Respond to these rapid questions in our The Emoji Movie quiz and we will tell you which The Emoji Movie character you are. Play it now.
Following in the footsteps of “Toy Story,” which became an enormous box-office success and a beloved modern masterpiece by providing audiences with an inspired look at what ordinary toys do when their owners aren’t around, Hollywood has attempted to replicate that seemingly simple formula with a number of animated films that have offered viewers a privileged glimpse into the previously unseen existence of everything from the shelves of a grocery store (the execrable “Foodfight!”) to the psyche of a young girl (the execra After that, there’s “The Emoji Movie,” a film that dared to ask the question, “What happens in the magical worlds contained within our cell phones?” It’s a question that I don’t believe anyone else has ever pondered for any length of time, aside from those who were forced to sit in a focus group at Sony Animation. But that is only the beginning of the many problems that plague this film, which is a work so completely devoid of wit, style, intelligence, or even basic entertainment value that it renders the film based on the popular mobile game, Angry Birds, appear to be a pure artistic statement in comparison.
It is the extremely dubious conceit of “The Emoji Movie” that there is a bustling metropolis known as Textopolis hidden within the messaging app on our phones, where all of the emojis live and wait to be summoned by their owners to express what words alone cannot. Although Gene (T.J. Miller), who is supposed to be a “meh” like his parents (Steven Wright and Jennifer Coolidge), is unable to maintain a single facial expression, the rest of the film is filled with him being exuberant and making a fool of himself. As a result, Gene’s phone owner, a 14-year-old boy named Alex who is struggling to communicate with the girl he likes, chooses Gene to represent him in a text message to her—Gene chokes at the last second and coughs up so many expressions that it is impossible to understand what he is supposed to represent. When Smiler (Maya Rudolph), the always-smiling leader of Textopolis, discovers Gene’s secret and realizes what it could mean for everyone if just one emoji appears to be malfunctioning, she decides to have him permanently removed from the planet.
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In order to finally fit in, Gene must enlist the assistance of another outcast emoji, the once-popular Hi-5 (James Corden), who helps him come up with a plan to have himself reprogrammed to only show one expression. This will allow Gene to finally fit in. This is only possible thanks to the assistance of master hacker Jailbreak (Anna Faris), who agrees to assist him in exchange for his accompanying her on a journey to the mythical Cloud, where his ability to change expressions may be able to assist her in breaching the impenetrable firewall that protects it. Along their journey, they encounter a variety of different apps, where they learn valuable lessons about being yourself, friendship and other topics. They are being pursued by Smiler’s troops, who have all been outfitted with illegal upgrades in order to make them even more lethal than before. Further aggravating the situation is that Alex has scheduled an appointment to have his phone and everything contained within it completely erased because he has grown increasingly frustrated with the glitches that Gene’s journey has inadvertently caused.
The Emoji Movie Quiz
So, what wonders await us beneath the surface of our touch screens, after all? A combination of product placement and corporate synergy, according to the evidence presented by “The Emoji Movie,” is at the heart of the plot. This indifferently designed and executed cityscape contains any number of familiar emojis, the most well-known of which is undoubtedly Poop, who is voiced by none other than Sir Patrick Stewart in one of his less dignified performances. The moment we leave the confines of Textopolis, we are essentially thrust into a series of mini-ads for well-known apps, which range from brief forays into the worlds of Facebook and YouTube to extended commercials for games such as Candy Crush and Just Dance. I found myself making educated guesses about which characters spent the most money to appear in the film (or any other scenes, for that matter) based on how much time they were exposed to and how much praise they received from the other characters. On the basis of the available evidence, Dropbox appears to have been the major spender in this production—not only does it serve as the all-important gateway to the Cloud, but the characters are able to safely hide out from the bad guys because, to quote the script, “they are illegal malware and this app is secure.” On the other hand, my guess is that the film could have made money solely from taking money from companies that wanted to keep their apps as far away from this as possible.
Also, you will find out which character are you in this The Emoji Movie quiz.
The lack of imagination displayed in “The Emoji Movie” is not limited to the film’s depiction of the world of apps. Aside from a few moments of amusement, excitement, and insight into a culture that considers emojis to be the pinnacle of contemporary communication, this is a film that has absolutely nothing to offer its audience. Krusty the Klown, on the other hand, appears to be focused and committed in comparison to the actors who are stumbling through their lines with such a lack of enthusiasm. Considering that there is not a single thing in this film that has not been blatantly lifted from other, better films, the message about the importance of being true to yourself rings particularly hollow. In fact, the only aspect of the screenplay that is even remotely surprising is the inclusion of Mike White, the critically acclaimed writer of films such as “School of Rock” and “Beatriz at Dinner,” as one of the screenwriters who is listed on the credits page. What is the best way to explain his participation in such a pathetic project? As the most powerful and popular emoji of all, my guess is that the Poop emoji demanded that he be brought in to give his dialogue a little extra zing.
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However, will the kids enjoy “The Emoji Movie,” which is a demonstration of artistic abdication at its most heinous level? In response to that question, I’d like to make the following observation. The other day, I got to play ersatz uncle by taking two adorable girls from my acquaintance—10 year-old Mamie and 4-year-old Danger (yes, Danger is her middle name, and no, I am not joking)—to see Hayao Miyazaki’s 1989 classic “Kiki’s Delivery Service” on the big screen in a nearly-full theater that was packed with families with small children. The children were completely unaware that they were watching a masterpiece, but they were so engrossed in the story and the stunning visuals that you could hear a pin drop in the auditorium. In contrast, at the screening of “The Emoji Movie” that I attended, there were plenty of children present, but judging by the shifting of seats, the rustling of candy bags, and the lack of laughter, they did not appear to be enjoying themselves at all. Despite the fact that “The Emoji Movie” is one of the most depressing film experiences that has been released this year, if the reaction of the children who I watched it with is any indication, there may be some hope for the future after all.
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