Joker Quiz

Respond to these rapid questions in our Joker quiz and we will tell you which Joker character you are. Play it now.

These days, “dark” is just another flavor in popular movies. It’s a choice you make based on the market you want to target, similar to how “edgy” is a choice. Additionally, it works well when added to the comic book category. As was the case with a movie like “Taxi Driver,” the filmmaker’s desire to convey or purge alienation has less of an impact on darkness today. It’s not about delving into awkward concepts like “The King of Comedy” did. Do you believe Todd Phillips, who co-wrote and directed “Joker,” cares about income inequality, celebrity worship, and the lack of civility in modern society? Given how frequently he alludes to those films, you might assume that Martin Scorsese was brought on as an executive producer to avoid a plagiarism lawsuit (he quit soon after agreeing to join, though). Although I don’t know him directly, I bet he couldn’t care less. He can not only purchase all the water that will be denied to us regular slobs after the big one strikes, but he can also afford the bunker for when the bigger one comes thanks to the fortune he made from those “Hangover” movies, which some people believe have actually contributed to the lack of civility in etc.

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Which is not to suggest that if you believe the “Joker,” it’s the joke on you. (Except in the long run it really is.) This film is the pinnacle of Joaquin Phoenix’s ability to act to the extremes like it’s nobody’s business. Phoenix portrays Arthur Fleck, a depressed wannabe stand-up comedian and increasingly unhinged street clown in what appears to be 1980s Gotham (although who knows what period detail looks like in fictional cities), flailing, dancing, laughing maniacally, putting things in his mouth that shouldn’t be there, and committing a few genuinely repulsive and disgusting crimes with ferocious relish. But you shouldn’t waste any more time and start this Joker quiz. Warner Bros. and DC Comics have made much of the fact that this is a “standalone” movie with no narrative ties to other DC Universe films, but that’s trying to have your cake and eat it too when your mental hospital is still called “Arkham” and your cinematic DC Universe is changing its Batmen every twenty minutes regardless. Perhaps what they really mean is that this will be the first and final R-rated DC feature.

Joker Quiz

A score it fully merits. The film’s brutality is intended to shock, and it succeeds. Although the first third of the film mostly shows Fleck getting hassled by people of color, the early scenes of the film recall Travis Bickle’s alienation. However, this film is too chicken-livered to give Fleck Bickle’s racism. Fleck is also obsessed with Robert De Niro’s portrayal of a Johnny Carson-like talk-show presenter who has the “King of Comedy” players inverted. He also enjoys Zazie Beetz’s portrayal of the black woman who lives down the hall from him. The choice of cast members was made to evoke Diahnne Abbott in both “Comedy” and “Taxi Driver,” not just to offer the film bragging rights on the zeitgeist curve. I thought Beetz should dismiss her agent after Fleck’s apparently effective courtship of the character, but a late-game clarification makes it clear that it wasn’t successful. Although the term “forgiveable” isn’t quite right, it will do. Also, you will find out which character are you in this Joker quiz. Fleck, who has been viewed as a vigilante by the majority of the city’s 99%, is unsure of what to make of his underground cult fame as Gotham starts to burn (the civil unrest starts with a garbage strike). (The city is overrun by rioters wearing clown makeup and clown masks; this movie is rather abruptly behind the curve in “clowns-are-scary” awareness—only Pennywise gets a special dispensation these days.) When Arthur reads one of his mother’s letters—Frances Conroy, the poor woman—to the magnate Thomas Wayne, who was once her boss, he discovers an unsettling revelation.

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The plot itself is not wholly ineffective. However, once the film begins using scenes from “A Clockwork Orange” (and sure, Phillips and company were able to use the Saul Bass studio logo for the opening credits, in white on red), you can tell that its priorities lie more in creating a sense of self-importance than in providing entertainment. In terms of societal commentary, “Joker” is abhorrent dreck. But in addition to the absurd delights of Phoenix’s performance, it also showcases some important movie studio fundamental skills, not dissimilar to what “A Star Is Born” did last year. (Bradley Cooper is a producer.) Glenn Fleshler and Brian Tyree Henry are two examples of the supporting actors who add value to their scenes and make the whole affair feel like a movie. If Phillips had been left to his own cynical incoherent devices for the entire runtime, the final minutes—which will make any sentient viewer mutter, “would you just pick a goddamn ending and stick to it?”—are probably a good indication of the kind of mess we would have been dealing with. Thankfully, he manages with a little assistance from his pals. Also, you must try to play this Joker quiz. On August 31, this evaluation was first submitted from the Venice Film Festival.

For more personality quizzes check this: Raiders Of The Lost Ark Quiz.