Respond to these rapid questions in our Good Boys quiz and we will tell you which Good Boys character you are. Play it now.
The good boys of “Good Boys” make a concerted effort to appear to be bad. After a wild couple of days, despite their adult ambitions, it is their sweet-natured innocence that ultimately sees them through each and every misadventure they encounter.
In director Gene Stupnitsky’s extremely R-rated feature debut, this is the inherent conflict—as well as the primary source of comedy—that he must deal with. The three sixth graders at the heart of the film are both shockingly profane and endearingly clueless at the same time. The only thing they know is enough to be dangerous, but they’re also smart enough to figure out how to get themselves out of real danger time and time again. And while the premise eventually becomes stale and the jokes become stale by the third act, the chemistry between the film’s three stars is both lively and substantial enough to keep the antics entertaining throughout.
The script, written by Stupnitsky and his writing partner, Lee Eisenberg (whose previous collaborations include “Year One,” “Bad Teacher,” and several episodes of “The Office”), captures the high level of drama that exists in middle school, where every social interaction has significant consequences. No matter who you are or where you are in your life, this is a difficult time to be in. You are no longer a child, but you are also not yet a teenager, and you are a jumble of confusing hormones. For this minefield, Stupnitsky and Eisenberg have created three distinct characters, each of whom is brought to life by a different actor each time they appear on screen.
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Max, the group’s de facto leader, is played by Jacob Tremblay, a man of extraordinary talent and charisma. Brady Noon portrays Thor, a would-be tough guy who enjoys hair products and musical theater as well as the theater itself. And scene-stealer Keith L. Williams portrays Lucas, who is not only the biggest and tallest of the three, but also the most innocent. Williams is the most endearing of them all, thanks to his open, angelic face, deadpan delivery, and keen sense of physical comedy. He should be cast in everything, starting right now.
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As a result of the convoluted plot, these slightly nerdy kids abandon class and scramble all over town in order to replace Max’s father’s drone, which they accidentally broke while attempting to spy on some teenagers down the street (Molly Gordon and Midori Francis). The only way to keep Max from being grounded is if they don’t replace it by the time his father (Will Forte, one of the many comedians in the supporting cast) returns home from a business trip. Consequently, he will be unable to attend the cool kids’ kissing party, where he had anticipated sharing his first kiss with Brixlee, a sweet and shy girl who is the object of his affections (Millie Davis). (One nice touch: Even the so-called popular kids put on a grown-up show, with their leader, the diminutive Soren [Izaac Wang], hilariously spouting street-wise aphorisms like, “You feel me, dog?” and “I ride or die for my squad, too.”
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The antics of Max, Thor, and Lucas, which include porn, drugs, stolen beer, sex toys, and an especially alluring CPR doll, escalate until they culminate in a full-fledged brawl at a fraternity house in the final act.
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These are kids who drop F-bombs left and right, but they also giggle as they ride their bikes through the sprinklers on their way to the playground. As well, for a brief moment, Stupnitsky achieves a charming balance between their true selves and the personas they are pretending to be However, it quickly becomes apparent that this is a one-joke movie—oh my god, these adorable 12-year-olds are swearing!—and that, once the one joke has run its course, it becomes a struggle just to make it to the 90-minute mark in the first place.
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“Good Boys,” on the other hand, aspires to be about more than just gruesome dialogue and gross-out humor. It also depicts the bittersweet realization that you’re growing apart from the childhood playmates with whom you’d made a lifelong promise to remain friends. Max, Thor, and Lucas refer to themselves as the Beanbag Boys with great solemnity, and they are constantly fighting the nagging feeling that their interests are changing and that they no longer have as much in common as they once did. In many ways, “Good Boys” and “Superbad” are similar in that they are about misfits going on a rampage through high school, including the presence of Seth Rogen and Evan Goldberg as producers in both films.
Underneath the racy jokes, there’s a sincere heart beating. If only the sixth-graders themselves could see what they’re talking about.
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