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Back in the day, when I was a young theater nerd, Gerard Butler caught my eye as she went through her “The Phantom of the Opera” stage. Butler’s performance has appeared to have become ossified since then. His more limber moments of intensely singing or screaming, such as those he displayed in “Phantom” and “300,” are no longer with us. Now, he has acted stoically in nearly every role in recent memory, most notably in the “Fallen” series, in which he saves government officials from obnoxious acts of terrorism. He has also appeared in a number of other films and television shows. Butler will furrow his brows to appear to be deep in thought, and the tone of his voice will drop to demonstrate some newly discovered resolve for whatever he intends to do next. Butler will not be fazed by the explosions and action taking place around him—and he will not be forced to emote.
In essence, “Hunter Killer” has some similarities to the films “Olympus Has Fallen” and “London Has Fallen,” as well as other horror films. Butler also saves government officials in this film, and as a result, helps to prevent geopolitical chaos from erupting. However, instead of dealing with terrorists, as he does in the “Fallen” films, a Russian coup that topples that country’s president poses a threat to the stability of the world order. This infighting couldn’t have come at a worse time for the Americans, who are currently searching for a submarine that has gone missing in enemy territory. As a result, the authorities in the United States dispatch Captain Joe Glass (Butler) on a top-secret search mission.
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Rear Admiral John Fisk (Common) and Chairman of the Joint Chiefs of Staff Charles Donnegan (Gary Oldman) are at odds over how to proceed with the operation, as evidenced by their tense exchanges over the course of the film. Glass’ ship may be forced to defend itself, which would almost certainly result in the resumption of the Cold War. However, if someone does not intervene quickly to save the deposed Russian president, Russia’s rogue military leader may have already begun the Cold War by his actions.
The land component of the Russian president’s rescue from the sea has been tacked on to an already crowded plot line. The audience is introduced to a group of ragtag Marines who are training up their newest member when they receive a call to go on an impossible mission to spy on the enemy. This occurs approximately halfway through the film. This group is in charge of reporting information back to Washington, and in a last ditch effort to prevent a full-scale war, Fisk asks them to intervene and rescue the president, transporting him to a submarine Glass is commanding so that they can all escape. Does this sound like a good plan? No, I didn’t believe that.
Hunter Killer Quiz
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Occasionally serious moments that veer into parody, such as when senior officials hold top-secret conversations in the middle of a busy government building rather than in a private office, serve as another anchor for “Hunter Killer.” It’s also ridiculous how the film portrays Glass the Merciful as a peaceful man at heart, as evidenced by the scene in which he spares the life of a deer when he notices that it has a family. Furthermore, Glass spends a significant amount of time reminding everyone around him that he is just like his working-class crew and not one of those Annapolis guys from the Naval Academy, channeling the conservative attitude toward people who have gone to college. It’s those types of forgettable scenes that are only memorable because they’re so out of the ordinary.
Butler’s character, on the other hand, has no inner life, no moment in which he expresses doubt or pauses to consider his choices, and no shot of his family at home. Glass mentions some sort of incident that occurred during his naval service, but the incident is never mentioned again, and there is no indication of how the experience affected him. Even though he’s supposed to be the sympathetic figure fighting to save lives on both sides, it’s the other members of his crew who display emotions—fear, panic, uncertainty, joy—while Butler simply watches, almost as if he’s phoning in his performance until the paycheck clears, as if he’s phoning his performance until the paycheck clears. Even a Russian prisoner of war captured by the Americans displays more emotion in his eyes than Butler is able to muster with his physical appearance.
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As a result of Butler’s performance—or lack thereof—the film fails to make significant strides in the field of war films. Another odd aspect of the timing is that the film embraces collaborating with the Russians while portraying the bad guys and good guys in such broad strokes, as is the case here. As a result, “Hunter Killer” finds itself in murky geopolitical waters that it does not appear to be familiar with. Neither the film nor Butler is nearly entertaining enough to divert our attention away from the task at hand.
For more personality quizzes check this: Chappaquiddick Quiz.
