Respond to these rapid questions in our Captain Marvel quiz and we will tell you which Captain Marvel character you are. Play it now.
Now it’s finally here: the first film in the Marvel Cinematic Universe to feature a female superhero as its central character, and the first film in which a woman served as both co-director and screenwriter. Across the board, these are ground-breaking, exciting, and long overdue accomplishments in a pop-culture powerhouse that has traditionally been dominated by male stories and storytellers for decades.
Then why does “Captain Marvel” come across as a bit of an underwhelming experience? It’s fine, and it can be quite amusing at times. It is securely integrated into the MCU while also providing adequate functionality as a stand-alone unit. Nonetheless, the character and the outstanding actress who portrays her, Oscar-winner Brie Larson, deserved more than just a passing grade. They deserved a game-changer in the vein of “Black Panther,” “Guardians of the Galaxy,” or even “Doctor Strange,” as well as the girls and women around the world who were looking forward to “Captain Marvel” with wide eyes and high hopes of seeing themselves on screen.
The majority of “Captain Marvel” takes place in the mid-1990s, and the film feels like it was made at that time as well, both in terms of technical prowess and emotional depth. This is not meant to be a compliment. As for the former, it’s possible that was done on purpose—yet another example of wallowing in period nostalgia alongside grunge chic and girl-power anthems, among other things. The extended space introduction as well as the large action sequences have a cheesy, retro feel to them that can be amusing but also incomprehensible at times.
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Co-directors Anna Boden and Ryan Fleck, on the other hand, have made their names writing and directing indie dramas with richly drawn characters who are dealing with real-life issues. “Half Nelson,” a 2006 film about a drug-addicted middle school teacher, was the film that launched Ryan Gosling’s career and earned him his first Academy Award nomination for best actor. “Sugar” (2008) is one of the most intimate and insightful baseball films ever made, and it is a must-see for baseball fans. You’d expect their portrayal of the title character, real name Carol Danvers, to be complex, compelling, and ultimately human, despite her otherworldly superpowers. And that’s exactly what they delivered. Despite the fact that Larson is tough, plucky, and gifted with a well-timed quip, her most prominent personality trait appears to be rebelliousness. That’s a little too restrictive. (Boden and Fleck co-wrote the script with Geneva Robertson-Dworet, and the three of them are co-credited with Nicole Perlman and Meg LeFauve for their contributions to the story.) Furthermore, she has lost track of who she truly is, and as a result, her inner life is just as much of a blank to her as it is to us.
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Carol is frequently trapped between worlds where she feels she has no place, despite her determination to fight for her right to be there. At the beginning of the film, she is living on the Kree planet of Hala, where she is training to be a warrior. In the film, Yon-Rogg, played by Jude Law, constantly reminds her not to let her emotions get the better of her—a scathing critique of the sexist notion that women are too emotional to handle difficult jobs. Furthermore, “Captain Marvel” is chock-full of less-than-subtle political commentary. However, after being captured by the shapeshifting Skrulls, led by the swaggering Talos (Ben Mendelsohn), during a battle, she manages to escape and crash-land on a different planet: our own. In particular, she finds herself in a position of being a fish out of water in the sprawling metropolis of Los Angeles.
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It is at this point that “Captain Marvel” leans heavily on the humorous kitsch of its decade-specific detail: “Captain Marvel: The First Avenger” (1968). This is a blockbuster video! Pagers with two-way communication! Internet access via dial-up modem! We were such a shambles. It’s the cinema of empty recognition, a ’90s version of the way “Ready Player One” heavily relies on ’80s pop culture to elicit a warm, knowing response from the audience. Hey, Captain Marvel is wearing her plaid button-down around her waist the same way I used to do in college! Cool.” For the most part, these moments and images are only amusing for the sake of a chuckle.
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Nonetheless, as Carol begins to piece together her past as an Air Force test pilot, “Captain Marvel” begins to feel more and more like a female version of “Top Gun. This is actually a compliment, because the scenes on Earth in which Carol tries to recall her memories of the past while discovering her strength and bravery in the present (and in the cockpit) are the film’s high points are the most moving. Carol’s previous life has a mysterious mentor figure, played by the always formidable Annette Bening, who appears for a tantalizingly brief moment in the film. Furthermore, Lashana Lynch contributes to Carol’s character development as her best friend, a fellow pilot who, like Carol, was denied a pilot’s license due to the fact that she was a woman and a young mother.
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One of Carol’s most rewarding and consistently entertaining relationships is with Nick Fury, a young agent for the United States Department of Homeland Security, who is magically de-aged by a piece of visual effects wizardry in the film. In fact, the end result is seamless. You will be completely unaware that you are looking at a 70-year-old gentleman. While Clark Gregg, reprising his beloved role as Agent Coulson, isn’t quite as convincing this time around, it’s always a pleasure to see him. Larson and Jackson have a wonderful chemistry together, exchanging quick-witted banter and affectionate zingers with effortless ease. There’s a glowy space cube thingy that they have to find and keep out of the wrong hands (you know what it is and why it matters if you’ve been following these movies), and keeping it out of the wrong hands is the least interesting part of “Captain Marvel.”
In the end, her friendship with Jackson—as well as her later friendships with a quick-witted Mendelsohn and an absolutely fantastically scene-stealing orange cat named Goose—serves as a stark reminder of how little there is to Larson’s character. Much like Captain America’s role within the Avengers, Captain Marvel serves as a straight woman in a sea of big, swirling personalities, similar to Captain America’s role within the Avengers. Of course, she eventually comes into her full power and is literally the kind of girl on fire that Alicia Keys sings about in her song “Alicia Keys.” But, if we don’t care about who she is at her core, how are we supposed to care about the things she’s destroying in the process?
With regard to music, “Captain Marvelsoundtrack “‘s features songs by female-driven ’90s acts such as TLC, Garbage, Elastica, Salt-n-Pepa and a painfully on the nose performance by the band No Doubt’s “Just a Girl” during a particularly elaborate fight scene, among other things. Even though the message is hollow, the message of girl power (and grrl power) is loud and clear.
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