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When it comes to sequels, larger does not automatically equate to better.
In every respect, “Maze Runner: The Scorch Trials” outdoes its predecessor, “The Maze Runner,” which was released just the previous year, including its cast, its scope, the number of set pieces, and (unfortunately) its running time. However, “more” can also mean “more complicated.” The mythology in these dystopian young adult novels that have been adapted into films can be complicated at times, but “Maze Runner: The Scorch Trials” crams in even more lore, supporting characters, backstories, and motivations to the point where it becomes difficult to get a grasp on anything.
In this adaptation of the second book in author James Dashner’s “Maze Runner” series, returning director Wes Ball covers a lot more ground than he did in the previous film, both literally and figuratively speaking. But despite the fact that his characters are always fleeing from something, it seems as though they never actually get anywhere. The episodic structure of the screenplay that was written by T.S. Nowlin (who also contributed to the writing of the first film in the franchise), which ultimately makes it feel repetitive. After the apocalypse, the characters find themselves in one bunker, and then they find themselves in another. They are under the protection of two adults, the first of whom cannot be trusted, and the second of whom cannot. They first creep around an abandoned shopping mall using the flashlight, and then they creep through a sewer system using the flashlight. They walk across the desert during the day, attempting to endure the heat, and then run across the desert during the night, attempting to avoid being struck by lightning.
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If the protagonists of these adventures had even a smidgen more complexity, perhaps the stories would be more interesting to follow. Thomas (Dylan O’Brien), the protagonist who emerged as the central figure in the first part, continues to play the role of the quietly courageous leader in the second part. He is the requisite rebel in this young adult series, cut from the same cloth as Katniss in “The Hunger Games” and Tris in “Divergent.” He is the one who dares to shake up the status quo, challenge a cold, monolithic government known by the not-so-subtle acronym WCKD (i.e. the grown-ups), and start a revolution. He is cut from the same cloth as Katniss in “The Hunger Games” and However, despite the fact that we learn from his history that he has always been The Chosen One, he does not develop much of a personality as the story progresses.
Maze Runner The Scorch Trials Quiz
His companions from the Glade don’t fare much better when it comes to the portrayal of their characters. Newt (Thomas Brodie-Sangster) maintains his irreverent and witty demeanor throughout the series. Dexter Darden’s character, Frypan, has a thing for women. Their sole female companion, Teresa (played by Kaya Scodelario), is a cryptic and gloomy person. They, along with a few other people, find themselves trapped inside a different kind of compound at the beginning of the film, which picks up exactly where “The Maze Runner” left off. The film follows directly after the events of “The Maze Runner.” At this new location, they are provided with not only food and shelter but also clean clothes and actual beds, which sounds like a good deal. But after that, every night at dinner, they get together with the children who were able to free themselves from the other mazes and find out which of them will be whisked away to a supposedly exciting new home.
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It is abundantly clear that none of these people have any bright future prospects. Simply observing the demeanor of the man who runs the establishment, the turtleneck-wearing, ambiguously-accented Janson, makes this abundantly clear (Aidan Gillen). When Thomas and the hoodie-wearing loner Aris (Jacob Lofland) do some middle-of-the-night exploring, they stumble upon the nefarious medical experiments that scientists are performing on these children, all in the name of finding a cure for the plague that has ravaged the nation. Thomas is horrified by what he sees, but Aris convinces Thomas that the experiments are necessary. At least, that is how the crisp and efficient doctor Ava Paige, played by Patricia Clarkson, justifies the creepily devious actions that she takes. (Just as in the first part, the fantastic Clarkson is lamentably underutilized in this installment; similarly, fellow supporting players Barry Pepper and Lili Taylor are barely utilized in their supporting roles.)
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This discovery is what propels Thomas and his friends on their journey to find help and safety, a journey that does feature some tense moments within the context of individual action sequences as well as some striking imagery. One shot in particular stands out, which depicts a group of children walking in a single file along the top of a sand dune while being silhouetted by the sun. Once they hear a gunshot shatter the silence of the desert, the children stop walking simultaneously and space themselves apart perfectly.
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On the other hand, some aspects feel too obviously lifted from other, superior movies. Each hill of rubble that the teenagers climb brings to mind the ruined structures that are all that are left of the various districts in “The Hunger Games” series as they are traversed by the teens as they make their way across the ruins of a once-thriving urban center known as the Scorch. A scene in which the characters are forced to flee for their lives from flesh-eating zombies while they are trapped in an abandoned shopping mall is lifted verbatim from the film “Dawn of the Dead.” (For those of you who like to keep track of these things, these hideous creatures, known as Cranks, have been infected by the plague, which has turned them into quick-moving zombies in the style of Danny Boyle rather than slow-moving zombies in the style of George Romero.)
In a far more ingenious scene, Thomas and his companions stealthily enter the hidden headquarters of the underground leader and mercenary Jorge (Giancarlo Esposito), who is joined by his headstrong daughter figure, Brenda (Rosa Salazar). This is by far the most exciting part of the movie. This is not only the case because Jorge’s lair is so awesome and intricate, and Esposito brings such élan to this complicated bad-guy figure, but it is also the case because it sets up the only moment in the movie that is just straight-up enjoyable. I won’t give anything away, but I will say that it makes excellent use of the classic song “Walkin’ After Midnight” by Patsy Cline.
The remainder of the film, which was engulfed in sand and dust and was surrounded by concrete and steel, could have benefited from additional outbursts of that kind of crazed energy. The level of self-seriousness that permeates everything becomes suffocating, and there is only going to be more of it in the future. After all, there is still a third and final book that hasn’t been adapted into a movie yet and it’s out there somewhere (if not two).
For more personality quizzes check this: Get Hard Quiz.
