Respond to these rapid questions in our Steve Jobs quiz and we will tell you which Steve Jobs character you are. Play it now.
After watching the movie “Steve Jobs,” as soon as the credits began to roll at the end of the film, I reached into my purse and turned on my iPhone, just like a large number of other people in the theater did. At the moment, I’m composing this review using my Apple MacBook Pro. Once I have brought my son, who is six years old, home from school later on this afternoon, I will make an attempt to deflect his demands to play “Angry Birds Star Wars” on the iPad. To answer your question, yes, Steve Jobs has had an impact on my life, just as he has had an impact on the lives of many millions of other people around the world. It turns out that his inventions do exactly what he hoped they would: they make our lives simpler. They are pleasing to the eye in a visual sense. They are close associates of ours.
The exhilarating movie directed by Danny Boyle takes place behind the scenes at three significant product launches during the late Steve Jobs’ career. The film starts with the Apple co-founder freaking out minutes before the introduction of the Macintosh in 1984 because his team couldn’t get it to say “hello.” It was a meticulous and obsessive approach, both of which were hallmarks of his character, but looking back, we can see that he was also onto something: the concept of technology functioning as a reliable and reassuring companion.
All of this is what makes the fact that he was so icy dismissive to the real-life people who were closest to him — the people who actually loved him — such a fascinating contradiction. This is just one of the many contradictions that director Danny Boyle, writer Aaron Sorkin, and star Michael Fassbender explore with great ambition and élan throughout the film.
He insisted on micromanaging even the most minute aspects of his presentations, such as ensuring that the console was a perfect black cube, down to the millimeter, at the launch of his unsuccessful company, NeXT, in 1988, or coaxing his subordinates into disobeying the fire code by turning off the exit signs in the theater in order to achieve a dramatic darkness for his unveilings. But he had no control over who was going to approach him in the moments before he took the stage, what they were going to say, what they were going to want, or how they were going to dare to invade his formidable brain in order to wreak havoc when all he wanted was to keep up his carefully crafted facade of Zen coolness.
They include Steve Wozniak, Apple’s co-founder and an old friend (portrayed with great intelligence and pathos by Seth Rogen); Apple CEO John Sculley, a one-time father figure who would gain infamy for eventually firing Jobs; and Chrisann Brennan, Jobs’ ex-girlfriend and the mother of his daughter Lisa (played by Katherine Waterston), whom Jobs for a long time refused to acknowledge as his daughter or support financially. (By the way, all three actresses playing Lisa at various ages give smart and distinguishable performances; Makenzie Moss at age 5, Ripley Sobo at age 9, and Perla Haney-Jardine at age 19 respectively.)
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And then there is Michael Fassbender, who, despite the fact that he does not physically resemble Steve Jobs in any way, manages to perfectly embody Jobs’s drive and restlessness in the role. But here, he has the added challenge of playing a revered, real-life figure over the span of 14 years, from long hair and a bow tie to glasses and dad jeans. Fassbender has never been afraid to play damaged or difficult characters, such as in “Shame,” “12 Years a Slave,” or even the “X-Men” prequels as a young Magneto. He never shies away from pointing out the haughty and repulsive aspects of this man’s behavior, but there is an intensity to his presence and a directness in his eyes that make him more than just compelling; he is authoritative. It doesn’t matter to him if you like him or not, and I find that to be very exciting.
Kate Winslet, who plays Joanna Hoffman, who is Steve Jobs’ calm yet forceful right-hand woman and a much-needed voice of reason, is present throughout it all. Winslet is given a couple of great speeches, both of which she delivers with convincing power, which is not the least bit surprising. The high points of the movie are her conversations with Michael Fassbender, which are almost like performing a high-wire act. It is difficult to make such dense dialogue sound natural, but both actors manage to pull it off.
This is a very Aaron Sorkin-esque script; it’s packed with the kinds of perfectly timed zingers and clever turns of phrase that never occur to us in real life. In the final act, Rogen delivers the best line of the film, which he directs at Jobs in front of a packed auditorium just before the launch of the iMac in 1998. He says, “You can be decent and gifted at the same time.” There is no clear-cut answer.” It is a concept that governs the entirety of the movie, and it is characterized by a beauty that is both self-aware and penetrating.
Steve Jobs Quiz
The energy is never-ending, and all of the actors more than live up to the challenge of not only keeping up with Sorkin’s signature rat-a-tat patter, but also making it sing. The non-stop walking-and-talking that takes place throughout the movie—back and forth through hallways, up and down stairways, and in and out of doorways—almost plays out like a parody of Sorkin’s style, the kind of thing that we saw when “The West Wing” was at its peak. However, because the movie takes place almost entirely within interiors, this is not the case.
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The typically kinetic direction that Boyle provides ensures that “Steve Jobs” is never dull at any point in time. Even though it is filled to the brim with technical jargon and hardly ever pauses for a breath, the reading experience is never one of being bogged down. The use of imagery brings the corridors to life. The events of the past flow into the present in a seamless manner and provide insight, frequently with dialogue that overlaps. And the glare of the lights and the thunder of the crowds can be so all encompassing that they make you feel as though you were there, too: standing on the brink of the future.
And the fact that a movie about a guy who was obsessed with sleekness and simplicity should be bursting with verbiage and verve is sort of a fascinating contradiction in itself.
Having said that, if you don’t know a whole lot about Steve Jobs prior to watching “Steve Jobs,” the film won’t go out of its way to help you understand it. If you are not familiar with the garage in Los Altos, California, where it all began or his long-standing and complex friendship with Wozniak, you may miss out on the opportunity to explore the complexities of Steve Jobs’s personality. The recent documentary “Steve Jobs: The Man in the Machine,” directed by Alex Gibney, is an excellent choice for a companion piece because it covers much of the same ground but does so in a more in-depth manner. (If you haven’t done so already, you are free to disregard the Ashton Kutcher-starring biopic Jobs from 2013, which was released in theaters. The fact that Jobs’ life has been the subject of not one, not two, but three distinct films in the space of just a few years is quite telling.
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The choice by Sorkin’s script to focus on these watershed moments in Jobs’s career and to structure them as a three-act play demonstrates the audacity of the writer. It is without a doubt preferable to the typical, one-dimensional, cradle-to-grave biopic that makes an excessive amount of effort to cover too much ground. Because of the dramatic talkiness of the characters and the spareness of the set design in “Steve Jobs,” it is not difficult to picture the story being told on a stage.
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It is also simple to draw parallels between Sorkin’s portrayal of Steve Jobs in “Steve Jobs” and his portrayal of Mark Zuckerberg in “The Social Network,” for which he was awarded the Academy Award for Best Adapted Screenplay in 2011. Despite the fact that both of these men are more than a little socially challenged when it comes to the people in their own lives, they are visionary geniuses who revolutionized the way people connect with each other. Even though the men in question are capable of being so vicious that their actions can leave a sour taste in your mouth, the irony is delicious despite the fact that it may be too rich.
It feels like an innovation in and of itself that he doesn’t try to redeem these fascinating but flawed figures in any way, shape, or form, or even try to make you like them in the slightest way possible.
For more personality quizzes check this: Which Enhypen Member Are You Quiz.
