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It Chapter Two is littered with “wow” moments, much like the ominous red balloons floating across the New England summer sky in the first chapter.
“Wow” is a word that comes to mind when you see the sheer audacity of their surrealism and the startlingly graphic nature of their execution in some of these works. Others will make you exclaim, “Wow,” because they are completely ineffective. No matter how you look at it, director Andy Muschietti has absolutely gone for it with the sequel to his 2017 smash Stephen King adaptation, taking big swings and demonstrating both a muscularity and an elegance in his approach to the material.
Because his film is nearly three hours in length, he has more than enough opportunity to demonstrate all of his abilities to the audience. Despite the fact that “It Chapter Two” is a sprawling, unwieldy mess—overlong, overstuffed, and full of frustrating detours—the film’s casting is so perfect, its actors have such great chemistry, and its monster effects are so deliriously ghoulish that the film manages to keep you engaged. You will not completely check out, but you will look at your wristwatch several times.
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Returning writer Gary Dauberman finds himself in a difficult situation when adapting the second half of King’s nearly 1,200-page tome: what to keep and what to discard. What should be cut? To fill in the gaps between the first and second films, he incorporates moments from the first film as well as new scenes featuring the characters as children. As with the first installment, “It Chapter Two” works best when the members of the self-proclaimed Losers Club are bouncing off one another, their banter infused with a sparkling mix of hormones, humor, insecurity, and camaraderie, as in the first installment. Unfortunately, Muschietti and Dauberman spend a significant amount of time separating their perfectly cast actors and sending them off on separate adventures, which prolongs the drama and slows down the pace of the film.
It Chapter Two Quiz
However, just as the conclusion of the first film foreshadowed, the children who managed to escape the clutches of the evil clown Pennywise during the summer of 1989 have found themselves back in Derry, Maine—exactly 27 years later, and right on cue, to battle him once more. After having gone their separate ways and carving out vastly different lives, Muschietti introduces us to these characters as adults, and the transitions between the two worlds are seamless and inventive. However, returning to their ostensibly idyllic small town brings back their old rhythms and relationships almost immediately.
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Isaiah Mustafa plays Mike Hanlon as an adult, and Chosen Jacobs portrays him as a child. Mike Hanlon is the only one of the gang who has remained in Derry; he is the self-styled historian, and he is the one who makes the fateful phone calls to round up his old friends when Pennywise reappears. As a result of his experiences, Bill (James McAvoy/Jaeden Martell) has gone on to become a novelist, and his most recent book is currently being adapted into a film, one of several meta-events sprinkled throughout the film. After growing up in a controlling, abusive relationship with her father, Beverly (Jessica Chastain/Sophia Lillis) finds herself in a controlling, abusive relationship with her husband, who is also abusive. “Richie” (Bill Hader/Finn Wolfhard) is an acerbic stand-up comedian who is as hard-drinking and trash-talking as he has always been. In this terrific ensemble, Hader’s performance is the standout, as he demonstrates both his impeccable comic timing and his deep dramatic abilities. Eddy (James Ransone / Jack Dylan Grazer) continues to be a neurotic hypochondriac who is married to a woman who looks and sounds eerily similar to the woman who raised him as her smothering daughter. Also in the film, Ben (Jay Ryan/Jeremy Ray Taylor), who served as both the group’s poet and its brain, shed his baby fat and transformed himself into a hunky, wealthy architect. Otherwise, his most distinguishing characteristic is the secret crush he still has on Beverly nearly three decades later; it becomes a little tiresome after a while.
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Most likely the most memorable scene in the entire movie occurs during a boisterous, boozy dinner at an authentic Chinese restaurant where they all come together for the first time. When they get together, they spin the lazy Susan and down shots of liquor, tease each other mercilessly, and it seems like no time has passed at all—despite the fact that their memories of the trauma they shared are hazy at best. This is where “It Chapter Two” excels, as it explores the allure of nostalgia, not only through pop culture references like “The Lost Boys” and Cameo’s “Word Up,” but also in the cosmic way it can yank you right back to being the person you were years ago and never thought you’d be again. No matter where we go or what we do, that insecure, evolving 13-year-old remains within all of us.
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Pennywise, on the other hand, has remained the same throughout the years—and Bill Skarsgrd’s deeply creepy presence is sorely missed when he isn’t on screen with us. He does this with a physical performance that is as entertaining as it is terrifying, and he does it with a verbal performance that is as entertaining as it is terrifying. He’s created a horror villain who will live on forever in the annals of horror. However, the rules of what Pennywise can accomplish with his supernatural abilities seem to be constantly shifting. He understands what terrifies these characters, even as adults, and how their fear manifests itself in strange and vivid ways in their lives. Even when they’re wide awake in the middle of the day, it’s the stuff of nightmares for them. He does not have complete control over his knowledge and presence, and the collaborative power that ultimately challenges him isn’t all that dissimilar from what we saw at the end of the first film.
In order to purge Pennywise from existence, the Losers Club members must first disperse throughout the town in search of totems from their youth; they do this at Mike’s insistence, as part of the Native American subplot that also exists in the source material. After finding totems from their youth, the Losers Club members must then perform a ritual to purge Pennywise from existence. That part of the story is ridiculous and distracting; removing it would have made the film as a whole leaner and more compelling. In addition to significantly lengthening the running time, separating the characters creates individual instances of insane terror, perhaps most notably the expertly staged and paced scene in which Beverly returns to her childhood home. What she discovers there is one of those “wow” moments that will have you laughing out loud in the hopes of alleviating some of the excruciating suspense.
It is inevitable that Pennywise will become a little repetitive in the terrors he inflicts on his victims at some point, but this will not be immediately apparent. They come in a few different varieties: they can be staggering, slurping zombies, or they can be spider-related, or they can involve gallons of water or blood, among other things. The mulleted bully from the first film, Henry Bowers [Teach Grant/Nicholas Hamilton], reappears to do his cruel bidding in a way that feels contrived and superfluous. However, as “It Chapter Two” demonstrates, not only is it possible to return home, but it is also necessary.
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