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“Antlers” is a film about the dark side of life. The darkness of human beings. Darkness that is supernatural in nature. Filmmaking in the dark, in the literal sense of the word. It’s a slimy, icky, violent film that doesn’t always come together, but it undeniably feels like it was born out of the passions of its creators, particularly director Scott Cooper and producer Guillermo del Toro, who both played a role in its creation. It is similar to other works by the author in that it is centered on people on the economic periphery who are carrying heavy emotional burdens. It, like other works by the latter, imagines a world in which real pain can open the door to unimaginable horrors if left unchecked. There are also some themes from Nick Antosca’s previous work in this project that can be easily traced back to it, which is great news for all of you “Channel Zero” fans. This film deals with a variety of themes including trauma, grief, abuse, and addiction, and those quick to dismiss the current trend of “elevated horror” will find plenty to criticize. However, they would also be dismissing the film’s impressive craft, committed ensemble, and noteworthy ambition. “Antlers” may fall short of its potential, but I believe it will develop a loyal following over the course of time.
It feels like it’s been years since we first heard about Cooper’s film, which was originally scheduled to be released in April 2020 but is now being released 18 months later after being delayed. “Antlers,” which is based on Antosca’s short story The Quiet Boy, is set in a small town in Oregon, one of those formerly blue-collar communities that has been devastated by economic setbacks and drug abuse. He is the reticent sheriff of this remote corner of the world, a place that feels like it was flourishing only a generation ago and might not exist even in a generation’s time. Paul Meadows (Jesse Plemons) is a man who has lived his life in his own way. Julia (Keri Russell), Paul’s sister, has returned home to a place that has already been the source of trauma from her childhood and which now appears to be the most desolate place on the face of the planet.
Julia has also returned to teaching, where she takes a particular interest in Lucas, the class’s most quiet member of the group (Jeremy T. Thomas). He’s one of those boys who appears to be a little too quiet and skittish, which could indicate that something is seriously wrong at his home. In the course of her investigation, Julia discovers that Lucas’ mother passed away recently, leaving his father Frank (Scott Haze) to care for him and Lucas’ brother Aiden (Sawyer Jones). Everyone has a sneaking suspicion that there is a problem at home, but no one knows what it is. In the very effective and tone-setting opening scene, Frank and a drug-producing colleague are attacked by… whatever it is that has attacked them. Since then, he has been confined to his home, where he is literally falling apart at the seams. Father is almost feral, a cross between a werewolf and a zombie, and Lucas does nothing but lock his door at night and hope that things don’t get worse for him any further. He is only going to get worse.
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“Antlers” is a visually confident film, shot by Florian Hoffmeister (a Terence Davies collaborator on “The Deep Blue Sea” and “A Quiet Passion,” as well as a veteran of AMC’s “The Terror,” which has a similar tone to this project). It embraces shadows in a way that causes you to lean forward in order to discern the horror lurking in the dark corner of the room, but never to the point where it becomes incoherent or frustrating to watch. Cooper and Hoffmeister create a visually arresting visual language for the film, which is further enhanced by the editing of the legendary Dylan Tichenor (“There Will Be Blood”), which emphasizes the forced POVs and disconcerting angles even more.
Antlers Quiz
There is a weakness to “Antlers,” however, and that is just how much the script appears to be willing to emphasize those themes rather than the characters who are involved. None of these characters are given much development, and the supporting roles played by talented actors such as Amy Madigan and Graham Greene are particularly underdeveloped in this regard. Despite the fact that Russell and Plemons put in a lot of effort to make their roles feel more three-dimensional, they’re both so talented that it would have been nice to see them given a little more meat to chew on. It’s also a film that, because of its deadly serious tone, can become monotonous. It’s possible that a little humor to break up the child torture would have helped to bring things back into balance.
Also, you will find out which character are you in this Antlers quiz.
Scott Cooper’s films are about broken people, and Guillermo del Toro’s films are about broken places, both of which are explored in his films. “Antlers” is the product of their fascination with the dark, and fans of their work should take a look at what they’ve gotten out of it for this project.
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Only on the 29th of October will it be released in theaters.Also, you must try to play this Antlers quiz.
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