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Four military dogs were awarded medals for valor in the first American Humane K-9 Medal of Courage Awards ceremony, which took place on Capitol Hill last year. American Humane President Robin Ganzert said at the ceremony, “We believe it is past time to recognize and honor the extraordinary feats and acts of devotion that these heroic animals perform on a daily basis.” Armed forces dogs are prized for their noses, their ability to detect improvised explosive devices (IEDs), weapons caches, and other buried explosives, as well as for their loyalty and high intelligence. The following YouTube video depicts a soldier reuniting with his military dog, and the dog begins to howl with joy and excitement as the soldier approaches the dog’s cage. She has a strong sense that he is approaching. Once the cage door is opened, the dog—a scrappy black Labrador—circles in circles around her former handler for an indefinite period of time, not even pausing to accept pats or kisses. If the bond between a human and a dog is already strong due to the nature of dogs, then the bond between a military dog handler and his or her canine partner is even stronger due to the nature of military dogs. Director Gabriela Cowperthwaite tells the story of a Marine corporal and her war dog Rex in the film “Megan Leavey,” which tells the story of their deepening bond.
based on a true story, “Megan Leavey” belongs to a very small but prestigious group of war films that actually show something new about war, a new subculture within a well-known subculture, the world of the military’s K-9 units. It should be applauded solely for this accomplishment. Everyone should be aware of the incredible abilities of these dogs. However, beyond its fascinating informational aspects, “Megan Leavey” is a powerfully emotional film that manages to avoid sentimentality entirely, which is remarkable given the subject matter.
Meghan Leavey (Kate Mara), the film’s central character, is introduced as an aimless young woman living in upstate New York who spends her days sleeping, bickering with her mother (Edie Falco), and otherwise doing absolutely nothing with her life. She eventually joins the Marine Corps after witnessing two Marines in their parade-ground finery walk into a recruiting center. Without even having a chance to catch her breath, she’s on her way to boot camp. In “Megan Leavey,” the opening sequence is less than five minutes long, and it sets the stage for Megan’s life “before.” An excruciating montage shows recruits climbing walls, doing pushups, being screamed at, and other such activities as they progress through boot camp. (One of those yelling drill sergeants happens to be Megan Leavey, who is real life.) The “setup” is not overly complicated. We’re able to get it in two or three attempts. Aside from the fact that Cowperthwaite is a skilled director, the script (written by Pamela Gray, Annie Mumolo, and Tim Lovestedt) is also an efficient piece of work. In an industry where movies are generally too long and where every I is crossed to ensure that we “get it,” such productivity is almost a miracle in and of themselves. Over the course of the film, we get to know Megan through her relationship with the dog she is assigned once she joins the Marine Corps’ K-9 unit, a ferocious and difficult to handle German Shepherd named Rex. Megan’s relationship with Rex helps us understand Megan better. Megan, like the Velveteen Rabbit, only begins to “become real” when she enters into a relationship with someone.
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When it comes to why Megan is drawn to joining the K-9 Unit, much like her motivation for joining the Marines in the first place, the answer is left unexplained. After misbehaving with a couple of other inebriated recruits one night, she is assigned to “shit detail,” which turns out to be cleaning the dog cages, as it turns out. She, on the other hand, observes the handlers working with their dogs in the outdoor training area and campaigns for a position with the unit in question. General Gunny Martin is the commanding officer, and he’s portrayed by Common, who was outstanding in “John Wick: Chapter 2” and is equally impressive here. Megan has irritated him to the point where he finally agrees to let her go. As if that weren’t enough, she’s also assigned the dog she fears the most, as well as the dog that everyone fears: Rex.
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“Megan Leavey,” which is excellent in all of its most important aspects, is particularly effective in the sequences depicting the training processes for these soldiers and their dogs. This is a new aspect of military culture that we haven’t seen before in the military. The dogs already know how to sniff out explosives, but the soldiers must learn how to give commands, give praise, guide, and, if necessary, provide medical assistance to their injured canines in order to keep them on the job. All of this necessitates a strong sense of community and mutual trust. The K-9 trainer (Tom Felton) reminds Megan that “everything you feel goes down leash,” which she takes to heart. Megan is not a particularly warm person, and she finds it difficult to form relationships. “I’m not going to be able to teach you how to bond,” the trainer says.
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The bonding occurs as a result of the activity. Megan and Rex will face a steep learning curve as a result of their subsequent deployment to Iraq. Matt Morales, played by Ramon Rodriguez, is another dog handler who has already deployed and who teaches Megan the ropes while also providing her with advice and warnings. He informs her that there are already bounties on their heads, and that the bounties for female canine handlers are even higher. Between Matt and Megan, there is some light-hearted joking (she is a Yankees fan, he’s a Mets fan, and that’s enough said), and they enjoy playing cards late into the night with their canine companions sleeping in the desert sand at their feet.
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As a result, Cowperthwaite’s direction is precise and assured, particularly in one extremely complex battle scene where, unlike in many modern films, you can tell exactly what is happening, who is doing what, and why without having to rely on shaky-cams or quick-cuts, you can tell what is happening, who is doing what, and why. Despite this, Cowperthwaite recognizes that the most effective way to present this material is to present it in a straightforward manner. She has faith in the material, she has faith in her lead actress to deliver the goods, and she has faith in those of us who are out here watching.
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Despite the fact that Megan’s story is well-known (it made national news at the time), the way it plays out—as well as the increasing desperation of the PTSD-stricken Leavey to get what she wants and needs—is heartbreaking to witness and to endure. The only real criticism I have is that the film’s title isn’t particularly evocative.
It can be useful to consider the various ways in which this film could have gone wrong in order to better understand why it works so well in the first place. Because her “problem with bonding” was overstated, underemphasized, and pathologized (among other things), her Velveteen-Rabbit transformation would not have had the same impact it does. Late in the film, she is speaking to a support group about Rex, and she breaks down in tears as she speaks about him. Neither Mara’s performance nor the way Cowperthwaite films this scene screams “performance,” and neither does Cowperthwaite’s direction. For example, Mara is shown in a medium shot rather than a close-up. It would be clear from a close-up that “This is the Big Catharsis.” “Cue strings,” you say.
The emotion in “Megan Leavey” is genuine; it is not manipulated. It moves smoothly up and down the leash, exactly as it should.
For more personality quizzes check this: The Case For Christ Quiz.
