Respond to these rapid questions in our The Belko Experiment quiz and we will tell you which The Belko Experiment character you are. Play it now.
Not even the most ardent squint will reveal the satirical elements that could have elevated the blood-soaked horror film “The Belko Experiment” to legendary status. Initially, the premise appears to be intriguing: a group of employees is forced to kill one another at the whim of an anonymous employer. The script, written by James Gunn (“Guardians of the Galaxy,” “Slither”), on the other hand, is underdeveloped, with violence being overemphasized to the point of distractibility. Because of how gory and aggressively cynical it is, many people will either love or despise this film depending on their personal preferences. However, realistically speaking, Gunn’s most significant conceptual flaw is that his scenario is unthinkingly cruel. Alternatively, the characters could have embodied characteristics of typical office drones and managers, resulting in the film being transformed into a vicious black comedy. However, those elements are not developed further than a certain point, resulting in the only selling point of the film being its excessive gore and violence.
Beginning with the first scene, you’ll notice how easy it is to either identify with or dismiss the characters in “The Belko Experiment” based on their reactions to the stress of being ordered to kill their coworkers. Not that stress causes people to act erratically: we’re supposed to sympathize with obedient employee Mike (John Gallagher Jr.) because he’s the more reasonable of the two characters when compared to self-proclaimed megalomaniac Barry (Richard Jenkins) (Tony Goldwyn). Mike is the type of guy who encourages his coworkers to take the stairs rather than the elevators, whereas Barry is the type of guy who says that the group should “consider our options” and consider cooperating with the mysterious uber-boss who is compelling them to kill each other in order to save their jobs. As a result of having a GPS micro-chip implanted in their heads (they are working in Bogota, where kidnappings are supposedly not uncommon), both characters come into conflict sooner rather than later. The GPS micro-chip is ultimately used as an explosive to pick off disobedient employees.
Secondary characters express their disagreement with or support for Barry and Mike’s respective positions: Mike believes that no one has the “right to choose who lives and who dies,” whereas Barry believes that they have no choice. You may find yourself questioning whether Barry has a valid point. However, when you see the other guys he’s allied himself with, people like jittery, trigger-happy Lonny (David Dastmalchian) and sexual harassment-happy Wendell (David Dastmalchian), you’ll forget about it (John C. McGinley). The utilitarian position cannot be taken in this film because the characters are defined solely by their bad behavior that reveals their personalities.
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Mike, on the other hand, is impossible to relate to because he is such a stereotypical goody-goody. When a disaster strikes, what kind of guy tells people to avoid using the elevators and instead take the stairs? That’s a half-joking question, but it’s a good one: Other than the fact that he copes well under pressure, calms down his coworkers under pressure, and is a rational thinker, I know nothing about Mike (he’s a bit chatty at the beginning, but that’s necessary given that he’s essentially the lone voice of reason in the film), I have no expectations for him in this film. No one knows what he was like before the Belko bosses began murdering their employees, and there’s no way to know why we should sympathize with the character other than for the simple reason that he’s a part of the solution rather than the problem.
The Belko Experiment Quiz
On the other hand, a lack of motivation could have also served as a source of great comedic material. Belko could be any other office: a place where bosses and coworkers are friendly and helpful one minute, but have the potential to transform into domineering thugs the moment they fear they’re going to be thrown under the bus a second later. That appears to be the character of Lonny, the most sympathetic of Gunn’s villains. However, he is annoyingly knock-kneed and ineffectual, which immediately makes him unlikable to the audience. McKinley’s narcissism is exemplified by his insincere toothy grin and proud tendency to show off his muscles, which serve to define his character and draw attention to himself. As evidenced by his undermining of nice guy security guard Evan (James Earl) by breaking into the company’s weapons cache(!) Barry simply wants to maintain control.
Also, you will find out which character are you in this The Belko Experiment quiz.
As a result, the only reason to see “The Belko Experiment” is to witness a bloody, unpleasant series of murders. During medium close-up shots of heads exploding and torsos flailing, director Greg McLean (“Wolf Creek,” “Rogue”) fails to distinguish himself from the rest of the cast. But it isn’t McLean’s contributions to “The Belko Experiment” that make the film so disappointing; it is the film itself. As a result of Gunn’s unimaginative conception of a “Battle Royale meets Office Space” style horror film—I’m willing to bet that was the elevator pitch—an otherwise competent cast is prevented from meeting their ends in meaningful ways. Even the most ardent gorehounds and Gunn supporters should give this abomination a pass on this occasion.
For more personality quizzes check this: The Beguiled Quiz.
