Respond to these rapid questions in our A Madea Family Funeral quiz and we will tell you which A Madea Family Funeral character you are. Play it now.
Tyler Perry must think I’m Boo-Boo the Fool, because there’s no way in hell I’m going to believe that “A Madea Family Funeral” is the final film in which his iconic character appears. Mabel Simmons, the infamously tall, slap-happy, and occasionally blasphemous older woman who Perry has played on stage and screen for decades, will not be going gently into that good night, according to the actress. Make no mistake about it: Madea’s fan base will simply not allow it, and one thing that has remained consistent about Tyler Perry is his desire to give his fans what they want. In some cases, it is for the better, but more often than not, it is for the worse. Furthermore, because Madea is the coordinator of the title event rather than the subject of the film, she is free to appear in additional films. That is exactly what she will do. I’m confident enough in my abilities to act as your bookie for bets on her eventual return.
While you’re placing your bets, I’d like to point out that Madea’s final outing is Tyler Perry’s best film since his most critically acclaimed work, “I Can Do Bad All By Myself,” which was released in 2008. In a way, it’s fitting that he would take on this particular staple of church life because Tyler Perry movies are simply too damn long, much like Black Baptist funerals are. “A Madea Family Funeral” extracts some extremely amusing moments from the way African-Americans prepare for and attend funeral services. Madea, decked out in a massive black church hat that appears to have been plucked from the Wicked Witch of the West’s more fashionable closet, orchestrates the funeral like the orchestra at the Academy Awards. “Two minutes!” she yells at everyone who steps up to the pulpit to speak about the dead, and she violently yanks them off stage. Despite all of this, the funeral will still take nine hours to complete.
The length of time it takes for Black people to schedule funerals is a source of amusement as well. Much is made of Vianne’s (Jen Harper) desire to inter her husband, Anthony, as soon as possible (Derek Morgan). Madea is given only two days to put everything back together, which causes her family to express their dissatisfaction in great numbers. Typical of Tyler Perry’s films, this brood is stuffed to the brim with secrets and drama, allowing for the seismic shift in tone that we’ve come to expect from him. It works better here than it does anywhere else, probably because the broad humor is meaner and darker than you might expect given the context. The drama and the comedy appear to be coexisting more peacefully in this context. Perry’s script also includes an explosive monologue for Vianne that Harper delivers with show-stopping zeal and conviction.
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Bringing to the forefront—and mocking—the unspoken reason why we’re told not to speak ill of the dead, “A Madea Family Funeral” is a must-see. A ripe bastard who deserves to be sent to Hell floating on a sea of accurate descriptions of their personality is sometimes the person in the casket. Nonetheless, proper etiquette must be observed. Because Madea is unstoppable, she can’t help but poke fun at people who are trying to be respectable. “If you knew the deceased, please raise your hand,” she says, addressing the suspiciously large number of unknown women who had shown up. “If you knew the deceased in the Biblical sense, raise your hands,” she says after everyone has raised their hands. The same number of hands are raised.
A Madea Family Funeral Quiz
The deceased was a major league baseball player whose use of Viagra continues long after he has passed from this mortal coil. In fact, almost everyone in this film is whoring at some point. Anthony suffers a heart attack while participating in a wild S&M sex session with Vianne’s best friend, an event that is overheard and eventually witnessed by A.J. (Courtney Burrell) and Gia (Aeriél Miranda) and their friends. Gia and A.J. were having an affair in the next hotel room, which was next to Gia’s room. During the course of the film, we learn that Gia is the fiancée of A.J.’s brother Jessie (Rome Flynn), and that A.J. is married to a doormat with whom he spends most of the film walking all over. This establishes the central drama, which Perry keeps returning to whenever he veers away from the comedic aspect of his performance.
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Normally, A.J. is the type of guy on whom Madea pulls her pistol in these movies, but this time, she saves all of her poison for her usual cronies Hattie (Patrice Lovely), Aunt Bam (Cassi Davis), and her brother Joe (Joey King) (Tyler Perry). In addition, they are at the hotel when Anthony’s affair is discovered, and they witness him dressed in S&M gear and in complete arousal. Hattie’s response to this is shockingly filthy. Madea tries everything she can to keep this a secret from Vianne, but her crew isn’t having it. Every time their mouths become overly active, Madea resorts to slapping the hell out of them, even going so far as to knock Joe’s dentures out of his mouth and force Hattie to utter words that are guaranteed to be PG-13 if not an R. I should be ashamed of myself, but every time she smacked someone in the face, I laughed my ass off.
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To make up for the fact that he already has too much to do onscreen, Perry also plays another character named Heathrow. Heathrow is confined to a wheelchair, has lost both of his legs, and is unable to speak without the assistance of an artificial voice box due to throat cancer. Aside from that, Heathrow is home to half of a jHeri curl, as well as all of the activator-related messiness that comes with it. Considering that this is the most obnoxious character Perry has given us, your mileage may vary on whether or not you find him offensive. I thought he was completely unnecessary, but I did laugh when Madea claimed that the vibrations from his voice could cause her to experience an orgasm. I understand what you’re going through. Odie is a jerk. However, if you were hoping to find polite humor, you’ve come to the wrong theater.
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Several scenes in this film, particularly one in which Madea and her friends are stopped by the police, can also be described as “completely extraneous” in my opinion. It starts out promising, with the cop freaking out when he sees a car full of Black people, but it quickly becomes pointless and feels interminable. Perry has always had a problem with this, and it continues to be so. “A Madea Family Funeral” is 102 minutes too long, and it overstays its welcome. His films would be more enjoyable if they were around 80 minutes in length. Every time you watch one of his films, you get the impression that they’re rushing to meet some kind of running time requirement. Things that are this offensive to the palate need to move more quickly.
It doesn’t matter. I admit to laughing out loud several times throughout the film, and I was captivated by Vianne’s grand “what’s good for the goose” speech at the conclusion. If “A Madea Family Funeral” is indeed the final “Hallelu-YUHRR” for Madea, it isn’t a bad way to go out on the town, to put it mildly. It’s possible that you won’t miss her, but she appears to have left the scene on her own terms. For better or worse, that is the case.
For more personality quizzes check this: Good Boys Quiz.
