Respond to these rapid questions in our The Boss Baby quiz and we will tell you which The Boss Baby character you are. Play it now.
“The Boss Baby” sounds like a fantastic concept for an animated caper that would appeal to both young and old audiences. Making a small-business tycoon’s voice sound calm and melodious with a tinge of malice by hiring Alec Baldwin to do so is a bold move. Right on the money—and kudos to the film’s creators for sneaking in a “Glengarry Glen Ross” reference for good measure. What could possibly go wrong when you combine a plotline that pits adorable children against cuddly puppies in a cuteness competition?
It appears to be a great deal. Even a seemingly infallible nugget of an idea necessitates careful nurturing, just as any other child would. In this situation, “The Boss Baby” frequently tries too hard and achieves too little success. Its source material, Marla Frazee’s 36-page picture book from 2010, is part of the problem; its irresistible premise made it a popular baby shower gift, which is part of the solution. Ultimately, it came down to an adorable metaphor about how a new baby in a business-suit onesie treats his parents like harried employees, conducting late-night meetings and squalling constantly for attention. When this novel concept is introduced early in the film, it results in some of the film’s funniest and most emotionally relatable moments.
Despite beginning with only enough material for a cartoon short, director Tom McGrath (the “Madagascar” franchise) and writer Michael McCullers (the “Austin Powers” sequels, “Baby Mama”) infuse a sibling rivalry element into the story with a seven-year-old older brother, Tim (voiced by Miles Christopher Bakshi, grandson of animation maverick Ralph Bakshi of “Fritz the Cat” fame), who re
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As with Pixar’s “Inside Out,” which took inspiration from the workings of an 11-year-old girl’s mind, this approach draws on the same genetic material that helped make the film so popular. However, that story, which was inspired in part by the way brains actually function, was meticulously plotted. There is a distinct lack of logic and coherence in this situation, which is frequently exacerbated by sloppy execution that is as sloppy as a week’s worth of poopy diapers. Boss Baby is a fictional character who only exists in the book. During this segment, there is a lengthy and uninspired credits sequence that involves a conveyor belt that determines whether or not an infant will be accepted into family after passing a tickle test. It is determined that if no giggles are heard, the individual is designated as “management” and becomes a member of an organization known as Baby Corp., which is a competitor to Puppy Co., where Tim’s mother and father both work.
The Boss Baby Quiz
There is a reason why the above description does not sound exactly like a bundle of joyful laughter-out-loud moments.
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A number of attempts are made to inject zing into the proceedings both visually and narratively, some of which are strained. The style of old-school Warner Bros. cartoons is emulated, with a stylized nod to German Expressionism thrown in for good measure. Instead of properly exploiting Baldwin’s badass babe to the fullest extent possible, the film takes detours with action sequences set to the themes of ’70s television shows “S.W.A.T.” and “The Six Million Dollar Man,” as well as a clumsy homage to pirate films. “Wake up, halflings!” says the alarm clock, which is a replica of a wizard that is clearly inspired by Tolkien. Tim awakens every morning at 7 a.m. to the sound of the alarm clock, which is accompanied by the words “Wake up, halflings!” It’s a cool trinket, but it has little to no practical significance in the context of the discussion.
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The makers of “The Boss Baby” make a valiant effort to include elements that will appeal to people of all ages, such as inserting the Beatles’ “Blackbird” as the song Tim’s parents sing him to sleep (which leads to a Lennon-McCartney name check). They tease with bare bottoms, pixelated baby privates that cause tee-hees, and a wee fart that results in the expulsion of baby powder, among other things. One of the more amusing jokes is even referred to as “Baby Jesus” in the script. Sure, throw in a power nap allusion and a magic formula that is actually a baby formula to keep things interesting. Even though I enjoyed a gathering of overweight Elvis impersonators on their way to Vegas, which uses on-screen subtitles to translate the slurred Presleye that is being spoken, the scene has little connection to the race-to-the-end conclusion of the film.
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While Boss Baby and Tim are attempting to find common ground, which includes a bizarre moment involving mutual pacifiers, some very familiar voices can be heard in the background. Tim’s parents are played by Jimmy Kimmel and Lisa Kudrow, and Tobey Maguire portrays the older Tim who narrates the film. None of the other actors, however, have the same lasting impact as Baldwin in the role of Tim. If you want to put things in perspective, “Nine Lives,” the felonious talking-feline film from last year, does not leave you feeling like you are choking on a hairball like it did in “The Boss Baby.” In contrast, if you’re looking for pint-sized chatter, 1989’s “Look Who’s Talking,” which stars Bruce Willis as a toddler whose thoughts are spoken with smart-aleck verve by Bruce Willis, might make for a more satisfying movie night experience.
For more personality quizzes check this: Get Out Quiz.