Respond to these rapid questions in our Love Simon quiz and we will tell you which Love Simon character you are. Play it now.
A teenage rom-com with a mainstream aesthetic, “Love, Simon” employs every cliché known to man and uses them to great effect. With the nerdy Vice Principal, the bacchanal-themed high school party, supportive but sometimes clueless parents, witty voiceover narration from the protagonist, and public declarations of love in front of the entire school, everything is held together by a steady stream of catchy pop tunes. This is an important first because “Love, Simon” is about a young, closeted gay boy’s difficult and often humorous journey towards coming out to his family and community. Using the well-known teenage romance genre to tell an LGBTQ story, director Greg Berlanti, who has helmed a string of successful television shows as both a producer and a writer, makes these tropes feel fresh, fun, and entertaining. “Love, Simon,” which is based on Becky Albertalli’s young adult novel Simon vs. the Homo Sapiens Agenda, is a radical act of inclusion.
He lives a normal life, just like you, as Simon (Nick Robinson) informs us in the film’s opening voiceover. In addition to having two supportive parents (Jennifer Garner and Josh Duhamel) and a young sister who is obsessed with “Top Chef,” he also has a lot of friends (Talitha Eliana Bateman). He is an excellent student who is also a member of the Drama Club. He has three best friends: Leah (Katherine Langford), Nick (Jorge Lendeborg Jr.), and Abby (Katherine Langford) (Alexandra Shipp). Apart from the fact that Simon has a “huge-ass secret,” which is revealed in the voiceover, nothing is wrong. His identity as a gay man is a closely guarded secret. He is confident that his parents and friends would be supportive of him in this endeavor. Instead, he is concerned about how it will alter everything, and how people will perceive him differently as a result. He also resents the fact that he has to “come out” at all (which leads to a very funny sequence imagining kids having to come out as heterosexual to their devastated sobbing parents). He wonders aloud why “straight is the default.”
The anonymous user “Blue” posts on a popular local message board about being afraid to come out as gay, prompting Simon to contact him privately under the alias “Jacques.” The two communicate via email. The two children begin a correspondence, tentatively at first and then with increasing fervor as time goes on. It is the cliffhanger of “Love, Simon” that the identity of “Blue” is revealed, and Berlanti has a great time keeping us guessing. The possibilities are numerous, and as Simon moves from one to the next, asking himself, “Are you Blue?,” he becomes increasingly frustrated. “Do you think you’re ready?” Any one of them could be the perpetrator. In “Love, Simon,” one of the most beautiful aspects of the story is how the intimacy that develops between the two main characters is based on how much they come to care about one another and how much they support one another’s journey through life. The romantic feelings are a result of a connection between the soul and the heart.
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When Martin (Logan Miller), a fellow Drama Club member, enters the scene, things start to get weird. He discovers Simon’s secret correspondence and blackmails Simon into assisting him in obtaining a date with Abby, who is adamant about not having anything to do with him. With Leah, Nick, and Abby, three people who are supposed to be his best friends, Simon becomes a reluctant hidden puppeteer in the constantly shifting and extremely volatile landscape of various high school romances. Nick and Abby are people who are supposed to be his best friends. His manipulations cause a great deal of confusion, hurt feelings, and emotional chaos, with Simon rationalizing it all to himself as necessary in order to keep Blue’s identity a secret. If Martin goes ahead and tells the school about the correspondence, as he has threatened to do, Blue will be permanently scared away. The stakes could not be higher at this point.
Love Simon Quiz
In addition to creating shows like “Dawson’s Creek” and “Riverdale,” Berlanti also has extensive experience working with adolescents. The author is familiar with teen neuroses and is interested in the teenage experience, its intensities and depths, as well as how important romance is to the teenagers who are involved in it. During one scene, Leah expresses to Simon her feeling of being on the outside looking in, which he acknowledges as accurate. Her character declares, in one of the many memorable quotes from the film, “I am the kind of person who is destined to care so much about one person that it will nearly kill me.” This is how sensitive, intelligent teenagers express themselves. A great ear for the undulating rhythms of comedy and pathos is shared by screenwriters Elizabeth Berger and Isaac Aptaker (whose shared credits include “This Is Us” and “About a Boy”). “Love, Simon” is a comedy that is full of wit (in its characters, dialogue, and situations), but it does not sacrifice emotional depth for the sake of levity. The two of them collaborate on projects.
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Coming out stories in the movies have traditionally included their own set of cliches, including torment, tragedy, parental and societal rage, fear of disease, and in some cases even death. Such films highlight the dangers of living in a homophobic society, and the dangers of being “out” in a society that is not only unwelcoming but also deadly. These are also important stories, and they have resulted in significant advancements in representation. However, in mainstream films that are shown in multiplexes, gay characters are still more often than not seen as sidekicks to the hetero protagonists. “Call Me by Your Name,” “Blue is the Warmest Color,” and other recent films portray characters who are not punished for their sexuality by the world, their parents, or their peers, and these films represent significant advancements in LGBT rights. “Love, Simon,” on the other hand, is a mainstream film aimed at teenagers.
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I did not attend a press screening where the film was surrounded by critics, so I cannot comment on it. I attended an audience preview, and the energy built as the lights dimmed and the audience clapped. During the film, I didn’t notice any sneaky cell phone checks; instead, I noticed an energy that was completely immersed in it. Several people were responding to the screen by talking back, gasping in sympathy, or howling with laughter. After a long period of silence, the audience burst into screams and applause when Simon’s anonymous crush finally revealed himself. I had never experienced anything like it in a movie theater before, especially when it came to teen rom-coms, and it was extremely cathartic.
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“You can take a deep breath now, Simon,” Simon’s mother tells him in one particularly moving scene. That’s what I got out of the screening of “Love, Simon,” and that’s exactly what the film is all about. It’s time to take a deep breath.
For more personality quizzes check this: Pitch Perfect 3 Quiz.
