Respond to these rapid questions in our Suicide Squad quiz and we will tell you which Suicide Squad character you are. Play it now.
The protagonist of “Suicide Squad,” played by Will Smith, laments the fact that he and his team of reluctant heroes must battle “the swirling ring of trash in the sky” at one point in the film. In addition, that’s a pretty accurate description of the film as a whole: It’s enormous, disorganized, and noisy. It’s also a stench.
Suicide Squad is just about as unpleasant as this year’s “Batman v Superman: Dawn of Justice,” but for entirely different reasons. “Suicide Squad” is the latest installment in DC Comics’ ongoing effort to create a series of interconnected films based on DC Comics characters, similar to the well-established (and, thus far, superior) Marvel Cinematic Universe. Following the misadventures of a group of super villains who are forced to work together in order to defeat a powerful adversary, “Suicide Squad” is actually attempting to be entertaining. Or, at the very least, it is attempting to capture the same blend of daring and cheekiness that made “Deadpool” and “Guardians of the Galaxy” such twisted delights. With the exception of a few, very rare instances, the attempts at humor in “Suicide Squad” are met with a thud—that is, if you can hear anything over the deafening din of gunfire and the obnoxious soundtrack.
Ayer’s script is both underwritten and overstuffed, which results in a film that is both entertaining and frustrating to watch. It has an excessive number of characters, but only a few of them are even remotely resemblant to actual human beings. Before this film, Ayer’s previous films, including “End of Watch” and “Fury,” as well as his screenplays for “Training Day” and the original “The Fast and the Furious,” were marked by an intimate, visceral intensity. It’s almost as if the machinery of making a big-budget, comics-inspired summer blockbuster has swallowed him whole in this situation.
In the end, Ayer and his massive crew have delivered a film that is muddled both visually and narratively…. In many instances, it is difficult to tell what is going on because so many of the large-scale action sequences take place in the dark, in the rain, or in the dark and in the rain. But, more fundamentally, from the standpoint of storytelling, “Suicide Squad” suffers from a severe lack of both momentum and cohesion throughout. It will come to a grinding halt for a flashback or to allow its characters to go to a bar and commiserate about how terrible their lives are while the world outside is supposedly on the verge of annihilation outside the screen.
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And that’s before we get to the distracting use of on-the-nose musical selections to introduce each character: “House of the Rising Sun” when we first see Smith in a Louisiana prison as the expert marksman Deadshot; the massively overused “Sympathy for the Devil” for Viola Davis’ shadowy government figure who dares to put together this team of criminals; “You Don’t Own Me” (ironica) for Margot Robbie’s unpredictable, baseball-bat- (Adewale Akinnuoye-Agbaje, unrecognizable under pounds of prosthetics and makeup). Each song elicits a groan from the audience and pulls you out of the action.
That only scratches the surface of the enormous cast of bad guys and government officials on display. At the beginning of the film, which takes place after the events of “BvS,” Davis’ Amanda Waller comes up with the idea of removing the worst of the worst villains from prison and offering them a chance to have their sentences reduced or even shortened. In exchange, they must assist the federal government in combating their most difficult adversaries. Their first mission is to take down a supernatural figure who appears to be invincible: Cara Delevingne as the ancient Enchantress, who has the ability to time travel, zip through space, manipulate metal, and perform a variety of other impressive and dangerous feats. (Although she couldn’t have planned better special effects for herself, the threat she creates appears to be hilariously cheesy when she is at the height of her powers.) The Enchantress has taken over the body of archaeologist Dr. June Moone, who has fallen in love with her soldier handler, Rick Flag (Joel Kinnaman), who is now in charge of babysitting the Suicide Squad and the Suicide Squad’s children.
Suicide Squad Quiz
In addition to Deadshot, Harley Quinn, and Killer Croc, there’s Jay Hernandez’s heavily-tatted Diablo, who’s been cursed with the ability to create fire; Karen Fukuhara as the masked Katana, who’s deadly with the samurai sword that’s haunted by her slain husband’s spirit; Jacqueline Courtney as Boomerang, an Aussie baddie who does… something with a boomerang
Also, you will find out which character are you in this Suicide Squad quiz.
Oh! I had completely forgotten about The Joker. This is due to the fact that, despite his widely publicized participation in “Suicide Squad,” he appears in only a few scenes. He’s played by Jared Leto with the green hair, manic smile and homicidal tendencies we’ve come to know in various incarnations of the iconic villain. The problem is that he’s more giggly and creepy than truly frightening, and he’s absent for such long periods of time that he doesn’t make much of an impact on the film overall.
Robbie, who is usually radiant, doesn’t fare much better as The Joker’s main squeeze and partner in crime, which is surprising given her previous track record. As Harley Quinn, she knows how to play the sexy part, complete with hot pants and a wicked smile. In this film, however, she never quite manages to sell the craziness, and her heavy New York accent—which helped propel her to instant stardom in “The Wolf of Wall Street”—is strangely inconsistent.
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There are a few opportunities for Robbie and Smith to joke around with each other and demonstrate the chemistry that made their pairing in the con-artist comedy “Focus” so electrifying. It’s impossible to ignore Smith’s ability to be one of the most endearing people on the face of the planet, and this comes through from time to time, and he also has some sweet moments in the company of Shailyn Pierre-Dixon, who plays his daughter and whom he hopes to reunite with after this mission is completed. Davis, in a similar vein, brings her usual commanding presence and gravitas to this otherwise unstable relationship, and she’s pretty much the only person on screen who makes the film worth seeing.
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Part of the problem is that the people in charge of the “Suicide Squad” regard even their few interesting characters as disposable, which is part of the problem. If these guys don’t succeed, they will perish. If they leave, they will perish. The film’s creators, on the other hand, haven’t given us much reason to care about them.
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