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“So this is the part of the movie where you kidnap me and sell my organs, right?” “Is that right?” In the movie “The Perfect Guy,” Sanaa Lathan’s character asks Michael Ealy’s character, played by Ely, in a playful manner as they make their way to an underground nightclub. This romantic thriller doesn’t feature nearly as many bizarre or disturbing events as you might hope, but you’ll find yourself wishing it did.
“The Perfect Guy” is passable garbage that, with a little more audacity and risk-taking, could have been delicious garbage. The film is slick, glossy, and robustly made in a manner that is reminiscent of other sexy-stalker fare from the 1990s and was directed by David M. Rosenthal. It is telling that Sony did not screen the film for critics prior to the day it was released in theaters. (There are echoes of Verhoeven in it.) It showcases gorgeous actors in fashionable settings with lighting that enhances their features and clothes that are on trend. The city of Los Angeles sparkles during the day and shines brightly at night, but the majority of the action takes place in a tranquil mid-century modern house in the hills (probably Silver Lake) that has floor-to-ceiling glass, minimalist furnishings, and generous use of chunky Austin stone.
All of it is very tasteful—perhaps to an excessive degree—which causes the few crazy moments to stand out as unintentionally funny rather than as cohesive parts of a whole that make sense together. You keep wishing that an insane Tyler Perry movie will burst free from these understated trappings, but unfortunately, this does not appear to be the case.
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However, the overqualified and magnetic stars are doing their best to make use of this lukewarm material. (Tyger Williams is the writer of the script. His most recent screenplay was “Menace II Society,” which was released in 1993. In the meantime, Rosenthal is known for directing both the charming movie “Janie Jones” and the depressing movie “A Single Shot.” Leah Vaughn is an L.A.-based lobbyist who seems to have it all: brains, looks, power, a gorgeous home, and a loving, longtime boyfriend in architect Dave. Lathan, who is incapable of finding a dishonest moment on screen, stars as Leah Vaughn (the ubiquitous Morris Chestnut). When Leah and Dave have been together for two years, she is ready to get married and start a family, but Dave is not because he has spent his entire life in the shadow of divorce. So that brings us to the conclusion of that.
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To her good fortune, however, she has not one but two instances of “meet cutes” with a very attractive man named Carter (Michael Ealy). When Carter intervenes to protect Leah from an indecent advance made by an inebriated man at the bar of a hip restaurant, it is not long before they find themselves back in the same situation that brought them together in the first place: a flirtatious moment shared at a coffee shop. He is almost too good to be true; some might even say he is perfect, which is where the title comes from. Carter is attentive, thoughtful, and doting, and he has a successful career as a high-tech corporate security expert, which will come in handy once he begins making her life a living hell. In addition to his good looks (and his propensity for shirtless, sweaty pushups), Carter has a successful career as a high-tech corporate security expert.
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Because after all of the charming dates, the passionate nightclub bathroom sex (which is, once again, tasteful), and the heartwarming road trip to visit her parents in San Francisco (Charles S. Dutton and L. Scott Caldwell), Carter reveals his true nature when he viciously beats a stranger at a gas station for simply speaking to Leah. This occurs after the heartwarming road trip. It is only natural for her to feel uneasy and terrified. She does what any self-respecting, rational individual would do and pulls away. This only serves to increase Carter’s desire for her, which he displays by constantly calling and texting her, breaking into her house, concealing surveillance equipment, hacking into her computer, stealing her cat, and pushing her elderly neighbor across the street down a flight of stairs when she becomes suspicious of his antics.
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Because of how quickly it takes place, there is no suspense or even genuine fear associated with his transformation. His personality lacks any sort of development; in the blink of an eye, he can go from being suave to psychotic. It is best expressed by Leah herself when she confides in a friend that it is as if a switch had been flipped, and that it makes his character more of an idea of a threat than a genuine one. It should be a deeply unsettling moment when he sneaks into her bathroom and puts her toothbrush in his mouth just to experience the sensation of being near her, but instead it elicited giggles during a late-night showing of the film.
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Ealy at least has more to do in this scene than Chestnut, whose primary function is to return in the third act and bravely protect the woman he conveniently decides he loves again. Ealy gets more to do in this scene than Chestnut. When you think about it, his character is representative of everything that’s wrong with the movie as a whole. He has a lot going for him superficially, but he doesn’t have much going on internally.
For more personality quizzes check this: The Wedding Ringer Quiz.
