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“I’m Your Man,” directed by Maria Schrader and set for a limited theatrical release by Bleecker Street next week, is a clever little film that defies its set-up as a familiar, quirky rom-com to become something deeper and more poignant about the human condition. The film won an award at Berlin earlier this year and will be released in limited theaters next week. Of course, using unimaginable technology to highlight what it truly means to be human has been the foundation of science fiction for generations, but Schrader and co-writer Jan Schomburg (working from a short story by Emma Braslavsky) inject eloquence and intelligence into their genre hybrid. It also helps a great deal that the themes are delivered by two exceptionally talented performers. “I’m Your Man” may not be the first film to break the mold, but it does so in a confident and graceful manner.
Maren Eggert, a Berlin-based actor prize winner, portrays Alma, a museum employee who works at a museum that is struggling to secure funding (which is basically all museums in 2021). Alma works as an archaeologist at the Pergamon Museum in Berlin, where she has the kind of job that allows her to gain a unique understanding of how people have (and have not) changed over the course of human history. It’s also a lonely profession, which has been especially true for Alma recently. While her ex-husband Julian (Hans Löw) continues to work in her field, this only adds to her melancholy, and her only real companion in life is her father (Wolfgang Hübsch), who is succumbing more and more to dementia with each passing day. Because she is the only single candidate, her boss Roger (Failou Seck) encourages her to participate in a daring new project regarding human companionship in order to obtain more funding for her work and because she is the only single candidate, and the project? It’s putting an android boyfriend through his paces.
Alma is introduced to Tom (Dan Stevens of “The Guest” and “Downtown Abbey” fame, who speaks German with a slight British accent because Alma likes “exotic” men but not too exotic), who turns out to be a dream guy. Sandra Hüller plays the suspiciously cheerful facilitator. Tom and Alma meet at an event that appears to be intended to arouse romantic feelings between them. Beautiful couples are dancing in the background as Tom pursues Alma’s affections. It’s all a ruse, really. The couples are holograms, and Tom is an android who has been created specifically to meet all of Alma’s requirements. Despite this, the dynamic feels almost too perfect right out of the gate in this rom-com setting. There is nothing worse than a partner who explains in detail how the likelihood of a car accident increases if the driver adjusts her chair just a little bit more. He’s absolutely correct. He’s a protective father figure. He’s uninteresting.
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When Stevens dials down his natural charisma just a smidgeon while still understanding why he would make the ideal male partner, there’s something delightfully childlike about the whole thing. Tom looks at Alma with a childlike wonder, as if he senses that he isn’t quite getting it right with her, and he adjusts his behavior to meet her needs with each exchange. “He’s never understood, yet he understands everything,” reads a great line about his disconnection from the rest of the world in the movie. In the episode, Stevens plays him as almost an old-fashioned straight man, staring sideways at a world he is trying to comprehend. When he says something that doesn’t get the programmed response he is well aware of the situation, but Stevens doesn’t play it up too much.
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Eggert is even better, taking what could have been a generic rom-com leading lady and turning her into something far more complex than she could have been otherwise. Not only is Alma apprehensive about opening up to anyone, let alone a non-human partner, but “I’m Your Man” becomes particularly fascinating when it begins to explore how perhaps technology hasn’t always been the best thing for mankind. We operate under the assumption that every technological advance is also an evolutionary one. Perhaps this isn’t the case. It is Eggert who achieves the perfect balance between Alma’s intellectual skepticism and the emotions that this forced relationship begins to arouse in her, all without turning the film into a classic rom-com cliché. As a result, what begins as a set-up for a relatively predictable comedy becomes more poignant and complex in its final act, and this is done in a very satisfying manner.
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In helping Alma unpack her emotional baggage, Tom assists her in recognizing how her flaws are essential to her success. She describes her suffering as banal and pathetic, and his response is one of the most memorable of the year 2021: “It’s a pathetic situation. Your suffering is pitiful because it is a matter of perspective. But it’s also not pathetic because it’s a part of you, and that’s one of the reasons why I like it so much. So many movies are about people falling in love with each other’s beauty and grace; “I’m Your Man” becomes about how we must also fall in love with each other’s pathetic pain, and, more importantly, how we must fall in love with ourselves. What could possibly be more human than that?
About the quiz
It was originally published on September 15th, following the conclusion of the Toronto International Film Festival. The film will be released in limited release on September 24th in theaters.Also, you must try to play this Im Your Man quiz.
For more personality quizzes check this: American Skin Quiz.