Respond to these rapid questions in our John Wick Chapter 2 quiz and we will tell you which John Wick Chapter 2 character you are. Play it now.
Have you ever walked out of a movie feeling so overcome with awe and wonder that your skin is crawling with excitement? Have you ever watched a film that left you feeling so happy and high on adrenaline that it made you feel more optimistic about the world? Has there ever been a lead performance in an action film that was so graceful and balletic that it made you wonder about the possibilities of the human body? When I watched “John Wick: Chapter Two,” the sequel to the surprising 2014 action hit, I had exactly the same reaction as you do.
“John Wick: Chapter Two” is a more audacious film than its predecessor, one that is bolder and more violent than the first. As a bonus, it’s unexpectedly funny, drawing laughter from physical pratfalls and dry wit in unexpected places. In many ways, it’s the prototypical action film: operatic yet richly detailed, blisteringly visceral yet tinged with pathos, it’s everything a good action movie should be. Despite its high level of craftsmanship, the film is ultimately a showcase for Keanu Reeves, who reprises his role as the titular assassin, demonstrating his abilities as an actor and action star. Yes, you read that correctly: “greatness.” There are no qualifications required. “John Wick: Chapter Two” is a stunning achievement, but it wouldn’t be possible without Reeves, who has a genuine passion for the action film genre.
Wick isn’t very good at taking a break. It’s easy to believe, as other characters in the film point out, that he’s addicted to the vengeance that he administers with such grace and elegance. At the end of the day, what else is there to live for? Following the events of the first film, the sequel picks up with Wick still reeling from the death of his wife, Helen (Bridget Moynahan), and struggling to adjust to his new life, despite the presence of his adorable, unnamed pitbull who remains by his side throughout. (In case you were wondering, the dog is still safe.) The arrival of Santino D’Antonio (Riccardo Scamarcio) on his doorstep, demanding that he fulfill the blood oath that he made years earlier, which allowed him to retire from his lethal profession, leaves him with little time to unwind and enjoy life. Wick is apprehensive at first. After a devastating house explosion, he realizes that there is no other option. Accepting Santino’s offer, on the other hand, does not bring Wick the peace he so desperately seeks. Wick soon discovers that he is under attack from all directions, including Santino’s mute enforcer Ares (Ruby Rose) and Cassian (Common), a bodyguard of the woman Wick is forced to kill.
“John Wick: Chapter Two” never quite achieves the same level of singular focus as its brilliant opening sequence, which is arguably the best Batman sequence that never was. In the previous film, Wick was successful in reclaiming his dog, and he now seeks to reclaim the car that was stolen in this one. This provides us with a fun Peter Stormare cameo as Abram Tarasov, the brother of the Russian gangster Wick who was killed the last time around, which is quite entertaining. Wick is shown moving fluidly in and out of shadow, killing any and all men who get in his way in the opening scene. As a result, Abram is forced to listen to the ricocheting bullets and labored screams of his henchmen, who are becoming increasingly cartoonishly overwrought with fear. The scene succeeds because it draws even more heavily on Wick’s mythic nature than it did in the first film, and it establishes the excellent comedic stylings of the sequel.
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Following the opening credits, the film wastes no time in immersing us even further into the mythology of Wick’s labyrinthine world of assassins, blood oaths, and arcane rules and regulations. The burgeoning franchise boasts some of the best world-building currently available in film, beating out comic book properties and reboots that have decades of source material to draw from. There are many delectable details introduced, such as an old-fashioned steno pool of tattooed darlings who handle the release of hits and other unpleasant tasks that need to be completed, among others. Watching Wick get ready is one of the most entertaining parts of the game. In every situation, whether he’s getting a new suit tailored or conversing with The Sommelier (Peter Serafinowicz) about weaponry through the metaphors of fine dining, he’s a man of extremely refined taste. Because Keanu Reeves can wear a fine black suit and slice through people with the same grace as Fred Astaire, cinema was created. However, in its attempt to broaden Wick’s universe, the film frequently loses the sharp focus that made the original so compelling. However, even though it isn’t a perfect sequel, its flaws are endearing, allowing the story to take unexpected turns and explore new territory.
The film “John Wick: Chapter Two” is a character actor’s dream come true. Returning actors and newcomers alike are clearly enjoying themselves, and it’s impossible not to smile when you see them: Ian McShane returns to the role of Winston, the owner of New York City’s Continental Hotel, and he steals every scene he’s in. Lance Reddick and John Leguizamo are also excellent, each bringing a completely different energy to the film; Ruby Rose is poised to have a successful career as an action star in the near future. Despite the fact that she doesn’t say anything, she has a commanding presence, proving me wrong about her acting abilities as demonstrated in a previous season of “Orange is the New Black.” Common also proves to be an excellent foil for Reeves, who excels in the role of the silent but lethal assassin with panache. Franco Nero’s brief appearance as the manager of the Continental hotel in Rome is particularly memorable for its brevity and charm. Come on, you can’t be serious. It is Franco Nero who is speaking with John Wick. What more could you possibly ask for?
John Wick Chapter 2 Quiz
However, it is Laurence Fishburne’s performance as the Bowery King that I believe to be the most interesting addition to this fascinating world. It’s no surprise that the co-stars of “The Matrix” get along so well. They riff off each other in a way that only actors with a shared history can do, and it’s hilarious. Fishburne’s commanding presence is tinged with a touch of eccentricity, as is his performance. His resonant laughter happens to be one of the most impactful elements of the film’s impressive arsenal of effects…. At one point, his laugh serves as a transition between scenes that have lasted longer than expected as a result of Wick’s dubious request for more time. He only appears for a brief moment, but he has a significant impact.
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Of course, the action in “John Wick: Chapter Two” is the main reason to watch it again and again. Every frame of the film is a sumptuous visual feast, thanks to the work of director Chad Stahelski and cinematographer Dan Laustsen. Their color palette is unique to the action film landscape, giving “John Wick: Chapter Two” a painterly quality. They take advantage of the outsized world they’ve created, forming a color palette that is unique to the action film landscape. They are also well aware of how attractive and physically expressive their leading man is as well. The majority of the time, Reeves is the only thing visible on the screen, his face and body painted in vibrant shades of turquoise, jade, and neon pink.
Even minor scenes of characters exchanging barbs are crafted with artistry and attention to detail, evoking the mythic and grand nature of the story in their entirety. Likewise, the sound design, which emphasizes the crunch of bones, the splatter of blood, and the various repercussions of these increasingly intense battles, is quite artistic in its execution. Despite the fact that fight scenes are never over-edited, the film uses continuous wide shots to demonstrate just how much Reeves trained. The violence is never one-note, and it ranges from darkly humorous to oddly poetic in its expression. And it is always extremely, extremely bloody. It is clear that this film is much more brutal than the first. Killers are sliced through the groin, knifed into their legs, and shot in all manner of body parts, with the camera never flinching, forcing us to stand by and watch it all happen. As an added bonus, we get to witness Wick’s pencil trick. It’s even more gruesome than I had anticipated it to be.
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However, the action isn’t just intense and beautifully crafted; it’s also a lot of fun. Physicality is equated with identity in “John Wick: Chapter Two.” The screenwriter, Derek Kolstad, does a good job of not over-explaining the history between the characters; instead, the way they fight speaks volumes about them. During Ares’ confrontation with Wick, she is scrappy and unhinged, as if she had been released into the wild by a hungry lioness on an unsuspecting public. Cassian is more outspokenly brutal and forceful than ever before. In terms of fighting style, he is more straightforward than Wick, but he is almost as lethal. Their fight scenes frequently begin with long pauses and intense stares before devolving into complete mayhem and devastation. Then, of course, there’s Reeves to consider. No other action star understands the importance of physicality in conveying story quite like he does. His words may be sparse, but he is witty. Even in his most subdued moments, however, his body communicates a complete story in and of itself. A glare or a half-hearted smile conveys more historical information than many actors can convey through a monologue. Wick is elegant in his violence, in contrast to Ares, who is energetic, and Cassius, who is brutal, as played by Reeves.
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Wick is known for performing a sort of flip, which involves trapping an opponent between his legs. In films like “Captain America: Winter Soldier,” it’s a move that is typically reserved for female action stars, and it reminds me of Black Widow’s signature move in films like “The Avengers.” This exemplifies how Reeves successfully blends characteristics that are traditionally feminine and masculine with grace and ease. During the film’s most memorable fight scenes, Reeves appears to be choreographing a dance routine using punches and gun-fu to great effect. He successfully combines the cool grace of Fred Astaire with the sex appeal of Gene Kelly in a single performance. No other modern action star can be both brutal and beautiful in the same breath.
Reeves, on the other hand, is more than just a gifted physical performer in action movies. The film draws attention to the thematic preoccupation that has run through his entire body of work: loneliness. Reeves has always been at his best when playing men who are isolated for a variety of reasons, including choice and pathology. Wick’s struggle to find peace and a sense of belonging in the world is a surprising source of emotion. Here is a man who does not have a physical or emotional home anywhere in the world. The film “John Wick: Chapter Two” is a moving portrait of how loneliness can change even the most resilient of people. It is set against a high body count and clever design. It ends with the possibility of a third chapter, which I am very much looking forward to, because “John Wick: Chapter Two” demonstrates what film as an art form is all about: it awes and delights, challenges and provokes the audience. It also demonstrates that Keanu Reeves is the greatest modern action star, and that the film industry is better off as a result of his return.
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