Respond to these rapid questions in our Doctor Sleep quiz and we will tell you which Doctor Sleep character you are. Play it now.
Doctor Sleep, directed by Mike Flanagan, connects the visions of Stephen King and Stanley Kubrick with his own style, which was made most popular by Netflix’s “The Haunting of Hill House” series. Due to the fact that it is required to pay more homage to Kubrick’s vision than King was in his book, which served solely as a sequel to a novel that the filmmaker had drastically changed when he adapted it in 1980, it is an often effective blend of the three. For his part, Flanagan was charged with creating a sequel to a film that is faithful to the book while disregarding the changes made in the first film. That is not an easy task. At the conclusion of both the book and film versions of “The Shining,” different characters are in different places, and Flanagan is tasked with tying the two together. To give an example, the Overlook Hotel is destroyed at the conclusion of King’s original novel. We all know that Kubrick’s “The Shining” does not fall into this category. And while it’s understandable that Flanagan is trying to please both King and Kubrick fans at the same time when he should be focusing on his own vision, he’s clearly talented enough to pull off this difficult blend of legacy.
Dan Torrance, played by Ewan McGregor, is reintroduced after a prologue that shows him learning how to control his “shining” abilities and capturing the ghosts that haunt him as a child. According to the book, he is basically using alcoholism to conceal his trauma, and he reaches rock bottom when he steals money from a single mother with whom he had just had a coke-addled one-night stand and ends up in prison. When he gets to New Hampshire, he attempts to find stability by joining AA and befriending a man named Billy (Cliff Curtis), before landing a job at a hospice, where his shining power allows him to assist people who are on the verge of death. These scenes, which emerge from Flanagan’s empathetic and emotional side, have a respectful solemnity to them that works well. Flanagan takes seriously the notion that someone who has learned through trauma that ghosts are real might be able to provide comfort to those who are concerned about what happens after death.
While Dan is working on earning the moniker that serves as the film’s title, we are introduced to two new characters: Dan and his friend. Despite the fact that they are not invulnerable, Rose the Hat (Rebecca Ferguson) leads a roving band of powerful creatures who, while not invulnerable, have discovered a means of becoming immortal. They go by the name of the True Knot, and they travel the country in search of children who “shine,” stealing their essence and nourishing themselves on it in the process. When it comes to King’s creations, the notion that there are forces in this world that thrive off pain and misery, selfishly living off the greatness found within others, is a very King concept, and Flanagan doesn’t shy away from the gore in this one. True Knot kidnaps a boy (Jacob Tremblay) and brutally murders him in one of the film’s most disturbing scenes; after all, torturing him makes the steam he releases that much sweeter.
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The character of Abra Stone (newcomer Kyliegh Curran), who is so powerful that she literally draws the attention of the True Knot and finds a way to psychically communicate with Dan, serves as a link between the Rose and Dan arcs. The True Knot has the ability to feed on her for generations, or they can adopt her as one of their own. Abra eventually finds her way to Dan, and the two of them draw Rose and her team into a final showdown, which everyone who has ever watched a movie knows can only take place in one location.
Doctor Sleep Quiz
When it comes to visual emulation, Flanagan and his team make the wise decision to steer clear of “The Shining,” resulting in a film that looks a lot more like an episode of “Hill House” than the Kubrick classic. The film has arguably too many close-ups and a color palette that is a little too cool gray/blue, but these elements contribute to the film’s eerie, twilight atmosphere. Because Flanagan’s best work successfully blends the emotional and supernatural—things go bump in the night as much as they do in the darkened hallways—he is an excellent choice for a book that required an emotional touch in order to be successfully turned into a film. Dr. Sleep is frequently at its best when Flanagan is given the freedom and space he needs to flourish and play off of both the source material and the Kubrick film. Sometimes it appears as though “Doctor Sleep” is cast in a very large shadow when he returns to the Kubrick vision, which includes actors who played iconic roles in the original film.
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Rebecca Ferguson’s performance is, without a doubt, the most memorable aspect of Flanagan’s movie. The director of “Gerald’s Game” and “Hush” demonstrates once again that he is a very capable filmmaker when it comes to directing actresses, resulting in Ferguson’s best work to date in the process of directing her. As a result of her performance in the film, she is remembered as a presence that is both captivating and terrifying. Her interpretation of Rose the Hat transforms a slender character on the page into a formidable adversary, one who conceals her evil intentions behind her attractiveness and charisma. McGregor isn’t as fortunate, sometimes falling victim to a source material that didn’t really give us much of a character to begin with. Curran, on the other hand, is a charming young actress who is at her best when she’s selling Abra’s understandable self-assurance. What I liked about Abra is that she isn’t just a scared victim who needs to be rescued by Dan. She recognizes that she requires assistance, but she also recognizes that she is a badass.
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The final act of “Doctor Sleep,” in which, with a few spoilers, Flanagan and his team find themselves in the halls of Kubrick’s film, is likely to be the most contentious. And make no mistake, they are portraying characters from Kubrick’s film, not from Stephen King’s novel. Depending on your perspective, some fans of “The Shining” will find this sacrilegious, while others will find it amusing and nostalgic. I’m in the middle of things. Despite the fact that I believe Flanagan returns to the Kubrick well 2-3 times too many, the changes he makes to the final third of King’s book are intelligent and effective. The sequel to Stephen King’s novel is transformed into something more about overcoming trauma and reclaiming the darkest moments of your life, as envisioned by the author. He makes significant changes to the source material and emerges from the experience demonstrating once more that he is a confident and interesting filmmaker. It’s similar to something else that happened four decades ago.Also, you must try to play this Doctor Sleep quiz.
For more personality quizzes check this: Overcomer Quiz.
