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There is a long-standing practice in Hollywood of appropriating the storylines of critically acclaimed films from other countries, and then removing the elements that gave the originals their sense of originality, freshness, and the possibility of future remakes. These Americanized versions frequently remove such essential elements as logic, subtext, and the sense of cultural relevance that made the title stand out in the first place. While this may eliminate the need for those annoying subtitles, it also eliminates the sense of cultural relevance that made the title stand out in the first place.
There are countless inferior reinterpretations that exist for every successful adaptation like “The Departed,” which was based on Hong Kong’s “Infernal Affairs.” These reinterpretations frequently rely on star power to compensate for a watered-down rendition, which is frequently changed to a box-office-friendly PG-13 rating rather than a more honest R rating.
The first few months of 1993 will remain ingrained in my memory forever. That was the ultimate winter of discontent with regards to foreign remakes, when moviegoers were cruelly subjected to “The Vanishing” (a debasement of the same-titled Dutch chiller by the same director, no less), “Sommersby” (which sucked much of the magic out of the French arthouse sensation “The Return of Martin Guerre”), and “Point of No Return” (sorry, Bridget Fonda, you are not and will never be “La Femme Nikita
The Argentine film “The Secret in Their Eyes,” which was nominated for an Oscar in the category of best film in a language other than English in 2010, was ultimately declared the winner of the award. The film is an intelligently crafted and eerie crime thriller that centers on a brutal rape-murder investigation that took place in 1974 and is re-opened 25 years later. The film charts the effect that the unsatisfactory conclusion to the case had on both the legal team and the devoted husband of the victim. This is a reflection of the widespread corruption that existed in the government of the country at the time.
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The complicated “who, what, where, when, and how” aspects were handled expertly, especially a scene that was staged in a soccer stadium that was packed to the gills with spectators. Actors Ricardo Darin and Soledad Villamil, who look and act like real humans rather than prettified facsimiles, were responsible for the intense emotional connections that were brought to life in this outstanding film. These actors made the film stand out as something truly exceptional. Every bittersweet second of “The Secret of Their Eyes,” all the way down to the agonizing final moments, was colored by the agonizing unrequited love that existed between Darin’s justice agent character and Villamil’s department chief character.
This brings us to the song “Secret in Their Eyes.” (The fact that the article “the” has been removed in such an awkward manner is just one of many misguided decisions.) The setting is not Buenos Aires as one might expect; rather, it is the less glamorous parts of Los Angeles. Why L.A.? Because the parts of the story that take place in the past now take place in 2002, which is the year in which the city was considered to be the most likely target for a terrorist attack following the events of 9/11. This not only makes it possible to cut corners and engage in questionable ethical practices in the name of safety, but it also proves to be a diversion from the primary plot.
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The casting decisions are the most damaging aspect. Let’s begin with the A-listers that are currently appearing on screen, starting with Julia Roberts. There is nothing inherently wrong with shifting the gender of a character who is connected to a young woman who was a victim. Except for the fact that the connection that is being explored here—that between a mother and a daughter—no longer provides the same kind of echo of the angle of unrequited love. The fact that the parent worked for the FBI and was initially directly involved in the investigation makes matters far too personal for her and the other people she works with. One of the characters makes a very astute observation when they say, “We’re not just crossing the line, we’re burying it.” As a direct consequence of this, they are also destroying their credibility.
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In addition, in order for “Secret in Their Eyes” to work, it is necessary for Roberts, who is held back for the majority of the film with the exception of a few flashy outbursts and the unexpected conclusion, to dial back her star wattage quite a bit even before she is overcome with grief. Anyone who remembers Roberts in the role of Dr. Jekyll’s plain-Jane servant in “Mary Reilly” is aware of how well her fans take to a cinematic frump-over of their idol because of how the character was portrayed in the film.
While this is going on, Nicole Kidman, who plays the role of Roberts’ boss at the district attorney’s office, has a few scenes that stand out, including one that has intensely sexual undertones. In this scene, she is trying to make finding the killer a priority despite the fact that the primary suspect is a source of intelligence on a terrorist cell linked to a local mosque. But in addition to that, she needs to be so dazzling that the other FBI agent that Roberts works with, who is portrayed by Chiwetel Ejiofor, can’t help but stare at her with the wide-eyed fascination of a schoolboy whenever she walks in front of him. Kidman, who typically wears designer clothes in contrast to Roberts’ grunge attire, gives the impression that she is moving through a fragrance advertisement far too frequently.
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As for Ejiofor, who mesmerized in “12 Years a Slave,” he is not the problem, even though he has more chemistry with character actor Dean Norris as sidekick Bumpy than he does with either female cohort. Ejiofor is not the problem even though he has more chemistry with Dean Norris than he does with either female cohort. Michael Kelly, who is a pro at playing white-collar weasels as of late thanks to his standout performance as Doug Stamper on Netflix’s “House of Cards,” and Alfred Molina, who plays Kidman’s blustery higher-up, are both doing a good job of fulfilling their roles as well. Kelly is particularly adept at the role because of his recent work.
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But despite the fact that a surprising number of the plot twists from the original movie have been left completely untouched, which typically accounts for anything that seems even remotely clever, what is lacking is the type of tension that is provided by good thrillers that makes you hold your breath. Between 2002 and the present timeline, neither the camerawork nor the editing are able to generate a significant amount of excitement. Billy Ray, who was nominated for an Academy Award for the screenplay he wrote for “Captain Phillips,” directed the journalism-scandal biopic “Shattered Glass” with a lot of skill. However, he falls short in this regard.
Because the majority of people probably haven’t seen the original, it might be unfair to compare the Argentine version with this inferior one. However, even when evaluated solely on its own merits, “Secret in Their Eyes” can only be described as a letdown. The true key to understanding this is that perusing the subtitles is preferable to suffering through a poor imitation.
For more personality quizzes check this: Hitman Agent 47 Quiz.
