster admits that the gang in this film is “Ocean’s 7-Eleven.” When it comes to putting together a film, Soderbergh’s best works exude a no-fuss confidence that allows him to stage comedic banter alongside suspenseful sequences with equal assurance, and he even plays sly perception games with the audience, making you wonder how smart or dumb the characters (and the movie) actually are.
The story revolves around two brothers who were both wounded in combat during World War II. Jimmy Logan (Channing Tatum), a former coal miner, was injured while serving in the military. Jimmy’s younger brother Clyde (Adam Driver) was paralyzed in an accident and is now working as a bartender at a roadside saloon where Jimmy is a frequent visitor. If you put the Logan brothers together, according to one loudmouthed customer, the result would be a complete person. Even when they disagree, they maintain a united front and amplify each other’s better qualities, much like the redneck cousins of George Clooney and Brad Pitt’s characters in the “Ocean” films. Legend has it that the Logan family, which includes a badass, hot-car-driving kid sister named Mellie (Riley Keough), is cursed. In the film, Mellie (Riley Keough) is a badass, hot-car-driving kid sister. “Logan Lucky” is a thriller in which you’re constantly wondering if the curse will rear its head and derail the plan Jimmy has devised with Clyde and a third partner, an imprisoned explosives expert named Joe Bang (Daniel Craig), who’s only five months away from being released.
It’s a brilliant scheme, to be sure. It appears that the Charlotte Motor Speedway is experiencing sinkhole problems, and Jimmy was a member of the team of ex-coal miners who were brought in to fix the problem. In the course of his labors beneath the stadium, he discovered that the proceeds from concession stands are delivered to a cash vault located deep in the basement via pneumatic tubes. It is the Logans’ promise that, with Joe’s assistance, they will be able to break into the vault and steal the money, making them millionaires. Joe says he’d be delighted to join the team if he weren’t “in…CAR…cer…a…TED,” as he sneers, “in…CAR…cer…a…” It’s not a big deal. Joe is offered the opportunity to be busted out of prison for the duration of the heist, then sneaked back in by the Logan boys.
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You might be wondering at this point how intelligent the Logans really are and how seriously we’re supposed to take their boasting. Promises like those made by the Logans to Joe Bang can be broken by either hotshots or complete idiots, depending on who you ask. The characters in this film are drawn in broad enough strokes that they could be interpreted in either direction. Among the Logans and the Bangs, there are Joe’s younger brothers, Sam and Fish (Brian Gleeson and Jack Quaid), one of whom claims to be a computer expert who knows “all the Twitters.” They’re a rambunctious group of misfits and scalawags who are as nerdy as they are hilarious. Nevertheless, they sometimes resemble the cast members from one of the Coen brothers’ films, which are filled with conceited braggarts (think “Raising Arizona” or “O Brother, Where Art Thou?”), and each of them speaks with a distinct accent. It’s like Forrest Gump eating peanut butter, Craig has the barbecued hambone drawl of a sheriff from a 1970s western, and there are times when Tatum seems to forget that he’s wearing a hat, among other things. In fact, only Keough, the granddaughter of Elvis Presley, appears to be as firmly rooted in reality as the script’s references to NASCAR fandom, the child beauty pageant circuit, polluted groundwater, and the decline of the mining industry.
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Whether or not this is a film that believes in curses is also something you might wonder. Some films accomplish this, while others fail to do so, and others leave you guessing. The films “The Sting” and “Ocean’s Eleven” do not contain any curses, but the characters in the Coen brothers’ films frequently appear to be cursed, not only by their own arrogance or stupidity, but also by coincidence, misunderstanding, or fate. In “Logan Lucky,” things are going well enough to get your attention early on that you begin to wonder about the film’s point of view on things like destiny, bad luck, and the like. Do you think the title of the film is sincere, ironic, or neither?
Also, you will find out which character are you in this Logan Lucky quiz.
All questions are answered within a reasonable time frame. According to official credits, Rebecca Blunt wrote the script for the film, which was supposed to be written by a young first-time writer who was looking for her big break. However, it is widely known that Soderbergh’s wife Jules Asner, who is originally from West Virginia, wrote it. Several aspects of Jimmy’s character were inspired by Channing Tatum, who grew up poor in Alabama, Mississippi, and Florida and had been on his way to earning a college football scholarship before injuring his knee and turning to stripping and modeling instead (see the Tatum/Soderbergh collaboration “Magic Mike” for more information).
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While Soderbergh directs the script (which was edited and shot under pseudonyms, according to what appears to be a Soderbergh family tradition), the film moves through the story with such deftness that you aren’t even aware of having gone from point A to B until you’re already on your way to point C. There is no squandering of time. Everything occurs in the manner in which it does for a reason. The film appears to be rushing through incidents that it cannot adequately explain or justify, or it may simply forget to provide details necessary to make a character’s actions make sense at various points throughout the film. However, this does not turn out to be the case. The information in the film is provided on a need-to-know basis: if you don’t need it, you won’t find out about it.
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The need-to-know aesthetic is carried through to the level of individual shots as well. It is constantly framing scenes and moving through space that Soderbergh’s camera is doing in order to conceal or reveal information about the characters’ motivations and progress in the heist. Some shots are structured in the manner of well-crafted jokes—ones in which you believe you know where the story is going, only to be surprised and laugh out loud when it takes you somewhere else. A lot of the time, you have no idea what you’re looking at or why it’s important until Soderbergh shifts the camera a little to the left or shifts the focus, and you realize what you’ve been missing. There are only a handful of working directors who still know how to construct a film in this manner. Soderbergh is one of these filmmakers.
In no way, shape, or form, “Logan Lucky” is a deep or particularly original film, and it makes no attempt to be either. However, there are moments when you might wish that the film had included an extra scene or beat to flesh out its oddball characters and give them more than two dimensions (though there are moments, such as the one set at a school recital, that accomplish exactly that). And a couple of characters who are introduced with great fanfare (notably a clinic worker played by Katherine Waterston and an FBI agent played by Hilary Swank who snarls like Clint Eastwood) don’t make as strong an impression as they should (notably a clinic worker played by Katherine Waterston and an FBI agent played by Hilary Swank who snarls like Clint Eastwood). However, it is precision-tooled entertainment created by professionals, and it is sometimes even more than that. It’s similar to discovering money in the pocket of a coat that you haven’t worn in years when you are watching it.
For more personality quizzes check this: Rings Quiz.
