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Following a nimbly condensed depiction of more than a quarter-century of its central character’s early life in just five minutes and a handful of seconds before any opening credits appear, “How to Be a Latin Lover” all too quickly devolves into a nearly two-hour bore showcasing Mexican comedy superstar Eugenio Derbez’s attempt to seduce U.S. audiences with a cheesy bilingual spoof of an ethnic stereotype that has long since
Is it really necessary to have a South of the Border version of Adam Sandler in the role of a sort of Deuce Bigelow: Hispanic Gigolo? Despite the fact that the actor occasionally displays a bit of clownish panache as middle-aged gold-digger Maximo, who is dumped by his abundantly wealthy 80-year-old wife (Renee Taylor in a role created by Renee Taylor) for a younger model in the guise of dweeby Michael Cera in a glorified cameo, I vote no. Whenever this discarded trophy husband protests that he should receive half of everything, his soon-to-be ex reminds him that there is a prenuptial agreement in place. He argues that what he signed was actually something known as a “prenuptial agreement.” His confusion is similar to that of voters who didn’t realize that the Affordable Care Act and Obamacare were the same thing—and it’s almost as amusing as that of those voters.
A farce that could have been more appropriate as an outright R-rated comedy but instead chooses to be a PG-13 family-friendly outing is also not something we require. As a result of his financial woes, the mooch moves in with his estranged sister Sara (Salma Hayek) and decides to tutor his shy and fatherless 10-year-old nephew, Hugo (Raphael Alejandro), in the ways of the Casanova. Of course, Maximo has a hidden agenda: the kid’s grade-school crush has a wealthy widowed grandmother who happens to look exactly like Raquel Welch because she is Raquel Welch—and he is determined to make her the next designated sugar mommy in his collection.
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As a result, we are subjected to questionable cross-generational humor that ranges from silliness to stupidity on a scale of 1 to 10. Poop and fart jokes are prevalent on one side of the spectrum, and Derbez has a running gag where he pours both Cap’n Crunch cereal and milk directly into his mouth in order to avoid washing dishes. On the other side of the spectrum are blatantly childish shenanigans, such as poop and fart jokes. On the other hand, there is much more suggestive humor, as Maximo employs such pseudo-naughty euphemisms as “poking” and gives Hugo—whom he refers to as his “Minimo”—a demonstration on how to do a “sexy walk” that will drive the ladies insane, among other things. His uncle explains that women who witness his strut will think to themselves, “He must be great in bed,” to which Hugo responds, “I AM great in bed.” Nothing makes me pee or urinate any longer.”
How To Be A Latin Lover Quiz
Such wince-worthy attempts at verbal retorts may explain why Derbez appears to enjoy sight gags, such as Maximo being subjected to physical abuse on a regular basis or him waking up on his flattened, leaky air mattress on his nephew’s bedroom floor on a regular basis. There is also a spa visit, though the variation on manly defoliation that is offered is nothing like the classic scene from “The 40-Year-Old Virgin” that is featured in the film.
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Derbez is joined by a slew of Hollywood-bred second bananas, including Rob Corddry as Welch’s cynical chauffeur, Rob Riggle and Rob Huebel as two shady goons chasing after Maximo after he reneges on a business deal, and Kristen Bell as an overly cheerful manager of a frozen yogurt shop whose clawed countenance bears the scars of her previous life as a crazy cat lady
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The casting of Rob Lowe as Derbez’s frenemy of a fellow male strumpet, who provides arm candy for Linda Lavin’s lascivious matron of means who enjoys role playing, should have been reconsidered by someone—probably Ken Marino, the “Wet Hot American Summer” star making his feature directorial debut—should have been reconsidered. Not only because there are already three other Robs in the cast, but also because the former Brat Pack member has clearly mastered the art of not taking himself too seriously over the course of his career. As a result, he consistently outperforms the film’s overly eager-to-please leading lady. Posing as a pizza delivery man, Lowe is able elicit laughter simply by informing the audience that the box in which he is carrying “one extra-large sausage” contains “one extra-large sausage.”
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Hayek, on the other hand, is always a welcome sight, even when she’s dressed as a straight woman. However, the movie’s pacing would have been improved if she hadn’t performed an overlong, alcohol-induced song and dance number that came out of nowhere and didn’t add anything to the story other than demonstrating that her character needs to let her hair down. And don’t even get me started on the sultry walk-off scene involving civilians on the street that concludes the film—complete with bloopers, of course.
Last but not least, “How to Be a Latin Lover” doesn’t know how to be a comedy—at least not a 21st century comedy that can get away with dopey double entendres while emphasizing the importance of family ties over material wealth and material success. You have a difficult time being a sincere heart-tugger when you are essentially sexually harassing members of your own audience. Who knows what will happen? It’s possible that attendees will have grounds for a class-action lawsuit.
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