Das Boot Quiz

Respond to these rapid questions in our Das Boot quiz and we will tell you which Das Boot character you are. Play it now.

The German U-boat in “Das Boot” has an interior size of 10 feet by 150 feet. When a crew member tries to move from the front to the back, he has to beg for “permission to pass,” and an officer will stand up to make room for him. The officers’ mess is so crammed. Hell is war. It’s worse to be stranded inside a submerged submersible. However, because the team has accepted this, “Das Boot” is not about claustrophobia. It is about the demanding, risky, and difficult work of operating a submarine. Since it is a German submarine, in some ways we can concentrate on that better. If it were an American sub, we would believe the story has a happy ending, relate to the personnel, and support them. The directors deftly eliminate the patriotic component and up the tension by making it a German boat. We identify more with the job than the purpose. When “Das Boot” was first released in the US, it had a runtime of 145 minutes, attracted large crowds, and received no less than six Oscar nominations—an unprecedented number for a foreign film. This 1997 version of Wolfgang Petersen’s director’s cut is not just a slight revision; it is a significantly lengthier movie that lasts 210 minutes.

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The movie has an effect similar to a documentary. Although we get to know a few of the characters, the narrative is really the tale of a single U-boat mission from start to finish. All other sequences are either inside the claustrophobic submarine or on the bridge, with the exception of a short opening sequence in which the boat departs from a French base and a refueling sequence near the end. But you shouldn’t waste any more time and start this Das Boot quiz. Additionally, it isn’t filmed in neat setups; instead, cinematographer Jost Vacano hurls his camera through the boat from one end to the other, ducking under hammocks and swinging light fixtures as he does so. There are several extended sequences in this film where we feel trapped in the same time and space as the frantic crew, particularly when the boat is sinking out of our control. The rock that the others rely on is the boat’s skipper (Jurgen Prochnow). He can shout, “I demand proper reports!” even as the boat appears to be collapsing because he is steady and experienced. He makes fun of Goering and other leaders for their “brilliant strategy” in an early moment of the film, proving that he is not a Nazi. A journalist has been tasked with joining the crew for this operation, which involves being tasked with torpedoing Allied shipping in the North Atlantic. He most likely represents Lothar-Gunther Buchheim, whose book was founded on these historical events, and is portrayed by Herbert Groenemeyer. This character’s addition is advantageous because it provides the captain a justification for explaining things that otherwise might not be said.

Das Boot Quiz

The assault on an Allied convoy, in which a U-boat torpedoes three ships, serves as the film’s focal point. We both participate in the search as they float beneath the water, watching for explosions that indicate hits. And after that, they are subjected to a protracted and thorough counterattack, during which depth charge-dropping destroyers circle the region. The crew is whispering beneath the dangerous hunters above as the pursuit is being led by sound. Also, you will find out which character are you in this Das Boot quiz. Then comes the scene from the 1981 movie that was the subject of interminable discussion. The sub emerges to deliver a coup de grace by torpedoing a burning tanker after eventually outlasting the destroyers. The captain is shocked to see men leaping from the deck of the ship as it explodes. “What are they doing still on board?” he yells. Why have they not been saved? The flames from the tanker can be seen plainly as drowning sailors. Their pitiful cries for assistance can be heard plainly across the water as they swim toward the U-boat. To avoid them, the skipper commands his boat to reverse at half speed. How does he feel about allowing the casualties to drown? He remains silent. In the ship’s journal, only one phrase—”assumed no men were on board”—provides a hint. It is against the instinct of every sailor to let another sailor drown in the water. However, it is undoubtedly impractical for a submarine to take prisoners during a conflict. When the targets are visible through periscope sights and the screams of the victims are muffled, it is somehow simpler. Another illustration of the effectiveness of “Das Boot” being a German sub can be found in that scenario. It’s difficult to picture an American submarine crew letting men drown in a Hollywood movie. German filmmakers approach their topic objectively; it is a reflection of the past.

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The directing by Wolfgang Petersen is a demonstration of fine workmanship. The majority of the views in the movie are close-ups and claustrophobic two- and three-shots. The light sources are all made to appear to be observable. (when the lights fail, flashlight beams dance in the darkness). Long, complex shots are skillfully crafted; when a sailor sprints toward the torpedo room, the responses of the other men seem precisely appropriate. Also, you must try to play this Das Boot quiz. Another dimension is added by the music. The boat shakes with explosions and reverberates with frantic cries and orders as the destroyer charges. We can hear the sonar pings reverberating off the U-boat’s hull as they engage in cat-and-mouse pursuits. Rives break loose like rifle bullets when the boat descends below its rated depth. The sailors lay on their hammocks, gasping for air like dying men, when it appears that the boat may be trapped at the bottom of the Straits of Gibraltar. Because movies often make war seem exciting, according to Francois Truffaut, it is impossible to create a film that is against war. In most cases, Truffaut was correct. However, his hypothesis does not apply to “Das Boot.”

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