Respond to these rapid questions in our Jay And Silent Bob Reboot quiz and we will tell you which Jay And Silent Bob Reboot character you are. Play it now.
“Jay and Silent Bob Reboot” is a depressing stoner comedy sequel that makes the previous film “Jay and Silent Strike Back” look like “Clerks.” “Jay and Silent Bob Reboot” is aimed squarely at Kevin Smith fans, so if that sentence reads like no-brow hieroglyphics to you, you are probably not in the target audience for the film. I feel obligated, as this site’s designated Kevin Smith apologist, to report that “Jay and Silent Bob Reboot,” a road movie about the title characters (Smith and Jason Mewes), a couple of middle-aged potheads who travel cross-country to “Chronic-Con,” an equally over-produced celebration of Bluntman and Chronic, Jay and Silent Bob’s pot-themed superhero alter-egos, is the most uninspired and unfocused piece of fan
As in his previous films, Smith (“Tusk,” “Yoga Hosers”) demonstrates his advancing years by taking on more than he appears comfortable attempting. As a result, he delivers too little of what he believes we still want from him (catchphrases and jort jokes) and too much of what he believes we want from him (catchphrases and jort jokes) (ex: a stage for Harley Quinn Smith, his aspiring, and not untalented thespian daughter). In order to reassure viewers that this isn’t just another reboot, Smith has one authorial mouthpiece (Jason Lee) define it as a soulless cash-in that features just enough callbacks to keep fans interested but is otherwise distinguished only by its younger and more diverse cast (“Star Wars: The Force Awakens” is unfortunately cited as an example).
The dumb, but mostly satisfying “Jay and Silent Bob Strike Back” includes a mawkish subplot involving Jay’s frustrated attempts to bond with Milly (Harley Quinn Smith), his estranged, Chronic-Con-obsessed daughter, which is especially embarrassing given the average cast member’s age. Jay and Silent Bob Strike Back also includes a mawkish subplot involving Jay’s frustrated attempts to bond with Milly (Harley Quinn Smith
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The contrast between being self-conscious and being self-aware is perfectly illustrated by Smith’s ability to flatter an audience that, by this point, has stood by him through a lot of dreck, while also making self-deprecating jokes about how he knows that he sucks (yes, there are multiple “Cop Out” jokes, as well as a couple about “Tusk”). Add in Smith’s infamously rudimentary filmmaking abilities, and you have “Jay and Silent Bob Reboot,” a spectacularly disjointed comedy about two foul-mouthed, but well-intentioned, slackers who light and pass the proverbial torch to the next generation of slackers that is only superficially about two foul-mouthed, but well-intentioned slackers who light and pass the proverb It is more of an ego trip for Smith, an endearing and creatively frustrated pop artist who has survived a major health crisis—one that even he is aware of and is the subject of several “Reboot” jokes of varying quality—and who now wants to celebrate himself for being older despite not being any wiser or funnier as a result of his experience.
Jay And Silent Bob Reboot Quiz
This last point is the most contentious: if “Jay and Silent Bob Reboot” had been more amusing, it would not have been necessary to make any other film. As you might expect from a buddy comedy with a $10 million budget that appears to have been spent primarily on stunt casting actors and comedians from Smith’s previous New Jersey/View-Askew-niverse films, such as Joe Lauren Adams, Rosario Dawson, and Justin Long, there are some bright spots. As a bonus, Ben Affleck makes a completely unintentionally hilarious (and extremely awkward) cameo in which he practically crushes his ham-bone to dust while strenuously winking at the audience about his brief stint as Batman. The cameos by Fred Armisen, Tommy Chong, Val Kilmer, and both Method Man and Redman are mostly amusing as well, thanks to the performers’ ability to eat scenery while on the screen. Smith’s recycled gags would be completely ineffective without his game cast, though sometimes even they are unable to save their scenes (sorry, Jason Lee fans!).
Also, you will find out which character are you in this Jay And Silent Bob Reboot quiz.
Most scenes involving Milly and her friends, who are unapologetically horny (they yearn to have sex with Chris Hemsworth), smoke weed (they consume potent edibles), and distrust authority figures (they occasionally repeat Harley Quinn’s father’s old jokes) are not as amusing as the rest of the film. Milly and her friends also demonstrate the limitations of Smith’s self-diagnosis: a Middle Eastern character named Jihad (Aparna Brielle) appears alongside a deaf protagonist named Soapy (Treshelle Edmond) and a Chinese-American podcaster named Sue-Lynn (Sue-Lynn Ansari), who are both on the journey with Milly. In a scene where Jay and Silent Bob rescue their young friends from a Ku Klux Klan rally, Milly and her friends are particularly awkward; however, this is only after Mewes and Smith’s characters light a blunt with a burning cross and tell some Klansmen that they aren’t really KKK material (there’s also a callback to the “goat-f—ker” joke from “Strike Back,” but it doesn’t quite work). Despite the fact that Smith appears to be well aware of how thin his carbon-dated material is—there are some laughs to be had in scenes in which he plays himself and rambles on about Kevin Smith, Hypeman whenever he isn’t letting a boom mic crash on his head—”Jay and Silent Bob Reboot” frequently demonstrates this mopey self-assessment.
For more personality quizzes check this: The Song Of Names Quiz.
