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The story “The Finest Hours” tells is based on a real-life rescue operation that, if someone had tried to pitch a similar but completely fictional story following its basic parameters, it would have been rejected as being too implausible to believe. The story is based on a true-life rescue operation. It is a solid film that, for the most part, helps to bolster its inherently compelling narrative with effectively low-key performances, some genuinely thrilling sequences, and only a few moments here and there that lean towards hokeyness. However, due to a presentation issue that makes the movie nearly impossible to watch for significant portions of its running time, I cannot in good conscience recommend that you go see it.
The film takes place in the waters off the coast of New England and recounts the events that took place on February 18, 1952, during which a severe storm developed with such intensity that two oil tankers, the SS Fort Mercer and the SS Pendleton, were both literally split in half by the force of the storm. The Fort Mercer was able to send out distress signals and get assistance, but the Pendleton broke in two, which led to the sinking of its fore section and the loss of its commanding officers and radios. The Fort Mercer was able to do both of these things. It is the bookish chief engineer Ray Sybert (Casey Affleck), who figures out a way to steer the crippled remains of the ship onto a nearby shoal in order to give potential rescue parties a little more time in which to find them before the rising waters finally overwhelm the generators and leave them without power. With the rear section of the ship taking on water and some of the crewmen considering going out in the lifeboats—a suicidal move considering the size of the boats and
Even though the Pendleton was unable to send out a distress signal, its existence was miraculously discovered, and the commander of a Massachusetts Coast Guard outpost (Eric Bana) sends out a four-man crew consisting of sailor Bernie Webber (Chris Pine), a sailor with a troubled past, and volunteers Richard Livesey (Ben Foster), Andy Fitzgerald (Kyle Gallner), and Ervin Maske (John Magaro) on According to those who live in the area, this is an endeavor that will at best be unsuccessful because it is impossible for a boat of that size to navigate those waters and get past the sandbar into the open ocean. Bernie, after a long and harrowing struggle, is finally able to get the boat over the sandbar, but unfortunately, he is unable to keep hold of the compass during the process. As night falls and there is no way to determine where the ship is going, the mission goes from being dangerous to being downright suicidal. Nevertheless, Bernie and the others are determined to do their job, and get to the Pendleton in order to rescue as many of the sailors as they possibly can.
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The beginning of “The Finest Hours,” when it is trying to establish the situation, is a little bit clumsy. There is a lengthy prologue that traces the courtship of Bernie and the telephone operator Miriam (Holliday Grainger), which is presumably meant to give an additional emotional resonance to the proceedings, but it doesn’t add much to the action. When the narrative repeatedly shifts its focus away from the rescue operation and onto scenes of Miriam fretting on dry land later on, the situation becomes even more irritating. Even though the plot is straightforward enough for people to be able to follow along easily enough, the onslaught of nautical jargon may initially cause some viewers to become confused. This is despite the fact that the story itself is straightforward enough for people to be able to follow along easily enough. It is never made clear whether the character of the commanding officer is portrayed as a martinet, an idiot, or as a newcomer to the area who is too unfamiliar with the area to understand the dangers he is sending his men into. This adds to the confusion surrounding the portrayal of the character.
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As soon as it gets past these obstacles, “The Finest Hours” transforms into an effective rescue drama. While it does not necessarily reinvent the genre, it does its business in a way that is both intelligent and generally compelling. Director Craig Gillespie, whose previous works include the quirky comedy “Lars and the Real Girl” and the surprisingly good remake of “Fright Night,” does a good job of conveying the stories of the Pendleton crew’s struggle for survival and the trials of their would-be rescuers. Gillespie’s previous films include “Lars and the Real Girl” and “Fright Night.” Chris Pine, who has often struck me as insufferably smug, delivers his most likable work to date as Bernie, and Casey Affleck is equally good as the loner engineer who finds the lives of his fellow sailors suddenly in his hands. Additionally, the performances are also nicely down-to-earth as well. Technically, the movie is pretty convincing, with the exception of a couple of parts that are questionable, and the scene in which Bernie struggles to get his tiny ship over the sandbar is an exciting moment to watch.
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However, despite the fact that “The Finest Hours” has some truly excellent sequences, I am unable to wholeheartedly endorse going to see it because of the stupid decision to convert the movie into 3-D. This was probably done in order to make a few more dollars at the box office. In other situations, a move of this nature might be written off as a trivial annoyance; however, in this one, it actively works to destroy the most fundamental aspect of the enjoyment that can be derived from watching it. The 3-D conversion of “The Finest Hours,” a movie that takes place almost entirely during the night and in the midst of a fierce storm, is so murky that there are long stretches during which it is almost impossible to discern what is going on up on the screen. The film takes place almost entirely during the night and in the midst of the storm. It is definitely something to check out, even in two dimensions, if you get the chance. You won’t get the full big-screen experience that a movie like this begs for, but at least you’ll be able to see the damn thing. However, since Disney is obviously pushing the 3-D version, my recommendation is to avoid it and wait for the Blu-ray release instead.
For more personality quizzes check this: When The Bough Breaks Quiz.
