Coco Quiz

Respond to these rapid questions in our Coco quiz and we will tell you which Coco character you are. Play it now.

In the lively tale “Coco,” a young child who aspires to be a musician ends up conversing with talking skeletons in the afterlife. With a complex but understandable plot, catchy music, media satire, and a heavy emphasis on Mexican folklore and traditional designs, it is directed by Lee Unkrich (“Toy Story 3”) and experienced Pixar animator Adrian Molina. The majority of the film is a slapstick comedy with a “Back to the Future” vibe, staging large action sequences and giving viewers new plot information every few minutes. However, being a Pixar movie, “Coco” is also subtly building up to emotionally taxing moments, so you might be surprised to find yourself wiping away a tear even though the studio has been using the sneak-attack playbook for decades. Miguel Riviera, the 12-year-old protagonist of the movie, resides in the sleepy village of Santa Cecilia (voiced by Anthony Gonzalez). He is a kind-hearted youngster who enjoys playing the guitar and looks up to Ernesto de la Cruz (Benjamin Bratt), the greatest popular singer-songwriter of the 1920s and 1930s who was killed when a large church bell collapsed on his head. However, Miguel is forced to busk in secret because his family forbids its members from doing so ever since Miguel’s great-great-grandfather departed, leaving his family behind in order to pursue his own selfish aspirations of fame. Even though “Coco” has a mystery element, that is the official story that has been passed down through the generations. As the story progresses, it will be called into question by the hero’s “Alice in Wonderland”-style journey to the Land of the Dead, which he enters through the tomb of his ancestors.

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The deeper theme of “Coco” is family and legacy as conveyed through song and storytelling. One of the most intriguing aspects of the film is how the plot revolves around living and deceased members of Miguel’s family as they fight to establish the truth about Miguel’s great-great grandpa and what his disappearance from history meant for the extended family. Renee Victor, the hero’s great-grandmother, who was traumatized by the disappearance of her father, plays the titular role. She now sits in the corner of the room and looks blankly ahead as she ages, almost as if she is being hypnotized by a nostalgic old movie that keeps playing in her brain. But you shouldn’t waste any more time and start this Coco quiz. The tricks Miguel uses to cross over are too intricate to describe in a review, but they become clear as you watch the film. To sum up, Miguel travels there, joins forces with a melancholy clown named Hector (Gael Garcia Bernal), and uses skeletal face paint to pretend to be one of the dead. However, just like Marty McFly who traveled back in time to the 1950s to ensure that his mother is reunited with his father in “Future,” the longer Miguel stays on the other side, the more likely it is that he will actually die.

Coco Quiz

Even though every twist in the story seems obvious in hindsight, Molina and Matthew Aldrich’s screenplay frames each one so that it seems delightful and unavoidable. For this reason, I’m hesitant to go into too much detail about the movie’s plot. Many of them are revealed in a family photo that Miguel takes to the Land of the Dead that was stolen. A great example of how to convey a narrative with pictures, or more precisely, with a picture, is how the photo was used. Other instances of visual information being withheld from Miguel (and us) so that it can be revealed or restored at the appropriate time, completing and correcting an incomplete or distorted picture, include someone’s face being torn out, a guitar that turns out to be significant later, and “picture.” Also, you will find out which character are you in this Coco quiz. But the film’s attitude and tone are what are most novel. “Coco” debuted in Mexico a month before it did in the United States, where it has already become the highest-grossing movie of all time. It assumes a non-American point-of-view on faith and culture—not in a touristy or “thought experiment” sort of way, but as if it were simply the newest product of an alternate universe Pixar Mexicano that has existed for just as long as the other one. Edward James Olmos, Alfonso Arau, Ana Ofelia Murguia, Alanna Ubach, and, to my surprise and astonishment, playwright Octavio Solis, who was one of my teachers in high school back in Dallas, are among the cast of voice actors for the movie. He also appears in a small role. Unsurprisingly, Michael Giacchino’s score and the original songs are both superb. In particular, “Remember Me,” which won an Oscar in the future, is the greatest catalyst for tears to accompany a Pixar film since the “Toy Story 2” centerpiece “When She Loved Me.”

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This Pixar production, like most of their work, is rife with nods to the past of both animation and film in general. I particularly enjoyed the frequent allusions to the dancing skeletons that appeared in 1930s cartoon cartoons. The film’s matter-of-fact portrayal of the dead interacting with the living and its portrayal of specific creatures, such as a goofy, goggle-eyed dog named Dante (based on Xoloitzcuintli, the national dog of Mexico), and a massive flying dragon-type beast with the personality of a fat old housecat, have echoes of Japanese master Hayao Miyazaki. Also, you must try to play this Coco quiz. The widescreen compositions of the movie, reminiscent of old musicals or Hollywood comedies from the 1980s like “9 to 5” or “Tootsie,” place a lot of characters in the same frame and shoot them from the waist up or from head to toe. You can understand how the characters interact with one another and their surroundings thanks to the direction, which also gives you the freedom to choose what to gaze at. This strategy initially seems counter-intuitive for a film with fantastical characters, settings, and circumstances, but it ultimately works well because it gives the impression that you are watching a record of actual events. As a result, “Coco” comes across as gentle and unassuming despite being a big, brash, loud movie. While viewing “Coco,” I had a few minor complaints, but I can’t recall what they were. A masterpiece, this movie.

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