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A special mention is made of “Meme Creators,” who receive the longest credit roll in the documentary “RBG,” which is about Supreme Court Justice Ruth Bader Ginsburg. The film’s producers issue an apology for not being able to identify every artist. It is the subject of “RBG,” a documentary directed by Julie Cohen and Betsy West that documents how an 85-year-old centrist judge, best known most recently for her dissenting opinions, became a meme-generating juggernaut in the Tumblr era. The documentary never delves deeper than a superficial fangirl style, which is reminiscent of the young women who line up to hear Ginsburg speak, wearing Ginsburg T-shirts and holding Ginsburg mugs in their hands. This is not meant to dismiss the memes or the emotional chord Ginsburg clearly strikes in the hearts of many people. Being able to see Ginsburg working out with her trainer while wearing a T-shirt with the words “Super Diva” on it helps to explain Ginsburg’s current-day popularity. Her fans refer to her as the “Notorious R.B.G.” (which is also the title of a book about her, co-authored by Irin Carmon and Shana Knizhnik), which is a reference to the legendary rapper “The Notorious B.I.G.,” who is also referred to as the “Notorious B.I.G.” (Ginsburg jokes in an interview that they share a lot of characteristics.) They are both from the borough of Brooklyn.) It is possible to trace the ebbs and flows of the women’s movement in the United States through Ginsburg’s fascinating history: her level-headed fight for legal equality (for both men and women), her staunch position on a court that is becoming increasingly conservative. It also helps that the filmmakers have virtually unrestricted access to Ginsburg, who is interviewed alongside her children, her granddaughter, and her best friends, among other people. Cohen and West’s approach, on the other hand, is so adoring that the documentary ends up being a superficial work of hagiography.
Beginning with a chorus of various right-wing figures labeling Ginsburg with derogatory terms such as “witch,” “very wicked,” “zombie,” and “RBG,” the film then takes us on a tour through Ginsburg’s life, jumping around in time, the momentum being maintained by repeated visits to specific events such as her 1993 confirmation hearing for the Senate Judiciary Committee, recent interviews at Harvard Law School or the Virginia Military Institute, all of which help fill in the blanks of her lengthy career, In between all of this information are some personal details, such as her love of opera, her friendship with a recently-deceased fellow justice, her polar opposite, Antonin Scalia, the variety of collars she wears to court, her long marriage to Martin D. Ginsburg, and her inability to cook (which is mentioned several times). What does it matter?). We then move forward in time and see how Ginsburg has won over the hearts of the younger generation, as depicted in memes. A class full of high school students paying attention to Ginsburg’s every word during a visit to their class is a heartening sight. We must maintain a connection with the past. Ginsburg contributes to the building of a bridge with those who came before her.
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When you consider the time period in which she decided to attend law school, her accomplishments are even more impressive, especially when you consider that she was also caring for a young child at home. Marty was widely regarded as a well-liked and gregarious gentleman who was not threatened by his wife’s aspirations, according to all accounts. Ginsburg has been referred to as a “superhero” by Gloria Steinem, but she did not spend the 1970s marching in protest marches and holding up placards. Instead, she set out to establish a legal precedent for gender equality through a series of legal maneuvers. It happened in a couple of landmark cases, the first of which—Frontiero v. Richardson—was her first appearance before the Supreme Court of the United States. In “RBG,” Ginsburg discusses some of her early cases, in which she used her oral arguments not only to advocate for her client, but also to teach the existing Supreme Court justices that inequality exists and that it is wrong to treat women as second-class citizens. In one of her arguments, she cited Sarah Grimké, an abolitionist and attorney from the nineteenth century, who said: “I don’t expect any favors in exchange for my sex. I am not willing to give up our claim to equality. It is all that I ask of our brothers and sisters: that they remove their feet from under our feet.” (In a nice touch, Ginsburg recites Grimké’s words from memory, which is a lovely touch.) The Supreme Court paid attention. Ginsburg was victorious in five of her six cases. Shots of the imposing courtroom are interspersed with Ginsburg’s quiet but firm voice delivering her arguments through voiceover. It’s possible that the information is interesting, but the approach is repetitive and unimaginative.
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The moment the current meme explosion occurs, the filmmakers are on more solid ground, creating quick-cutting montages that are virtually indistinguishable from any amateur YouTube video posted on the internet. T-shirts with the words “Notorious RBG” on them are shown in this montage. Ginsburg’s head has been superimposed on Wonder Woman, among other things, in this montage of memes. The sound of hip-hop music fills the air. On “Saturday Night Live,” Kate McKinnon gyrates while drinking energy-drink powder straight from the packet in her spoof of Ginsburg’s courtroom antics. Every one of Ginsburg’s dissenting opinions sparks a new round of internet memes. Ginsburg is up against a wave of right-wing extremists.
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While this is unquestionably true, it does not tell the entire story. What about conversing with those who are opposed to Ginsburg’s views? (With the exception of those who refer to her as a “zombie,” because we don’t need any more discourse on such a low level at this point in time.) But what about giving people the opportunity to express themselves if they have legitimate concerns about some of her points of view? It might be interesting to delve into the complexities of the law, its compromises, and the messiness of its implementation. Isn’t it possible that this would provide a more complete picture? In fact, the closest we get is a brief sequence dealing with her controversial 2016 comments about then-Presidential candidate Donald Trump, which represents a significant departure from the tradition of Supreme Court Justices maintaining poker faces no matter who is in power. One of her regular interview subjects is Senator Orrin Hatch, who, while he may disagree with her politics, he admires her and believes she has a place on the Supreme Court, despite his reservations about her qualifications. His is a measured presence in the film, exuding an acceptance of disagreement as well as the necessity of reaching a compromise. His remarks are reminiscent of a more civilized and prosperous time. Ginsburg has risen to the position of “queen of the dissenting opinion,” but the filmmakers, regrettably, remain a long way from any “dissenting opinions” themselves.
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