Paris Can Wait Quiz – Which Character Are You?

<span class="author-by">by</span> Samantha <span class="author-surname">Stratton</span>

by Samantha Stratton

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Respond to these rapid questions in our Paris Can Wait quiz and we will tell you which Paris Can Wait character you are. Play it now.

While vicariously indulging in the gastronomic delights of “Paris Can Wait,” I have the distinct impression that I have gained 20 pounds. This brief but entertaining road trip through the heart of France is more concerned with cheese courses and wine pairings than it is with “making good time,” as my husband likes to refer to the process of traveling. Likewise, it has no problem literally stopping to smell the roses or invoking the pastoral pleasures of Manet’s “The Luncheon on the Grass” (minus the naked lady) when a car breakdown results in a leisurely picnic.

In “A Little Romance,” Diane Lane makes her film debut as a 13-year-old American schoolgirl who runs away with a young streetwise French boy. Diane Lane manages to sweetly echo her own youthful escapades in the film, which is set in 1979 and stars Lane as a 13-year-old American schoolgirl who runs away with a young streetwise French boy. A Walk on the Moon, “Unfaithful,” and “Under the Tuscan Sun” are among the many other dramas that have featured her in the throes of an affair, and this adult caper recalls her memorable work in those as well. Lane, still a dazzling beauty at 52, has mastered the art of expressing sensuality and sexiness better than most actresses her age or younger.

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With a scenario based on an actual encounter she had while attending the Cannes Film Festival in 2009, Eleanor Coppola (wife of Francis, mother of Sofia), a veteran 81-year-old documentary filmmaker who is making her first narrative feature for the first time, takes a less titillating route than those previous Lane outings with her first narrative feature. In the event that she was unable to travel with her husband, a flirty French business associate volunteered to drive her to the Paris airport in a rickety Peugeot convertible—and what was supposed to be a seven-hour journey turned into an epic two and a half-day road trip with plenty of pit stops along the way.
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While Coppola’s experience was strictly platonic, with the exception of a few culinary orgies, Lane’s Anne is in a different stage of her life and desperate for attention as the underappreciated empty-nester wife of Michael, a successful Hollywood producer who is also in the film (Alec Baldwin, primarily heard via cell phone rather than seen). In fact, he treats her more like a personal assistant, relying on her to keep track of his socks, pills, and inseam length, rather than prioritizing her personal happiness. An earache keeps her grounded in this location, but Michael’s colleague Jacques (Arnaud Viard) generously offers to serve as her chauffeur instead. It’s possible that Anne is being overly generous because the first order of business isn’t beating the traffic but rather enjoying a lunch of prosciutto and ripe melon accompanied by copious glasses of wine at the beginning of the day. When he asks for her credit card so that he can make a hotel reservation for the night, she widens her eyes even more.

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However, the rakish fellow’s primary goal is not to take advantage of a beautiful—and married—American lady. It’s simply that he is a Frenchman who is proud of his heritage while also living up to nearly every Gallic stereotype in the book. In the scene where Jacques tells her that young women are just Pop Tarts, whereas he pronounces her to be chocolate crème brulee, Maurice Chevalier would nod in approval. Despite the fact that he pulls over and smokes a cigarette every hour, secretly reconnects with former lovers along the way, and nearly collides with a truck while pointing out Provence’s Mont Sainte Victoire, the mountain that serves as the focal point of many of Cezanne’s masterworks, he can’t help but show off his knowledge of what his country has to offer.
Also, you will find out which character are you in this Paris Can Wait quiz.

Throughout much of the film’s running time, it is content to dawdle along like a travelogue, with pit stops to check out Roman-built aqueducts, lush lavender fields, a museum dedicated to the Lumiere brothers, who are considered the inventors of cinematography, a textile exhibit, Michelin-rated restaurants that serve freshly butchered baby veal and lamb, and a spontaneous after-dinner dance. Meanwhile, Anne, who is meticulous in her attention to detail, is constantly taking photographs of each diversion. Michael, who is clearly unsettled by the situation even as he increases his workload, keeps in touch with his friends and family through phone calls and text messages. However, despite the fact that Coppola deliberately underplays the revelation about a missing rose gold Rolex that Anne once gave him, the revelation does cast a shadow over their relationship for the remainder of the film, which is unfortunate.

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All of this is not a waste of calories. Without some level of wisdom to dispel, it is impossible to reach the age of eighty-one, and the issue of grief comes into play. As Jacques and Anne become more at ease with one another, they begin to share more details about their personal lives with them. He notices a baby’s photo in a locket she wears around her neck, and she wonders why he isn’t married to this woman. What they learn brings them closer together. The most moving experience is a visit to an ancient cathedral in Vezelay, where Anne silently sobs as she lights a candle in the church.
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It’s unlikely that “Paris Can Wait” will compel anyone to forget about “Two for the Road” or “It Happened One Night.” Lane, on the other hand, is able to suggest that Anne’s life has come to a crossroads as she stares directly at the camera in the final frame, implying that this unexpected excursion has resulted in a turning point. She is not depressed, she is not joyful, but she is enlightened, and it is a joy to behold. Coppola, on the other hand, has described herself in interviews as follows: “I’m this housewife who has suddenly decided she’s going to write a film and direct it.” Given the fact that it took her six years to get her passion project up and running, she should be more humble about her accomplishments. At the very least, this illustrious woman has demonstrated that she is capable of keeping up with the other members of her illustrious family.

For more personality quizzes check this: All Saints Quiz.

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