Respond to these rapid questions in our Honey Boy quiz and we will tell you which Honey Boy character you are. Play it now.
“Please know that I am your biggest supporter,” says the mother.
This is something James Lort (Shia LaBeouf) says to his son Otis (Noah Jupe), who is 11 years old and has a successful acting career in movies and television that helps to keep the shattered family afloat financially. However, beneath the words and the nickname “honey boy” (which gives the film its title), there is an ocean of unresolved pain, resentment, and rage that cannot be contained. It is clear that the emotional burdens on child Otis are heavy, and we see the end result in a separate timeline when Otis (played by Lucas Hedges), now a young man and rising movie star, finds himself in court-ordered rehab following yet another DUI. While in rehab, he is diagnosed with post-traumatic stress disorder (PTSD), which enrages Otis (Otis is always in a rage). Isn’t post-traumatic stress disorder (PTSD) a war-related condition? After all, what in the world is he supposed to be traumatized about? Otis begins to remember his childhood after being prodded by the counselor (Laura San Giacomo) to go deeper. Otis is resentful and furious at the suggestion. The film “Honey Boy,” directed by Alma Har’el, alternates between two different time periods.
Shia LaBeouf wrote the script, which he based on his own childhood memories and experiences. This means that he is, in a sense, portraying his own father in the film. The performance is so good, so in-the-trenches, that it feels more like a channeling performance than a mimicry or even an imitation performance. LaBeouf’s struggles with addiction have made headlines in recent years, and he has also been diagnosed with post-traumatic stress disorder (PTSD). He was an actor as a child, long before he understood what that meant or had the opportunity to choose that career path for himself. It shouldn’t come as a surprise that some child actors fail to make it in the industry. When they were nine years old, they were already providing for their families! Their childhoods had been taken away from them. Not only is “Honey Boy” intelligent and amusing, but Shia LaBeouf’s casting as James also helps to keep the film from becoming a self-pitying exercise. While watching the film, you can tell that LaBeouf is working through something, peering into his past in an attempt to understand and heal himself. Several photographs of LaBeouf as a child and his father appear in the closing credits (who is still alive).
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The former clown, the former alcoholic, and the former sexual offender all come together to form James. His life did not unfold in the manner in which he had hoped. James and Otis live in a run-down motel and ride their motorcycles back and forth to the recording studio every day. Even though Otis’ mother has called in on a few occasions and enrolled him in the Big Brother program, it is unclear where she is at this time. Because James and Otis are constantly on top of each other, they have no privacy, and James is aggressive, jittery, and insufferably irritating. He is filled with resentment over his son’s success, and he feels powerless because his son provides financial support for him. These feelings are not managed at all, and as a result, he is constantly picking on Otis, forcing him to do pushups, making fun of the sound of his trickle of urine (“You’ve got a dick like a golf pencil”), and making fun of his son’s innocence. He’s a blue-collar “Great Santini,” as they say in Italy.
Honey Boy Quiz
It’s nothing new for Otis, who is used to having to please others, and he does his best to keep his father under control. (Young Jupe is a natural in this situation.) The majority of his scenes are painful, and he manages to get through them all with ease. He and LaBeouf work so well together that they become a codependent unit, in sync with each other’s rhythms and subtexts. ) There isn’t any real parenting taking place. The moment Otis tries to hold hands with his father, his father pushes him away. James brushes Otis off his back as they careen down the freeway on the motorcycle. Otis lays his head on his father’s shoulder as they careen down the freeway on the motorcycle. A sex worker (FKA Twigs) works across the street from Otis, and while their scenes together are filled with a mixture of excitement and tension (there’s a beautiful scene in which they pantomime playing baseball), there’s a tentativeness to the proceedings. The film steers clear of the more gruesome aspects of what could potentially happen in the future.
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Both Har’el and LaBeouf have previously worked together, and it was she who assisted LaBeouf with structuring his script, which intertwined the two timelines. The distinction between reality and memory, nightmare and dream sequence, or a scene from one of Otis’ movies can be difficult to discern. This is what trauma can do to a person, and this is how flashbacks can operate. Photographer Natasha Braier creates a golden-deep color palette for the film: it’s a kaleidoscope of lens flares at sunrise and sunset, pouring over the shabby beauty of Los Angeles’ outer suburbs.
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LaBeouf was excellent in this year’s “The Peanut Butter Falcon,” in which he played a jittery charming chatterbox, and James’ performance in “Honey Boy” further reinforces the impression that LaBeouf is moving into very interesting territory as an actor, territory that is uniquely his own. He is no longer the charming kid, but rather a grizzled veteran of tough experience who has become harder but wiser as a result of his experiences. As a result of his experiences, LaBeouf has attempted to move forward from his painful memories. The best way to understand why his father treated him the way he did is to put yourself in his shoes and walk around in them for a while. It’s an incredible display of talent.
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As I was watching this painful father-son relationship, the song “Daughters” by John Mayer played in the background of my mind (unbidden, unasked-for). Mayer warns “fathers” to “be good to” their daughters because “daughters will love like you do,” according to the lyrics of the song. Excellent advice, John! However, it comes crashing down with this terrible piece of advice:
“Boys, you have the ability to break.
What they can withstand will be discovered by you. Boys will be strong, and boys will soldier on.”
Those four short lines encapsulate the essence of everything that is wrong with our world. Yes, it is possible to “break” boys, but this should not be done. Breaking boys turn into breaking men.” figuring out how much money you have “Abuse is something a boy can withstand. Child Otis “finds out how much he can take,” and it turns out to be a lot, as the story goes. However, it has a negative impact on his ability to function as an adult. By the time he reaches adulthood, his emotional capacity has shrunk to the size of a pinprick, and the only thing that can escape is rage. When you “break” boys, when you refuse to hold their hands, show affection, or be gentle with them in the same way that you do with “your daughters,” that is exactly what happens. “Honey Boy” is a cry of pain for Otis, who was abused as a child, but it is also a cry of pain for James, who was also abused. The most painful truth of all may be that James was doing everything he could to protect his family. Because who knows what his father was like.
For more personality quizzes check this: Simmba Quiz.
