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“Diving is the most fabulous distraction you can ever experience,” Jacques Cousteau once said of his passion for diving. The pioneer was always in his most comfortable state underwater, as Liz Garbus’ intimate and deeply informative documentary “Becoming Cousteau” reminds the audience early on. In fact, Jacques Cousteau once described the misery of being forced back to earth after being introduced to heaven as “being forced back to earth after being introduced to heaven.”
As an innovator, explorer, conservationist, and filmmaker, he has become synonymous with all things aquatic. He aspired to be the “John Ford or John Huston” of the ocean and has been dubbed “the John Ford or John Huston of the ocean.” Garbus delves deeply into all of Cousteau’s aforesaid facets of his work and tireless efforts, while deftly weaving them together with the lesser known and not entirely pleasant aspects of his private life as a father and husband. Jacques Cousteau: The Undersea World of Jacques Cousteau is a captivating, sincere, and articulate documentary about a household name that will satisfy and even enlighten those of us who grew up watching his mesmerizing television series, “The Undersea World of Jacques Cousteau,” as well as introduce his legacy to a new generation of young, aspiring explorers and conservationists. Despite the fact that it isn’t as engrossing as some of the filmmaker’s previous, more experimental films (the excellent “What Happened, Miss Simone?” comes to mind), “Becoming Cousteau” is still one of the most immersive and warmly inviting non-fiction biographies available.
Cousteau’s story begins in his early years, when he had no ambitions other than to become a pilot, and Garbus does so deftly by maintaining a straightforward chronology throughout her narrative. However, a serious car accident changed the course of his life when he was in his mid-20s. He began rehabilitative swimming to heal his injuries and developed an insatiable curiosity for diving as a result. It was during this period that he was forced to invent and innovate, with his constraints acting as a catalyst for his creative thinking in order to overcome them. Enter waterproof cameras and the Aqualung, a revolutionary breathing device that would not have been possible without which modern open-water diving would not be where it is today. Calypso, with its attractive crew, arrived in the early 1950s, a research-focused excursion boat that was immortalized on television and in movies thanks to the captain’s groundbreaking visual output, long before such breathtaking expeditions could be accessed by average human beings from the comfort of their own homes through channels like National Geographic and Discovery.
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Garbus’ most impressive achievement in “Becoming Cousteau” is the clarity with which she lays out the trajectory of Cousteau’s change of heart on environmental issues over the course of the novel. For a long time, he and his crew were largely irresponsible in their interactions with and manipulation of the ocean’s delicate ecological balance, and it was a source of great concern. As a result, there are some scenes in her documentary that portray Team Cousteau in an unflattering light, including blowing up fish for money, locating oil sites for money, tantalizing tortoises, and even proudly killing a poor shark who was fighting for its life. For example, in Cousteau’s Oscar-winning 1956 documentary “The Silent World,” a scene that the captain himself couldn’t stand behind or even watch in his later, environmentally conscious years is depicted as follows: Cousteau, on the other hand, made history in the 1960s when he became one of the world’s first celebrities to speak out against climate change. This ground-breaking conversion necessitated a significant shift in the direction of his films and overall body of work, which now has an activist and educational focus.
Becoming Cousteau Quiz
Because of these developments, Garbus’ film gains an increasingly urgent tone without becoming preachy or losing its charming vintage feel, organically instilling in the viewer a willingness to reconsider their own environmentally unfriendly habits as the film progresses. In other scenes, Garbus, to his credit, does not sugarcoat Cousteau’s flaws, portraying him as a flawed, chaotic, and work-centered hero who did not devote enough time or attention to his family, which included his wife Simone (who was instrumental in the operation of his ship) and his two sons, Philippe and Jean-Michel. Philippe is given a significant amount of screen time in the film, as he was involved in his father’s business until his tragic death in a plane crash when he was only 38 years old. Coteau married Francine Triplet shortly after his wife Simone died of cancer in 1990. They had two children together. (At that point, he was already the father of two children by Francine.)
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It is because of this unapologetically honest approach that “Becoming Cousteau” manages to rise above the shackles of a simple-minded nostalgia trip. A film with a curious mind like its immortal subject, Garbus’ film takes a refreshingly forward-looking approach, delivering a hopeful plea for a future that is worth saving.
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