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If, like me, you saw vintage black-and-white films on a local television station as a child, you can relate to the feeling of discovering early on that there are other kinds of movies besides those presented at multiplexes. The perplexing Sundance blockbuster “Me and Earl and the Dying Girl,” directed by Alfonso Gomez-Rejon with a scenario by Jesse Andrews based on his best-selling novel, stars two young protagonists who are enamored with the Great Movies (it won both the Audience Award and the Grand Jury Prize). It is a patronizing, self-flattering jumble with unearned catharsis, facile clichés, and characters presented in broad, occasionally insulting stereotypes, aside from that acquisitive movie-mad mindset.
Worst of all, “Me and Earl” seems to be aware of everything. Every cliche is preceded with a self-aware aside that says, “Yes, we know this is a cliche, but we are making a point about the cliché.” Saying something doesn’t make it true. Furthermore, this kind of analysis has already been done, and much better. Since these are young people who view everything through the prism of their movie viewing, there is a certain laziness at play in “Me and Earl,” a reliance on overused cultural clichés, and yet it still doesn’t work. The subtle jabs at the clichés, like the one in the title, simply serve to highlight how worn-out they are.
Greg (Thomas Mann) is a depressed and emotionally distant teenager who struggles to even acknowledge that Earl (RJ Cyler), his childhood best friend, is his best friend. Earl is referred to as a “coworker” instead. He and Earl grew up watching classic films like Powell and Pressberger’s “Tales of Hoffmann,” Werner Herzog’s “Aguirre The Wrath of God,” and Truffaut’s “The 400 Blows,” and they spent their free time as teenagers creating their own parodies of the classics with names like “The 400 Bros,” “The Sockwork Orange,” and “2:48 p.m. Cowboy.” Greg’s mother (Connie Britton) once gave him the go-ahead to visit Rachel (Olivia Cooke), a classmate who had just received a cancer diagnosis. Even though Greg doesn’t know Rachel, as soon as he arrives at her house, Molly Shannon, Rachel’s drunken mother, who is holding a drink in her hand, starts gushing over the “wonderful” and “yummy” young man. Greg begs to be permitted to hang out with Rachel for just one day so he can spend time with her and talk to her so he can tell his mother. Rachel is perplexed as to why Greg is there and even annoyed.
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Naturally, it falls on a dying girl to make the world better for everyone around her, to serve as an example, to educate people how to love, and to live—even complete strangers who knock on her door to deliver a donation. He says, “Please appreciate how honest I just was,” at one point. A valid answer to that statement would be, “No. Ich sterben. I’ve never met you. Leave now.”
Me And Earl And The Dying Girl Quiz
The entire premise of “Me and Earl and the Dying Girl” is that Greg learns to live for someone other than himself through his connection with Rachel. He and Earl decide to create a movie as a tribute for Rachel, and they work quickly to complete it before she passes away. Teens tend to be self-absorbed. Growing up involves learning to function in society, to acknowledge the existence of others, and to understand that your actions have an impact on others. Paul Zindel, S.E. Hinton, and more recently John Green are some authors who have written works about kids who must discover—often painfully—that who they are has significance and that they must be responsible for themselves and nice to others. “Me and Earl” attempts to fit into that genre without attempting to develop believable characters.
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Earl is still another issue. Earl is racial. He has a frighteningly hostile sibling who owns a pit dog, and he lives in poverty on a street of abandoned homes that is overrun by weeds for no apparent reason. Earl uses foul language and is continually enquiring about Rachel’s “titties” with Greg. Has Greg already seen or handled the “titties”? Earl’s language exhibits a lack of imagination in terms of the character because it is entirely unjustified and appears out of nowhere. Earl is a who? Actually, I’m curious. What does he think of the movies they watch? What does he think? Later, after Greg has offended Rachel, Earl responds forcefully, demonstrating that he has more common sense and a better grasp of Rachel’s situation than Greg has. The black sidekick knowing more about things of the heart than the white protagonist (this is also a cliché)
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Despite its rocky start, Greg and Rachel’s friendship does blossom. They socialize. They converse. Alternatively, she listens while Greg speaks. He displays the films that he and Earl produced. How would you prefer to spend your final months on earth if you were a teenage girl dying of cancer, with a circle of supporting friends already, a mother who is afraid, and a special artistic sensibility of your own (which we find later)? In “Me and Earl and the Dying Girl,” the titular “girl” spends her final years trying to boost the self-esteem and artistic ambitions of a young man she had never met before.
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The best scenes in the movie are the glances we get of Earl and Greg’s flicks. They’re all silly and stupid, and it’s evident that Alfonso Gomez-Rejon enjoyed making them all very much. When Greg fills out his college application in Werner Herzog’s voice, one of the funnier moments occurs. The camera work is enthusiastic, if not a little too staged and ostentatious (placing heads over on the side of the frame for no real reason). The only time in the movie that something real is truly permitted to exist is in one scene, a heated dispute between Rachel and Greg. In this scene, it’s all about the behavior, the silences between the sentences, and the impression you get that two actors are actually acting in front of you. But even such a scene can’t restore the whole.
The fundamental issues with “Me and Earl and the Dying Girl” are summed up in one statement from earlier: “Please appreciate how honest I just was.” The movie wants to be praised for being truthful. But it isn’t at all truthful.
For more personality quizzes check this: Grandma Quiz.
