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A sentimental and occasionally effective tribute to the veteran character actor, “The Hero” is a celebration of the veteran character actor Sam Elliott as himself.
You might remember him best from his role as Cher’s biker boyfriend in “Mask,” or from his more recent turn in “Grandma,” in which he had a particularly memorable scene as Lily Tomlin’s long-ago love. As the mysterious bowling alley stranger in “The Big Lebowski,” he even got to say the words “The Dude abides,” which he used to describe himself. This individual is legendary.
Clearly, director and co-writer Brett Haley understands this, as evidenced by his decision to cast Elliott in a rare leading role in the film. However, while it’s a pleasure to bask in the glow of the silver-haired 72-year-distinctively old’s handsome features and deeply resonant voice, there’s little to the character he plays or the story that surrounds him that’s worth getting excited about.
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There are numerous clichés about the fickle nature of Hollywood, romances that take place in the month of May and December romances that take place during the last days of life in “The Hero.” Furthermore, the repetition of a series of remorseful, dreamlike images from the past does nothing to heighten the poignancy of these images. Nonetheless, Elliott’s mere presence makes the film more watchable than it should be, and for a longer period of time than you might expect.
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He portrays Lee Hayden, an aging and ailing movie star whose most memorable performance was in a Western that was released 40 years ago. Since then, he’s been riding the wave of cultural and financial success, with diminishing returns on his investment. Today, Lee makes a living as a voiceover artist; when we first meet him, he is in a recording booth, repeating the same inane line about barbecue sauce into a microphone over and over again until he gets tired of it. One of the show’s primary charms is its awareness of and affectionate toying with Elliott’s real-life persona, but this only lasts for a limited amount of time.
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Lee spends most of his time in his rustic Malibu canyon home, where he enjoys smoking weed and drinking whiskey. The relationship between him and his ex-wife (Elliott’s real-life wife, Katharine Ross, who is lovely in only a couple of scenes) is cordial; however, he is estranged from his daughter (Krysten Ritter, who plays an underwritten role) and struggles to reconnect with her.
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Lee leaves the house every now and then to visit his only friend, Jeremy (Nick Offerman), a former TV series co-star who also happens to be his drug dealer. The sexy, saucy Charlotte (Laura Prepon) is one of those customers who Lee meets during one of those hazy visits, and the two strike up an unlikely romance. And it’s not even unlikely because she’s half his age, which makes it even more likely. This is not mentioned in the script by Haley and Marc Basch, but she does look a lot like his daughter, which is a coincidence.) Due to the fact that this character doesn’t have much to offer, their connection never makes sense. She performs as a stand-up comedian. Poetry is something she enjoys, which “The Hero” emphasizes by having Charlotte read to Lee from a book of poetry that she owns. That’s all there is to it.
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But what Charlotte doesn’t know—and what no one knows—is that Lee is suffering from pancreatic cancer and has only a short time left to live. “The Hero,” in which Lee plays the title role, is depicted as a series of surreal flashbacks to Lee’s signature role, which is depicted in his current state in a film titled, appropriately, “The Hero.” In the same way that the supporting characters appear to be concepts rather than actual people, Lee himself appears to be a concept as well. “The Hero” is a film that wallowing in the success of the past and the regret of the present, but the man at its center remains stoic and elusive.
As a result, the film as a whole feels like a good short film that has been stretched out to be a feature length production. Subplots such as an unintentional viral video and long walks on a deserted beach serve more as filler than as a statement on our culture in general or on this man’s place in it.
Simply by showing up and being his formidable and glorious self, Elliott has the ability to sell us anything, of course—barbecue sauce, whatever. However, he could benefit from some more substantial material.
For more personality quizzes check this: The Book Of Henry Quiz.
