Respond to these rapid questions in our Snatched quiz and we will tell you which Snatched character you are. Play it now.
“Snatched” is the apex of the high-concept comedy hierarchy. Goldie Hawn and Amy Schumer star as a polar-opposite mother and daughter who are kidnapped while on a vacation in Ecuador, despite their best efforts to avoid doing so. It’s a comedy about two mismatched friends. It’s a comedy about a fish out of water. It’s a raucous comedy about female empowerment.
However, it is little more than a theoretical concept. Hawn and Schumer are stuck in the role of barely-there characters who are stumbling from one ridiculous situation to another. A ragtag group of kooks lends a hand along the way. Both women are said to be pushed out of their comfort zones and drawn closer to one another as a result of the experience. It’s finally over.
If you’re planning a vacation of your own, “Snatched” might be a sporadically amusing way to pass the time on the plane, depending on your preferences. In the context of afternoon cable-channel surfing while dozing in and out of cold medication, it’s a completely harmless activity. However, as a comic adventure to kick off the summer season, it is a frustrating waste of everyone’s talents.
For the first time in 15 years, Hawn hasn’t appeared on the big screen, not since 2002’s “The Banger Sisters.” When things get tough, she takes on the persona of Linda, a cautious cat lady who, for some reason, exhibits an uncanny sense of calm and fortitude. With films like “Foul Play,” “Overboard,” and “Bird on a Wire”, Hawn has elevated otherwise uninteresting material throughout her career. It’s great to see her back on the big screen again, but why did she come out of retirement for this? Although she retains her impeccable timing, she is awkwardly confined, and you long for her to burst forth with her trademark silliness.
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“Trainwreck,” on the other hand, sees Schumer reprise yet another version of her well-honed persona, which she did far more effectively (and to a surprisingly emotional extent) in the 2015 film. Emily is a little tipsy and blowsy. She’s self-centered and vapid, but she can be entertaining. And her underlying insecurity, combined with her ability to throw off self-deprecating asides, end up making her an unexpectedly endearing character.
Linda and Emily are put through their paces on a number of occasions in “Snatched,” though the actresses who play them do not. However, they have their moments together (particularly in the film’s early going) that provide a tantalizing glimpse of what could have been if the film had been directed with more vigor and the material had been stronger. I mean, it’s almost as if the mere prospect of Hawn and Schumer portraying an acrimonious mother and daughter was enough. It is not the case.
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When it comes to balancing a variety of genres and tones, director Jonathan Levine has demonstrated far greater proficiency in his previous films, which include the excellent comedy-drama “50/50” and the horror-comedy “Warm Bodies.” His combination of action and laughter never quite comes together in this scene. With the physicality comes a lack of life, and the humor comes across as shrieky and childish.
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In a similar vein, screenwriter Katie Dippold has demonstrated a talent for creating strong and delightfully strange women through her work on “The Heat” and the all-female “Ghostbusters” reboot that premiered last summer. “Snatched,” on the other hand, is a film in which the characters never really stray from their stereotypes until the very end, when they are called upon to have a sudden and conciliatory change of heart. In the role of the overly prepared, platonic life partners who assist Linda and Emily in getting out of their various jams, Wanda Sykes and Joan Cusack appear from time to time, but their relationship also feels underdeveloped.
“Snatched,” on the other hand, begins with promise. Emily, who believes she is a rock star in the making, is fired from her nowhere retail job and dumped by her burgeoning rock-star boyfriend (a very funny Randall Park) all in the same week. The humor in this film has a sly, understated quality to it, and it has a rhythm that gradually creeps up on you. As a result, she must find someone else to accompany her on their romantic getaway to Ecuador, which is non-refundable because of the nature of the trip. She persuades Linda, a divorcee who still lives in the family’s suburban home with Emily’s nerdy, agoraphobic brother (an amusingly odd Ike Barinholtz), to accompany her to paradise after all of her other girlfriends reject the offer.
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Nonetheless, Emily’s flirtation with a charming and hunky Brit (Tom Bateman) at the hotel bar results in peril for both Emily and her mother, who find themselves the targets of a kidnapping plot perpetrated by a group of interchangeably menacing, brown-skinned bad guys. Although “Snatched” may be attempting to say something about the tendency of wealthy Americans to travel abroad without ever taking the time to immerse themselves in the local culture, it doesn’t do so in the most thoughtful or articulate manner.
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From here, the mother and daughter bicker and bumble their way through an escape and a series of subsequent misadventures until they reach safety. Nothing here is particularly novel or unusual; nothing here is nearly as bizarre or unusual as it appears on the surface to be. One particularly amusing sequence involves phone calls between Emily’s freaked-out brother and an unmotivated State Department official (Bashir Salahuddin), and it suggests the kind of film “Snatched” could have been had the filmmakers pushed the envelope a little further. Additionally, an interlude with Christopher Meloni, who plays an overly serious and overly self-styled adventurer in the Amazon, contains some pleasant surprises.
The film “Snatched,” on the other hand, never really gets anywhere if the journey is the destination.
For more personality quizzes check this: Lion Quiz.
