Respond to these rapid questions in our Rogue One A Star Wars Story quiz and we will tell you which Rogue One A Star Wars Story character you are. Play it now.
It looked like the early trailers for “Rogue One: A Star Wars Story” would be a work in the vein of “The Bridge on the River Kwai,” “The Magnificent Seven,” and “The Dirty Dozen”—impossible mission films that weren’t afraid to kill off the memorable characters they created. This film, about a ragtag group of misfits who steal the blueprints for the first Death Star, is an example of this type of work. As the story progresses, it builds to a thunderous conclusion that weaves together the most impressive space battle in the series with a prolonged ground assault on an Imperial fortress in which casualties have both physical and emotional consequences (which is something “Star Wars” was never big on). But it also bridges the gap between the fairy-tale despair of the prequels and the rah-rah idealism of the original trilogy, patching up logic holes that have been there for decades as it goes. It even retro-engineers an answer to the question of why the Galactic Empire would build a super-weapon that could be destroyed with one well-placed shot, according to Chris Weitz and Tony Gilroy’s script. “Rogue One” is a disappointment in other respects, and there are some creative decisions that are so ill-conceived that they pull you out of the story entirely. The film manages to succeed as both super-nerdy fan service and the first “Star Wars” film since 1977 that will satisfy people who have never seen a “Star Wars” film, despite the flaws that have been identified.
In Star Wars: The Last Jedi, Felicity Jones portrays Jyn Erso, the lone child of Imperial scientist Galen Erso (Mads Mikkelsen), who is credited with creating the Death Star. Upon joining the Rebellion, she is greeted by a motley crew of misfits that includes a cold-blooded assassin named Cassian Andor (Diego Luna); a blind but still lethal warrior-priest named Chirrut Îmwe (Donnie Yen); Chirrut’s stoic, cranky, but loyal best friend Baze Malbus (Jiang Wen), a legendary marksman; former Imperial pilot Bodhi Rook ( Although K-2SO (voiced by Alan Tudyk) is capable of breaking Stormtroopers’ necks with the flick of his fist, he is just as peevish and pouty as C-3PO, and he has a tendency to blurt out the least reassuring thing at the most inconvenient of times. “I’ll make it,” he assures his human colleagues who are concerned that they will not survive being ejected into space.
Director Gareth Edwards, whose 2014 blockbuster “Godzilla” was one of the most daringly conceived blockbusters in recent memory, to the point that some viewers found it frustrating and pretentious, was behind “Rogue One.” Compared to the previous film, this one is more conventional, from its clockwork storytelling to its relentless, brutal postscript (which, I’m guessing, is where most of Disney’s reshoot money ended up). However, there are still enough moments of beauty and terror in the film to distinguish it as the work of an artist rather than the product of a glorified craftsman. A Death Star “test” on a single city is more horrifying than any other similar attack in the franchise because we see how the battle station’s green rays tear up the land, creating tidal waves of earth that are a cross between an earthquake and a tsunami, according to the movie. The space battles make the bizarre physics of “Star Wars” seem as comprehensible as 18th-century flotillas clashing in a bay near a port; there’s even a tugboat-torpedo that can drill into the hulls of enemy starships and push them to one side, as seen in the film “A New Hope.” Smaller, more intimate action scenes are also characterized by a tactile sensibility. When it comes to rain, fire, and wind, they have a richness and weight that is rarely seen in CGI-heavy fantasies. Edwards creates a sense of dread in the reader when characters scramble up ladders or traverse wet, crumbling cliffs. He makes you fear minor cuts and bruises just as much as major injuries and incineration.
But you shouldn’t waste any more time and start this Rogue One A Star Wars Story quiz.
There are a couple of Darth Vader cameos—both of which are chilling, and what a pleasure it is to hear James Earl Jones’ rumbling baritone once more—and there’s a rubbery digital Grand Moff Tarkin puttering around the Death Star bridge as well (I’m not sure how to refer to a bunch of ones and zeros badly impersonating a dead man? Although a bureaucrat, Orson Krennic (Ben Mendelsohn) is the main heavy: he is the Director of Advanced Weapons Research for the Imperial Military, which is a fancy way of saying “the guy who bosses around the scientists who are actually creating the Death Star.” Once the details of Krennic’s connection to Jyn are revealed, “Rogue One” becomes a slow-burning revenge film. Mendelsohn plays Krennic with a bitter, resentful edge, and his performance is a highlight of the film.
Rogue One A Star Wars Story Quiz
However, the majority of the film is conceptualized as a galactic chess match in which individuals, groups, and entire fleets either move themselves or are moved against their will. When you pay attention to these movements, “Rogue One” conjures up a spiritual vibe that elevates the film’s action sequences above and beyond being a collection of spectacular sequences. In some ways, this quality has always existed in “Star Wars”—it probably first appeared when Luke lowered the blast shield on his helmet in “A New Hope,” and it reached its zenith when Luke humiliated his father in “Return of the Jedi”—but it has never been woven throughout the films with the consistency that it is in this one. When it comes to taking physical or figurative leaps of faith, the characters are constantly being asked to do so, whether it’s jumping from one side of a metal abyss to the other or trusting a character who claims to be on their side but is actually a spy. Chirrut’s Jedi incantations during times of danger (“I’m one with the Force, and the Force is with me”) define him as a holy man who, no matter what happens, continues to pick up and reassemble the shattered pieces of his faith. His friend Baze makes fun of him, but never too harshly, because he admires the blind monk’s devotion to higher powers, which he can’t see because he is blind himself.
Also, you will find out which character are you in this Rogue One A Star Wars Story quiz.
Character motifs that have become overly familiar are also put to use, such as the cynical antihero’s secret desire to join a crusade and the wounded child’s desire to redeem a corrupt or neglectful parent. In contrast to “Star Wars: Episode VII – The Force Awakens,” where the film’s anxiety about rebooting a 38-year-old franchise was transferred onto new characters who were all obsessed with outdoing the icons that came before them or correcting their mistakes, the latter aren’t overshadowed in a self-aware way. While the characters’ personal issues are addressed in “Rogue One,” the mission itself takes precedence over them because it takes place at such a dark point in the galaxy’s history that, to borrow a phrase from “The Great Gatsby,” the problems of any one being don’t amount to a hill of beans.
About the quiz
While this appears to be a sound strategy, it is not without its flaws. However, it also ensures that “Rogue One” fails to define its most vibrant characters in a way that makes them stand out from the crowd. This is one area where “The Force Awakens” outperforms “The Force Awakens.” Although some of J.J. Abrams’ plotting in “The Force Awakens” was haphazard, and some of the characters, such as Rey, Finn, Poe, and Kylo Ren, were written and performed with such affection and wit that they appeared to be worthy, or at the very least promising additions, to the series’ overstuffed pantheon of characters. It is so devoted to its multilayered, fast-paced plot that “Rogue One” cannot afford to give its characters the time and space they require to come across as a cohesive unit, rather than a group of strangers who manage to work well together despite ungodly pressure.
Also, you must try to play this Rogue One A Star Wars Story quiz.
The two most important members of the group, Jyn and Cassian, are the least defined, which means that their emotional peaks near the end of the story are merely affective rather than deeply moving, when they should have been. This is a rare blockbuster that is all things to all people, and it might have benefited from being a few minutes longer if the extra time had been spent fleshing out the characters’ relationships. In spite of this, the collective sense of all these individuals struggling to assert their values in the face of a cruel universe comes through loud and clear. This film’s decisions are made all the more poignant because so many characters have been pushed to the periphery of galactic life or have banished themselves there as a result of a soul-crushing disappointment, something that has been lacking in other “Star Wars” films, even the good ones. In one scene, a character says, “We’ve all done terrible things in the name of the rebellion.”
The film provides much-needed shading to the Rebel Alliance, which consists of both moderate and “militant” elements who do not trust one another and frequently work against one another’s interests. There is debate among the military leadership about whether it is better to be aggressive or cautious; the Imperial generals and bureaucrats also debate tactics, and the question of whether it is better to ask forgiveness or permission is raised more than once.
Despite the fact that George Lucas and his collaborators were always masters of world building even when their storytelling failed, this is the first installment in the saga that convinces us that its characters live in a real civilization, complete with rules and traditions, a sense of history (and a religion) against which they measure their own actions and achievements. In anticipation of a betrayal, one character informs another that “the force moves darkly around a creature that is about to kill.” It also addresses the question of whether it is morally acceptable to surrender or simply give up when you are too exhausted or broken to continue fighting. Its conclusions are more nuanced than you might expect from such a short piece. Even though the Force is always with you, there are times when the weight of it feels like it is too much to bear.
For more personality quizzes check this: War For The Planet Of The Apes Quiz.
