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“American Sniper,” which was directed by Clint Eastwood in what some may view as alarmingly short order following “Jersey Boys” (which was released only six months ago, for heaven’s sake), proves the dictum “never count an auteur out” by proving itself as Eastwood’s strongest directorial effort since 2009’s underrated “Invictus” pretty much right out of the starting gate. The film stars Bradley Cooper as Chris Kyle, a sniper who The film begins with a brutally suspenseful moment of decision for its titular character, Chris Kyle, and quickly establishes all of the things it is going to be about, as well as all of the things it is not going to be about, with an assurance that is so straightforward that it is almost breathtaking.
The film “Sniper” is based on a true story that was told by Kyle in the book of the same name, which gives the film its title. After Kyle told the story, it became more complicated. After a prologue that takes place in Iraq, the main narrative of the film, which was adapted from the book by actor-turned-screenwriter Jason Dean Hall, begins with scenes depicting Kyle as a boy and then as a young adult. The weight of expectation seems to jam Chris and younger brother Jeff down, and in a flash-forward to the boys as young men, they’re leading the aimless lives of want tobe rodeo stars. A schoolyard bullying incident compels Kyle’s father (Ben Reed) to give a scary dinner-table fire-and-brimstone speech to Chris and younger brother Jeff about showing would-be tough guys who’s boss (“we protect our own”). That is before Chris makes the decision to submit his application to join the Special Forces (the film depicts him doing so after seeing TV coverage of the 1998 attacks on U.S. embassies in Tanzania and Kenya). During the time that he is in training, he not only discovers a new sense of purpose for his life, but he also meets his future wife Taya (Sienna Miller). The events of 9/11 put Kyle to work as a sharpshooter in the war in Iraq, and the movie portrays his abilities in this area as being almost uncanny.
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As it happens, they were the same in real life as well; Chris Kyle amassed 160 confirmed kills, making him the deadliest such operative in the annals of the United States Navy’s history. The way in which director Clint Eastwood deals with the many different battle scenarios, including the ones in which the protagonist, Kyle, is forced to kill women and children, is typically straightforward and uncomplicated. Grim, purposeful, compelling. One of Eastwood’s major preoccupations as a film director as well as an actor in motion pictures is the topic of violence and how it relates to both American history and the American psyche. However, he is not a director with a tendency toward being overly analytical or intellectualizing, and it turns out that this is one of the greatest strengths that this movie possesses. It has nothing to do with the question of whether or not going to war in Iraq was a good idea. It is simply the case that it IS, and Kyle is not only an actor in it but also a devoted husband and father in real life. But Kyle is more than just an actor in the war; he is a true believer in what he is doing, and the intensity with which he approaches this aspect of his life bleeds into his relationships back at home in ways that cannot help but be unsettling for those around him. Kyle travels back to the United States in order to be present at the funeral of a fellow soldier who was killed while on a mission.
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A member of the soldier’s family reads aloud from one of the soldier’s final letters, in which he expresses his uncertainty and disillusionment regarding the war. While Chris and Taya were driving back to their house, Chris told Taya that “that letter” was what ultimately caused the death of Chris’s friend. In the same way that Taya is at a loss for words, the audience probably won’t either—or at the very least, they shouldn’t. In the hands of a different actress, the part of Taya, which was convincingly portrayed by Sienna Miller (whose performance in “Foxcatcher” also marked the actress’s exit from “Movie Jail”), might have been another stock Complaining Military Wife stereotype. She is a more nuanced character in this movie; she is aware that the characteristics she admires and loves in Kyle, such as his unwavering allegiance and laser-like focus, as well as his determination to see his commitments through to the end, are inextricably linked to his role as a military operative. However, even a warrior who is as dedicated as Kyle is unable to avoid having his mission mess with him in some way. As the movie goes on, the sniper’s reputation gets scarier, and the nature of his accomplishments gets messier and messier. By the time the sniper has finished his tour, the audience has good reason to be a little afraid of the guy, or even more than a little afraid of him. But Taya is not. Because of this, the entire narrative is left on an oddly suspended note, which, as it turns out, is resolved by a real-life ending that is not very Hollywood.
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Star Some of Bradley Cooper’s finest work as an actor can be found in this film. Cooper tones down the actorly knowingness he’s brought to the majority of his previous screen roles in order to give his character here a credulousness and edge at the same time. He does this by bulking up in order to make himself resemble, with respect to body shape, a large-scale nine-volt battery. He gives off the impression of being a dangerous guy, but not a malicious one at all. Even in moments when it seems like it’s misplaced, such as when Kyle finds out for the last time that he can’t really be his brother’s keeper, his lack of self-doubt never comes off as alienating in its steadfastness. This is because his lack of self-doubt is so consistent. “American Sniper” is one of the more tough-minded and effective war pictures of post-American-Century American cinema as a direct result of moments like that one, which can be found strewn throughout the film.
For more personality quizzes check this: Avengers Age Of Ultron Quiz.
