Respond to these rapid questions in our She Dies Tomorrow quiz and we will tell you which She Dies Tomorrow character you are. Play it now.
When asked about exposition, writer/director/actress Amy Seimetz admitted in a 2013 interview with Filmmaker Magazine that she despises it. In her first full-length feature, “Sun Don’t Shine,” a nightmarish scenario is presented in an almost blasé deadpan tone, demonstrating her anti-Sun sentiment. Immediately, we are thrust into the world of the two main characters, and we must piece together their lives as they unfold. “She Dies Tomorrow,” Seimetz’s most recent feature film, is also devoid of exposition. Fragments are pieced together, with seemingly random insert shots of the sun setting, a molten ball of light, or microscopic cells swimming in a primordial sea interrupting the flow of the narrative. The song “She Dies Tomorrow” strikes a particularly melancholy note. Through his refusal to provide explanation, Seimetz allows the premise to reverberate in unsettling ways. “She Dies Tomorrow,” which stars a murderer’s row of talent, including Kate Lyn Sheil, Kentucker Audley, Jane Adams, Chris Messina, Tunde Adebimpe, and Jennifer Kim, has the feel of a horror film and is occasionally frightening, but it’s really an existential meditation on mortality that’s worth seeing.
With an extreme closeup of Kate Lyn Sheil’s ice-blue eyes, her lashes wet with tears and stuck together, her eyes stare unblinkingly into something hypnotic and frightening at the start of the film, it sets the tone for the rest of the film. There is no such thing as an outside world. The viewer is introduced to the film’s operating system through this opening image. Please fasten your seatbelts. Amy is played by Sheil, who may provide a clue as to the film’s personal origins. Amy wanders through her house like a somnambulist, guzzling down copious amounts of alcohol and pressing her body against the floorboards while listening to the Mondo Boys’ cover of Mozart’s “Lacrimosa” on repeat on the turntable in the background. Whatever is going on with her, she appears to be completely immersed in it at the start of the film. One of the empty rooms suddenly emits a flurry of colored lights, and Sheil glides towards them, her face glistening with light as she stares directly into the camera, as if looking at something we don’t know about.
Other characters begin to appear. There’s Jane (Jane Adams), who is irritated by having to deal with her friend Amy’s relapses on a regular basis. Amy, on the other hand, appears to be in a state of complete confusion. Her final days will be spent crawling through the dirt outside her house in her glittering gown, looking for urns on the Internet, and determining whether or not local leather shops would make a jacket out of her skin after she’s gone. ‘I’m going to die tomorrow,’ she says, and Jane is understandably alarmed by what appears to be a suicidal pronouncement on her part. After a few days at home, Jane becomes overwhelmed with dread for no apparent reason, and she flees the house in her pajamas, interrupting her brother Jason’s birthday party (Chris Messina). Amy’s awareness of her own impending death is passed on to Jane by her mother. Susan (Katie Aselton) and their two guests receive it from Jane, who then passes it on to Jason and his family (Tunde Adebimpe and Jennifer Kim).
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In every visual choice Seimetz makes, there is an element of fear present: the camera placements are ominous, with abrupt shifts in perspective. The camera pans down to ground level or peeks through a partially closed door to capture the action. The style is experimental, but it is also cohesive. “She Dies Tomorrow” jumps back and forth in time without warning, switching from night to day and back again. Although this technique can be distracting and self-conscious at times, it contributes to the overall feeling of disintegration, with everything breaking down: social norms, linear time, and relationships.
She Dies Tomorrow Quiz
It’s a mood that’s reminiscent of Lars von Trier’s “Melancholia,” with its unnameable sense of impending doom. In that film, the approaching rogue planet has a different effect on each of the characters: some are well prepared, while others are completely unprepared. This is true for both women: the woman you think will crumble is actually the strongest, and vice versa. This is also demonstrated in “She Dies Tomorrow.” Take note of how each character appears to be looking into their own personal colored strobe. The way each person perceives something is different; it may cause them to grieve or tremble, or it may prompt them to express themselves immediately. However, “She Dies Tomorrow” evokes the creepy way that fear spreads, the manner in which contagion operates at a subterranean level, much like the swimming microbes seen through Jane’s microscope, most effectively.
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The acting is excellent throughout, but Sheil in particular deserves special mention. Her work has long been a source of admiration for me. I first noticed her in Sophia Takal’s “Green,” and I was immediately drawn to her because of the confidence, ease, and depth she brought to the role. Currently, she is working on several projects, including “Sun Don’t Shine,” Alex Ross Perry’s “Listen Up Philip,” and “Queen of Earth,” as well as the little-known but excellent “The Heart Machine” and Robert Greene’s “Kate Plays Christine.” She goes deeper than the majority of actresses, frequently descending into inexplicable wordless states (as in “Green,” as in “She Dies Tomorrow”). While gazing at a multicolored flashing strobe light in her home, Sheil demonstrates how she can embrace the mystery of the present with everything she has. Her face is illuminated by transcendence while also appearing completely insane at the same time.
About the quiz
“She Dies Tomorrow” is haunted by unanswerable questions, questions that the majority of people don’t want to face. What actions would you choose to take if you knew you were going to die in the next 24 hours? What unfinished business would you like to get taken care of before the bell rings? When faced with the prospect of death, things have a way of becoming clearer. There is no collective experience in the novel “She Dies Tomorrow.” People do not congregate for the sake of comfort. Isolation results from contagion (this has eerie resonance with what the world is going through right now). When you face death, you must do so on your own. In Hamlet’s “to be or not to be” soliloquy, he confronts the reality of his situation:
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The dread of something after death, the unknown country from which no traveler returns, is a different story…
In “She Dies Tomorrow,” the audience is invited to gaze into the “undiscovered country” of dizzying colored strobe lights, which leaves them wondering what is out there, what will happen next, and why we are all so alone.
The film is currently playing in drive-in theaters and will be released on digital platforms on August 7.
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