Respond to these rapid questions in our Ricki And The Flash quiz and we will tell you which Ricki And The Flash character you are. Play it now.
“Ricki and the Flash” is a classic example of the good-news/bad-news proposition, and it is also a classic example of how disappointing it can be. On the bright side, it’s primarily a solid and enjoyable domestic comedy drama. That’s the good news. It features the kind of astonishingly diverse and eclectic cast that only the film’s director, Jonathan Demme, is capable of and would choose to put together. When was the last time you saw a movie that featured both Charlotte Rae, who played the mother figure on “The Facts of Life,” and Bernie Worrell, who was a legendary keyboardist for Parliament and Funkadelic? Never, you read that correctly. Then there’s Meryl Streep, who convincingly plays a Fender Telecaster and sings songs from the early days of rock and roll. What else can she not do? A script written by Diablo Cody that is, as is typical for her, acute on the subject of Problems of Quirky Contemporary Women while being pleasantly lacking in ostentatious and gratuitous pop culture references. And this goes on.
As a reviewer who is aware of potential spoilers, it is more difficult to discuss the negative aspects of the situation. The film begins with Meryl Streep’s character, Ricki, leading her band in a performance of Tom Petty’s song “American Girl.” Despite what may have been implied by the trailers, the film is not nearly as saccharine as its premise suggests. If these musicians rock a little harder and more tightly than the typical bar band, it’s because they bloody well should be doing so. Rick Springfield, a chart-topping dude back in the day as well as an actor, is the lead guitarist for the band. The late Rick Rosas, a longtime compatriot of Neil Young and others, was the bassist for the band, and Joe Vitale, who came up with the Michael Stanley Band, was the drummer. The aforementioned Mr. Worrell is featured on the organ. These veterans, including a former teen idol who went by the name Springfield, all have a weathered appearance, but they are keeping the relatively small but enthusiastic crowd at a bar in Tarzana happy. The following day, frontwoman Ricki goes back to her real job, which is working the checkout lane at a Total Foods store, which is a fictionalized version of a very organic chain that has a high Awful Bourgeois Appeal. Then there was the call that came from the past on the phone. There is never a moment when you won’t get a call from the past. In this instance, it’s from a time in the past when they were standing on a perfectly manicured lawn behind a McMansion in a cul-de-sac and referring to Ricki as “Linda” (her given name).
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Ricki And The Flash Quiz
The character of Pete, played by Kevin Kline, is Ricki’s ex-husband whom she abandoned after bearing him three children and failing to live up to the role of a domestic goddess. However, he has put himself in quite a precarious position by doing so. He is still settled in Indiana, and his professional life is demanding but very lucrative. He has a stunning and sane second wife named Maureen (Audra MacDonald), and he is still an involved father to his three children who are now adults. The eldest of these, Julie (played by Mamie Gummer, who is in real life Streep’s daughter), is going through a severe crisis as a result of the dissolution of her marriage. Absentee mother Ricki/Linda, who hasn’t boarded a plane since well before the creation of the TSA, finally does her duty and is met with bitter resentment and seething hatred from Julie. The only difference is that Ricki also performs some sort of transformational magic on her daughter, redirecting Julie’s rage into a pleasure principle that involves getting pricey manicures on the dime of Julie’s soon-to-be-ex-husband. It turns out that Ricki’s youngest son hadn’t even planned to invite his mother to his wedding, which shows that Ricki’s other children have a more positive attitude toward her unexpected appearance. And when Maureen returns from spending time with her own family, she reveals that she is not overly thrilled to see Ricki there either.
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So far, so okay. The film manages to steer clear of obvious clichés while still adhering to a number of the industry’s standards, which is undoubtedly one of its more endearing qualities. Ricki confronts Pete, who keeps a low profile, about the marijuana in his freezer one evening in the enormous kitchen. Pete explains that he got it illegally prescribed by a colleague to treat his migraines. The stage is set for a CRAZY pot-smoking scene, but Demme and Cody choose not to give it to us. Even the fact that Ricki, Pete, and Julie are lighting up is not shown. Rather, the movie shows them in a semi-stoned family glow a little afterward, with the previously manic Julie finally getting some rest, Ricki singing one of her own tunes, and Pete attempting to grapple with his own clearly very tortured feelings about his past and the woman he now has staying in his house. It’s good stuff (and of course, it’s beautifully depicted by the uniformly great actors), and it’s reminiscent of the quirky moments of grace that Demme sprinkled throughout a lot of his works, such as “Melvin and Howard,” “Something Wild,” and “Married to the Mob.” It’s a good stuff, and it’s reminiscent of the quirky moments of grace that Demme sprinkled throughout his works.
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The unfavorable news comes next. In the climactic scene of the film, Rick Springfield’s character gets up from a table and says, “We had better get out of here.” Springfield also appears in the scene. My recommendation to you is that you get up and leave “Ricki and the Flash” as soon as it starts playing, despite the fact that this is very impractical advice because who wants to pay to see a movie and then do something like that? Because what happens next pretty much sells all of the good honest work that everyone involved has done up to this point down the river, in a conclusion that hard-sells a feel-good cliché with such forced-grin inanity that it feels like a hallucination; in other words, because what happens next pretty much sells all of the good honest work that everyone involved has done up to this point down the river. The late musician Albert Ayler once said, “Music is the healing power of the universe.” I have some sympathy for his position. I have no doubt that Demme has faith in him as well. But not in the manner that is presented here at all. It sounds more like, “Music has the power to heal,” and I’m trying to hide under my couch because I’m embarrassed for both myself and everyone else who was involved.
For more personality quizzes check this: The Last Witch Hunter Quiz.
