Respond to these rapid questions in our Minions quiz and we will tell you which Minions character you are. Play it now.
If the yellow little creatures from “Despicable Me” and its sequel drove you absolutely bonkers, you won’t find any relief in the third installment of the series, “Minions.” There is no sign of Gru or his adopted daughters, and none of Pharrell Williams’ infectious songs can be heard anywhere. Instead, Gru’s devoted companions take center stage, and they are accompanied by a soundtrack heavily influenced by the Beatles and set in the 1960s. The rights to use this music must have been prohibitively expensive. The minion species is given an origin story by co-director Pierre Coffin, who also provides his voice for the character. The story begins in the primordial soup and ends 42 years before the present (Before Gru). Due to the fact that “Minions” does away with the emotional anchors that this series previously had, one might assume that it is a heartless cash grab that was perpetrated by the greedy people at Universal. Your assumption would be incorrect, however, as this film does not lack emotion in any way.
Despite this, “Minions” is relentless, and not just in one way but in many. It is relentless in its depiction of the shenanigans that are infused with slapstick, which will keep the younger viewers captivated in their seats. The film then proceeds to relentlessly blast every single oldies station pop and rock song it can find at the speakers, presumably because the filmmakers are aware of the pressure that the parents were under when their aforementioned crumbsnatchers demanded to see it. The song “Happy Together” by The Turtles is played at the beginning of “Minions,” and “Revolution” by The Beatles is played after the credits have rolled. In between, the film manages to squeeze in a number from “Hair” that comes dangerously close to concluding the film in the same way that Act 1 of that musical did. As if that weren’t enough, the voice talent includes Jon Hamm from “Mad Men,” Michael Keaton from “Birdman,” and Sandra Bullock as the villainous precursor to Gru known as Scarlett Overkill.
Our narrator, played by a dry Geoffrey Rush, walks us through the history of the minion before we get to the villainous Sandy Bullock. They emerged from the broth to serve T-Rexes, pharaohs, and even Napoleon, who exiled them to Antarctica after an unfortunate cannon accident. Napoleon’s exile was the result of Napoleon’s cannon. Kevin, the leader of the minions, decides that his people need to find a new master because they are sick of their dreary existence. He asks for volunteers and ends up with goofy runt Bob and one-eyed Stuart, both of whom are miniature even by the standards of other minions.
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This adorable trio occasionally breaks into song while they are traveling, singing in that nonsense mix of Spanish, French, and God knows what other language Coffin utters for them. (The fact that I could understand some of what they were saying scared the living daylights out of me.) It’s possible that the fact that they don’t speak a recognizable dialect will help “Minions” do so well in other countries. The voices of the film’s main characters do not need to be dubbed because the film will not require it. This is another reason why, of all the “Despicable Me” movies, “Minions” is the one that is best suited for audience members who are the youngest in age.
Minions Quiz
The objective of the minion mission is to get to the 1968 Villain-Con conference so that they can meet up with suitable villains and complete their mission. The first place they visit is a magnificent depiction of New York City. After that, they hitch a ride with a family of bank robbers headed by Keaton and Alison Janney and make their way to Orlando with them. Before the film pulls off a hilarious clothing sight gag, they make the most of the limited amount of screen time they have by bringing an animated delivery to the lines they have to say. In comparison to Scarlett Overkill, whose objective is also theft but of a more aristocratic nature, Keaton and Janney are a lot more entertaining.
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In terms of elucidating her persona, Overkill might have benefitted from making greater use of her family name. Despite having a fantastic introduction that showcases Bullock’s best line reading in the movie, the villain that she plays is incredibly uninteresting. Her notoriety precedes her, and she is hailed as the epitome of all that is evil, but all she seems to do is scream at people. Scarlett represents the pinnacle of achievement for the minions because their primary goal in life is to serve the most heinous masters in the world. Kevin and his crew eagerly sign up for the audition after hearing that she is looking for new minions to assist her in robbing the crown jewels and ascending to the throne of England.
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Queen Elizabeth II will not be a simple target, which is very unfortunate for Kevin and his companions. In 1968, she appears to have a lot more vigor and energy than she will in 2015. The first time she confronts the minions, she completely dominates the situation. Although it’s possible that she’s channeling Helen Mirren’s performance from 1968, the Queen gives off the impression of being more of a swingin’ sixties babe than the version of the character played by Helen Mirren that won the Academy Award. Jennifer Saunders gives an outstanding performance as the character; in addition to the movie’s colorful attention to its famous locations, she is the film’s secret weapon. I can only imagine how the second half jokes that make fun of everything British will be received in the United Kingdom, but just like everything else in “Minions,” those jokes come as a fast and furious series of gags that never stop.
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The appearance of a well-known character from the franchise at the end of the movie can be interpreted in one of two ways: either as the film’s most blatant attempt to appease its audience, or as a setup for the production of yet another prequel that will fill the gap between “Minions” and “Despicable Me.” I’d like to see that movie. In point of fact, that tale ought to have been the central focus of the narrative of this film.
It makes no difference, as we have no choice but to make the best of the situation. The insatiable thirst for approval that appears to be emanating from the screen is, to put it bluntly, wearisome. “Minions” begins with a large, slobbery dog that licks your face, brings your slippers, and humphs your leg before transforming into an endearing kitten with big eyes and a pitiful mew. And despite my best efforts, I was unable to maintain my anger toward it for very long. Every time it started to irritate me, it would immediately do something that made me laugh and feel like I could forgive it. Keep in mind that I am a huge fan of the minions, as stated in the review that I wrote for “Despicable Me 2.” This movie requires fanaticism on the viewer’s part, and if you’re not a fan yourself, chances are your children are. You’re going to have to grit your teeth and grin and bear it for them because, much like that Pharrell song from the previous movie, “Minions” is probably going to be impossible to avoid.
For more personality quizzes check this: Avengers Age Of Ultron Quiz.
